It’s time for our regular look at the TV that the BFI is showing, this time in May 2015. The entire BFI TV output this month is dedicated to Noël Coward, with a season of his plays and music, including several Q&As with the likes of Keith Barron, Dame Penelope Keith, Barry Day and Kit Hesketh-Harvey all turning up to talk about the man himself.
Among the plays is Private Lives. Guess what? It’s this week’s Wednesday Play (on Tuesday) – you can read all about it after the jump or simply watch it below.
It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.
The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.
So it’s Easter next week and I’m away at weddings and then taking a brief break, which means this is the last round-up for a fortnight. Somehow, though, I’m practically bang up to date. How did that happen?
I even managed to try a couple of new programmes.
A family on a Florida island is big in the local community, having run a hotel for 45 years and one of their sons (Kyle Chandler from Early Edition) being the sheriff. Then their black sheep eldest son returns to the fold, brining all manner of misery with him.
That sounds quite exciting, doesn’t it? But on the strength of the first episode, I’ll be putting this on my low priority “To watch” list, since it was quite impressively dull, despite the lovely location photography. In particular, there’s a scene that lasts about three or four minutes in which the three brothers argue over about whether or not black sheep’s girlfriend can sit at the family table for lunch. I kid you not. The only thing that managed to make watching the first episode at all was a hackneyed flash forward to more interesting times, interspersed throughout the episode.
The Good Witch (US: The Hallmark Channel)
The Hallmark Channel’s one of those channels that I pay almost no attention to, whatsoever. I bet you don’t either. Did you know that Andie MacDowell has had a show running on it for three seasons called Cedar Cove? I bet you didn’t, unless you’ve been paying a lot of attention to my News pages.
Equally, since 2008, there have on the Hallmark Channel been no fewer than sevenThe Good Witch movies starring JAG’s Catherine Bell as the absurdly named Cassandra Nightingale, a good witch who moves into a small town and starts helping people with herbal remedies, magic spells, etc. Over the course of those movies, she’s got married, raised kids and had a kid of her own. And now she’s got her own TV series, which started last month. But because it’s on the Hallmark Channel, I didn’t notice any of this until now – because even I don’t pay that much attention to my News pages.
Anyway, I tried watching the first episode, in which somewhat miserably her husband from the movies has now died (Chris Potter from Kung Fu: The Legend Continues, who’s too busy filming Canada’s Heartland to do more than a movie now and then). So now she has a potential new love interest in the shape of new neighbour James Denton (The Threat Matrix, Desperate Housewives) – how long will it be before he works out she’s a witch?
And that’s when I remembered why I don’t watch anything on the Hallmark Channel – it’s all twee rubbish, with the emotional depth of a Hallmark card, and as dreadfully written, too. It makes Charmed look like 24 in comparison. Avoid.
After the jump, the regulars: 12 Monkeys, 19-2, The Americans, American Crime, Arrow, The Blacklist, The Doctor Blake Mysteries, Community, The Flash, Forever, Fortitude, iZombie, Marvel’s Agents of SHIELD and Vikings.