ABC's The Mayor
US TV

Preview: The Mayor 1×1 (US: ABC)

In the US: Tuesdays, 9.30/8.30c, ABC. Starts October 3

For much of the past year, there’s been an ongoing race to see which TV show will be the undoubted first of ‘the Trump era’. Did The Good Fight get there first with its inclusion of the Trump inauguration, alt-right characters and people being discriminated against for voting Trump? Arguably not, as it wasn’t really about Trump.

How about any of the legion of forthcoming military shows due on US screens within the month? Are they going to claim the title by arguing that they speak to conservative concerns?

If they do, they’ll be too late because we now have The Mayor. On the face of it, it’s an unlikely winner, given it’s about a small-time Californian rapper (Search Party‘s Brandon Micheal Hall) hoping to hit the big time. However, Hall decides to boost his career by entering his city’s mayoral elections. His ignorance of policy shines through at debates, much to the disgust of his opponent’s totally clued in and competent manager (Glee‘s Lea Michele).

But his appeal to ‘the common man’ nevertheless means that when election day rolls round, he actually wins the contest he had no intention of winning and has to become mayor.

“Did the Russians hack the voting machines?” asks his best friend and campaign manager.

Ladies and gentlemen, we have a winner. The Mayor is ‘Trump Show: The First’.

Continue reading “Preview: The Mayor 1×1 (US: ABC)”

The Good Doctor
US TV

Preview: The Good Doctor (US: ABC; UK: Sky Living)

In the US: Mondays, 10/9c, ABC. Starts September 25
In the UK: Acquired by Sky Living to air in Autumn

Back in 2014, I made a confident prediction:

I’m confidently predicting synesthesia as the TV Aspergers for 2015. All the shows will be doing it soon – you’ll see.

I wasn’t 100% on the money, but synesthesia did pop up in a few shows and CBS did try a synesthesia pilot back in 2016.

However, my unspoken assumption was that TV was so over Aspergers. It was done with it. It had been in everything already, so now was the time to find something newer and groovier for TV drama to work with.

Oops. My bad. Here we are, at the start of the 2017-2018 US TV season, and we have ABC(US)’s The Good Doctor, which is centred on an Aspie. Yep, following all the lovely racial and sexual diversity work ABC’s been successfully glopping out onto people’s screens for the past few years, it’s now the turn of us ‘disableds’ for a bit of special treatment. It’s nice but it does feel a bit 2013 all the same.

Freddie Highmore (Bates Motel) is the central Aspie of the piece. He’s just starting out at a prestigious hospital as a surgical resident. So far, so uncontroversial.

However, forget 2013 – it’s almost like the past 10 years haven’t happened for The Good Doctor, because even though Abed’s been making movies on NBC’s Community and Ben Affleck rolling-pinned his way into the special forces in The Accountant, ABC isn’t quite sure if Aspies can hold down a job…

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A screen-cap from Twin Peaks
TV reviews

What have you been watching? Including GLOW, Riviera, Logan, Twin Peaks and Ronny Chieng

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently and your chance to recommend anything you’ve been watching.

Redesigning and migrating TMINE took up quite a bit of my time this week, so I didn’t cast my net as wide as I’d hoped in watching new TV. All the same, you’ll be excited to hear that I’ve managed to give two other new shows at try, as well as a movie, and I’ll be reviewing The Mist (US: Spike) in the next couple of days, too.

After the jump, a look at the latest episodes of Doctor Who, Ronny Chieng: International Student and Twin Peaks, as well as the season finale of Silicon Valley. One of those could offer some of the finest visuals TV has ever seen.

But first…

GLOW (Netflix)
Slightly weird half-hour comedy based on the genuinely real 80s phenomenon of GLOW (Gorgeous Ladies Of Wrestling), which has already been the subject of movies and TV shows but here sees aspiring but really rather terrible actress Alison Brie (Community) almost as the point of doing porn to make ends meet before her agent gives her one last potential gig – a new cable TV sports show in which she would be a wrestler. Together with several other oddball women, she auditions to take part, but it’s not until she ends up in a catfight with best friend Betty Gilpin (Masters of Sex, Nurse Jackie) that she gets her chance to appear in the ring.

I got through the first episode without laughing much, except at the over-the-top attempts at 80s LA fashions, which all seemed to be takes on Jane Fonda aerobics videos. But it was amiable enough and silly enough that I’ll at least try episode two.

Riviera (UK: Sky Atlantic)
Glossy French-set, French-filmed thriller in which Julia Stiles (the Jason Bourne movies, Dexter) is apparently happily married to super-rich Anthony LaPaglia (Murder One, Without A Trace) when his yacht gets blown up off the coast of Monaco. The result is… revelations! Maybe LaPaglia got his money through dodgy means. Maybe he was having an affair and slept with ‘party girls’.

