In the US: Thursdays, 9pm ET, The CW
In the UK: Not yet acquired
There is considerable feminist discourse around the concept of ‘likability’. Female politicians, such as Hillary Clinton, are considered ‘unlikable’ and therefore considered vote-losers, in a way male politicians rarely are. Does anyone think Rand Paul or Chuck Schumer are likeable? No, yet they still get elected and are considered (for some reason) via politicians.
In the Dark feels like an effort to push ‘the Overton Window‘ on female ‘likability’ using the ingenious aegis of disability. It sees Perry Mattfeld (Shameless US) playing Murphy, a woman whose life is a bit of a mess. She became blind at the age of 14 and was fostered by the owners of a guide dog charity (The West Wing‘s Kathleen York and The Whispers‘s Derek Webster), for which she now ‘works’. I say works, because most of the time she’s getting drunk, waking up from a one-night-stand or both. Or is off smoking with a teenage drunk-dealer who once saved her life.
Mattfield is even more self-destructive than that sounds. “You only care about yourself,” York yells at her after Mattfield has just slept with a married donor to the impoverished charity, resulting in the cancellation of his wife’s $10,000 donation.
“It’s pretty obvious I don’t care about myself. At all,” Mattfield replies.
Which isn’t entirely true, though. While most of the first episode revolves around Mattfield’s self-destruction and self-pity, there is another thread to the plot: the disappearance and possible murder of her teenage drug-dealer friend. That prompts Mattfield to try to persuade everyone that he has disappeared, even though his body goes missing soon after she finds it.
When that fails, she tries to solve the crime herself, with a little help from her friend Brooke Markham (Foursome) and the missing drug-dealer’s cousin/boss (Blood and Oil‘s Keston John).
