Streaming TV

Review: Powers 1×1 (Playstation network)

Powers

On the Internet: Playstation network

To quote Master and Commander, what a fascinating modern world we live in. Once upon a time, you needed something called a ‘television set’ to watch television programmes. Imagine that, hey? I mean ask the average teenager what a television set is now and they won’t know, am I right? It’s only if you tell them it’s the screen for their console games that they’ll know what you’re talking about.

The main cause of the step away from broadcasting TV has been the Internet: now practically anyone with enough money can not only make TV but also air it over the Internet to anyone who’ll watch it. No need for a pesky network of transmitters, cables or satellite dishes. The challenge has been to demonstrate that Internet TV is as good as broadcast TV and therefore worth watching.

Companies such as Netflix and Amazon have been doing just that, giving us the likes of House of Cards, Transparent, The Man In The High Castle, Orange Is the Only Black and more. Now comes Sony with TV for its Playstation console network. And it seems intent on proving that actually, Internet TV is pretty sucky and nowhere near as good as that stuff you used to watch on your ‘television set’.

Powers is the Playstation Network’s first foray into scripted original programming. Adapted from Brian Michael Bendis’s graphic novel of the same name, it imagines a world in which superheroes (aka ‘powers’) are real and commonplace, how that world would deal with it and how those superheroes would genuinely act. ‘Arch nemesis’? You’ve been reading too many comics – there’s no black and white in the real world. That guy’s just a dick…

Sharlto Copley (District 9, The A-Team, Maleficent et al) plays a detective in the police’s ‘powers’ division tasked with policing homicides committed by superheroes. A former ‘power’ himself, he lost his abilities in a fight with the Sylar-esque Wolfe (Eddie Izzard) and hasn’t quite adjusted to his loss, something his new partner, Deena Pilgrim (Susan Heyward), quickly comes to realise. Now he’s faced with dealing with someone who’s killing ‘powers’ – and it’s probably the teleporting ‘power’ Johnny Royalle (Noah Taylor), who everyone thought was dead.

Now clearly Sony wanted to produce something that it imagined would draw in games players. So pause for a second and imagine a crude stereotype of games players. Imagine what TV they’d like to watch.

And you’ve pretty much got Powers.

Okay, it’s probably not as bad as whatever you’ve imagined. Yes, there is underage sex between a teenage powers wannabe (played by the thankfully 28 years old Olesya Rulin) and a much older man. Yes, there’s plenty of gore and ickiness. But actually, there are no hot naked babes, only the ever-wonderful, well clothed Michelle Forbes as Retro Girl. And actually the story involves remarkably little action and violence, intent as it is on trying to depict real people in a strange world.

But this is a superhero fest with ample eye-rolling moments, startling bad dialogue and in-show trading cards of all the ‘powers’. There’s also amazingly bad acting, just like in most games. Although Forbes is reassuringly competent, she’s only in the first episode for a few moments, leaving the bulk of the action to Copley, Izzard, Heyward and co, who are clearly under the impression they’re getting paid a lot of money to appear in something that only about five people will watch so are either hamming it up something chronic or phoning in their performances. It doesn’t help that Copley and Izzard are both woefully miscast, clearly hired as names rather than because they were the most suited actors for the roles.

Worse still, someone has obviously been counting beans at Sony and figured that this actually qualifies as just another game and gave all 10 episodes of the show the budget of one. Because everything just looks rubbish. Imagine CGI from the early 90s and that’s what pretty much every special effect looks like – you won’t believe that a man can fly… or shoot lightning bolts or anything else. In fact, ITV2 did a very similar but comedic show a few years ago called No Heroics and it had better effects than this does.

Actually, the whole thing was better. Think on that. A seven-year old, not very good ITV2 show is better in every respect than a TV programme intended as Sony’s Internet TV calling card.

As well as the poor, often tedious pacing of Powers, the largely bland look of the show is a big surprise, given that the director is David Slade, who set the visual tone of the delectable Hannibal. But beyond a few piquant visual flourishes, Powers‘s direction is about as bland as it comes.