All the episodes have been released but I’ve only managed the first, rather insipid one so far. Stiles is fine, but spends most of her time having passive aggressive sit-downs with LaPaglia’s ex-wife Lena Olin or one of Olin’s kids (Misfits‘ Iwan Rheon and Les témoins (Witnesses)’ Roxane Duran). Attempts to inject excitement into all the iciness come from having Amr Waked (Lucy, Engrenages (Spiral), Marco Polo) run around a bit or by promising some excitement soon but never actually producing anything.

Basically, the usual glossy Sky fare with a good cast list (and Neil Jordan in the writing credits) but only two big names who actually stick around for the main action.

Logan (2017)
The X-Men meet gritty reality and the cowboy genre, as we flashforward to 2029. Most of the world’s mutants are dead, with Wolverine and Professor X the only big names left alive thanks to a highly successful stamping out campaign. Even so, Wolverine’s dying from adamantine poisoning and Professor X has dementia over which he’s losing control, causing all manner of problems for anyone and any towns that happen to be in his vicinity. Into the mix comes a woman with a girl who has Wolverine-like abilities, asking our hero to protect her from evil Richard E Grant and the cybernetic Reavers.

It’s basically Shane with superheroes, but a clever piece of work that is sparing with the action but nevertheless has an awful lot of bloody stabbing. It pokes fun at its predecessors as being (literally) comic book fun, divorced from the real world in which people suffer and die, but manages to still enjoy the trappings of the superhero genre.

It’s all a bit bleak though and beyond a couple of cool scenes, nothing to really unique.

Continue reading “What have you been watching? Including GLOW, Riviera, Logan, Twin Peaks and Ronny Chieng”

News

News: Mount Pleasant, Six, Witless renewed; Lauren Graham curbs her enthusiasm; Dan Harmon: sitcom guest star; + more

Scandinavian TV

  • Scanbox developing: adaptation of Valdimar Ásmundsson’s Makt Myrkranna (Powers of Darkness) as Dracula Now

UK TV

US TV

US TV show casting

New US TV show casting

US TV

Review: Powerless 1×1 (US: NBC)


In the US: Thursdays, 8.30/7.30c, NBC

Although NBC has managed to return to the top of the US ratings after its horrific death plummet a decade ago, there are still a couple of things it’s not good at: comedies and superhero shows. Okay, to be fair, its comedies are useless quite smart, but they’re usually not desperately funny (eg The Good Place) and/or they never fare well in the ratings (eg Community). To be equally fair, it hasn’t had a lot of superhero shows, but while we can all agree that at least Constantine got better over time, Heroes got decidedly worse and the less said about The Cape, the better.

So Powerless looks like the perfect storm: an NBC superhero comedy. What manner of horror could that be, you might ask? Well, for a while, it actually looked quite promising, giving us a show that builds on the same theme as both Batman v Superman: Dawn of Justice and Captain America: Civil War by being about the little people who are just trying to get on with their lives and avoid getting crushed by buildings, shot by death rays, et al as superheroes and supervillains do what superheroes and supervillains do – a sort of Lower Decks of the DC Comic Book universe, if you will. In this original story, the somewhat cynical Vanessa Hudgens (High School Musical) worked in an insurance company for supervillain Alan Tudyk (Firefly), where she has to decide whether destruction caused by Wonder Woman can be written off as an Act of God because as a demi-goddess, it’s a grey area.

Following the pilot, though, show creator Ben Queen (A to Z, Drive) left and the whole thing got rebooted into something a lot more mid-season replacement.

Now, Hudgens is a wide-eyed superhero fan reporting to work at Tudyk’s branch of Wayne Industries – Tudyk now being Bruce Wayne’s cousin – where she has to lead a team of more jaded inventors and engineers in developing products to help the ordinary people of ‘Charm City’ cope with the superhero-induced trials and tribulations of life, whether those be personal Joker-poison anti-toxin injectors or inflatable suits to help their wearers withstand concussive blows.

Trouble is, her new underlings, who include Community‘s Danny Pudi and Undateable‘s Ron Funches, aren’t the brightest tools in the box, so spend their entire time ripping off Lexcorp’s ideas and making them a different colour, rather than coming up with anything original, which means that Bruce is thinking about shutting them down. Will they get a reprieve?

I’m not sure I care. Admittedly, the show does have its good points: Hudgens, Pudi and Tudyk are as fun to watch as always, and no less an acting god than Adam West is the narrator. There’s also the occasional bit of low but amusing humour, with inept supervillain Jack O’Lantern inadvertently punning about his ‘balls… of fire’ and Batman coincidentally using the new product the team has just sent to Bruce Wayne (what are the chances?).

But Funches is still a near unbearably poor actor, there really aren’t that many jokes and we’re nearing the bottom of the superhero z-list with Jack O’Lantern and Crimson Fox – it’s not so much Lower Decks as Journey to the Earth’s Core. Who cares what they’re up to down there?

The show’s not terrible. The core cast and ideas are reasonably sound and now the producers have got over retooling the show in a hurry, hopefully they’ll have time to settle in all the new ideas. But Powerless really needs to raise its ambitions – if DC corporate vetting will let it – if it’s to avoid going the same way as every other NBC superhero show.