Reviews of new US TV programmes from 2019
In the US: Tuesdays, 9pm, The CW
In the UK: Not yet acquired
Given The CW’s current efforts to expand its drama provision quickly without making every show about a DC superhero, it shouldn’t be too surprising that it’s trawling through its and its predecessors’ archive of successful shows to see if it can find anything good to remake. Charmed was the first on its list and now we have a reboot of 1999 UPN/The WB series Roswell, more geographically explicitly called Roswell, New Mexico.
There’s a reason for that.
You might not remember Roswell. It was based on the Roswell High series of young adult books (not vice versa, as I discovered shortly after reviewing two of them for Dreamwatch back in the day – oops) and tried to capture the power of Buffy the Vampire Slayer‘s decision to depict relatively humdrum teenage romances as being of literally Earth-shattering importance, largely because at least one person involved is a bit supernatural or alien.
However, it never managed to hit even a tenth of the impact of Buffy, so if you remember Roswell much at all, it’s probably because you remember its rather splendid theme tune by Dido:
Alternatively, you may remember it as launching the careers of the likes of Katherine Heigl (Suits), Shiri Appleby (UnREAL), Emilie De Ravin (Lost), Adam Rodriguez (CSI: Miami) and Colin Hanks (Fargo), all of whom have gone onto much better things. And 27 Dresses in Heigl’s case.
If by chance or use of the spice Melange you can actually remember the plot of Roswell, you’ll already know what Roswell, New Mexico is going to present you with, since the first episode is a virtual remake. It sees Jeanine Mason (So You Think You Can Dance) taking on Appleby’s role as Liz, now the daughter of two undocumented immigrants. A jaded biomedical researcher elsewhere, she nevertheless returns to her home town of Roswell, New Mexico, that she thought she’d left behind.
While temporarily helping out in her parents’ diner, she’s accidentally shot by anti-immigrants and is about to die. Fortunately, her former High School boyfriend turned town deputy sheriff Max (was Jason Behr but now True Blood‘s Nathan Dean Parsons) is on hand. I say fortunately, because he’s also an alien and has various supernatural powers, including the ability to heal people with his touch, which leaves a glowing palm print on Mason’s skin when he removes the bullet and heals her wound.
Despite sister Isabel (was Heigl, now Lily Cowles) and brother Michael (was Brandon Fehr but now Michael Vlamis)’s express wishes to the contrary, he’s soon revealing all to Mason. He explains that he and they are aliens, survivors of the famous UFO crash landing in Roswell in 1947. Their pods lay dormant for 50+ years, after which they emerged looking like human children and were adopted by human families – or fostered in Vlamis’ case. They’ve kept themselves to themselves to avoid being experimented upon, but he loves her so much, he had to tell her his secret. Otherwise, they just want to be left in peace to live normal lives.
Unfortunately for the aliens, there’s a secret military contingent in town who are keeping an eye out for aliens – and glowing palm prints. They don’t believe that the aliens are peaceful… and surprisingly they might have a point, since the death of Mason’s mum might have a different explanation from the one she’s always been told.