There’s a decent enough story lurking under all of this. Unfortunately, it’s Sony who are trying to ‘realise’ it and the result is something pretty poor. Frankly, gamers – even everyone – deserve better than this. And broadcast TV looks like it’s got a good few years left in it as a result.

News: 2 Broke Girls, 12 Monkeys renewed, ITV acquires Jordskoot, BBC2’s Grand Theft Auto drama + more

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US TV

US TV show casting

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New US TV show casting

  • Kristen Hager to star, Christine Evangelista joins ABC’s The Adversaries
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  • Jennifer Carpenter to star in CBS’s Limitless
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US TV

A new CSI: Cyber game we could play if any of us could stomach watching it

It’s dreadful. And as I pointed out in my review, James Van Der Beek knows it.

James Van Der Beek knows CSI: Cyber is rubbish

If only we could bring ourselves to watch it, we could play a great weekly game of “Best picture of James Van Der Beek realising he’s in a heinously bad TV show”. The winner would be whoever found the best picture of James Van Der Beek realising he’s in a heinously bad TV show. Anyone up for it?

[via]

US TV

Review: American Crime 1×1 (US: ABC)

American Crime

In the US: Thursdays, 10/9c, ABC

Every so often, the American entertainment media decides it needs to make something Very, Very Important about race in America. Race and crime and drugs. Hopefully, in some sort of ensemble and/or anthology format. Something that’ll make up for not talking about them in an adult manner for the previous five to 10 years.

American Crime is such a Very, Very Important show and it really, really does know it. It is also quite important, too.

Following on from the likes of Crash and The Wire but without much by way of humanity, accessibility or humour, American Crime is a slow-moving, lovingly made, beautifully shot piece, filled with overlapping stories and fine actors, that you almost certainly know you should be watching but might well struggle to find the energy to do so, once you remember that the previous episode sucked all the joy of life from you.

Created by, written by and directed by John Ridley Jr (12 Years A Slave) and starring the likes of Timothy Hutton, Felicity Huffman and Penelope Ann Miller, it sees Hutton and Huffman’s war veteran son killed during an apparent burglary and his wife raped. Soon, a young Latino man is arrested, as is a black meth addict, and the racial battle lines are drawn, as the case proceeds. Except then the twists set in, muddying the waters.

Miserable already and the show only gets worse over the course of the first episode, as we see parents learn tragic things about their sons they’d rather not, people’s alcoholic pasts used as weapons against them, and lives destroyed. The script is thoughtful, giving us respectful, undramatic professionals, ranging from police to doctors to journalists, as well as drug addicts who are more than just their next fix, while refusing to make anything black and white – or simply Black and White. The acting’s first rate, in particular from Hutton, who it was possible to forget while watching Leverage was the youngest ever winner of an Oscar for supporting actor but who makes sure you know it here.

The trouble is that it’s a real struggle getting to the end of even this first episode. Hutton’s anguish is powerful, the bleakness of his and Huffman’s marriage horrifying, and while the drug addiction scenes never exactly hits the absolute misery of Requiem For a Dream, for example, they’re about as close as network TV is going to get.

It’s also pretty slow-moving, with just the occasional implausibility to take you out of all the verisimilitude – why exactly are those drug dealers watching ABC’s Sunday night chickfest Revenge? Why do the other dealers have a copy of Country and Landscape to read? Yes, there’s three-dimensionality to characters, but there’s also downright unlikeliness.

The show does have some thoughtful things to say about race along the way. Huffman’s character, for instance, hears ‘Latino’ and automatically assumes that the suspect in her son’s murder is an illegal immigrant, even though he was born in the US and his father is a proud legal immigrant.

If you can force yourself to eat a regular dose of greens every week that not only will drain you and leave you feeling saddened and perhaps even frightened by the world but wants you to feel that way, too, American Crime is about as good a crime drama as you’re going to get. If not, you’ll be missing out, but I won’t blame you… because I might be joining you.