What have you been watching? Including The Man From UNCLE and Sicario

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

It’s been if not a bumper week for TV, one that’s certainly full. Elsewhere, I’ve passed verdicts on:

After the jump, the regulars: American Crime, Angie Tribeca, Arrow, Billions, The Flash, Limitless, The Magicians, Man Seeking Woman, Marvel’s Agent Carter, Okkupert (Occupied), Second Chance, The Shannara ChroniclesSupergirl and The X-Files, as well as the return of The Doctor Blake Mysteries. At least one of those is for the chop, one of them earned a last minute reprieve and another could be departing soon.

I’ve a few new shows from Thursday night onwards that I haven’t had a chance to watch yet, but which hopefully I’ll be able to let you all know about this week: Wanted (Australia: Seven) and Those Who Can’t (US: TruTV). Otherwise, I’m bang up to date.

In fact, I’ve had a go at a few movies, too.

Sicario (2015) (iTunes)
Emily Blunt is an FBI agent drawn into the moral greys of the drugs war, as she joins an inter-agency taskforce with Mexican drug dealers in their sights. Despite some lovely cinematography, and a good cast that includes Josh Brolin, Benicio del Toro and Jeffrey Donovan, it’s something of a yawn fest that thinks it’s saying something clever about the lengths good men must go to to fight evil. Except it’s all been done before. There are two excellent, tense sequences, but otherwise it’s a yawnfest, and Blunt’s neophyte is practically superfluous requirements – had it simply about our ‘grey areas’ friends, it would have been a much leaner and more interesting movie.

Fantastic 4 (2015) (iTunes)
Yet another origin story for the Fantastic Four, in which plucky scientists and their friends and relatives get given special powers through a cosmic accident. This version is probably the worst so far, however, despite taking more than a few liberties with the original story, swapping out cosmic rays in favour of some inter-dimensional travel experiments. The lovely wife and I tried to watch this a few months ago, but quickly gave up through sheer boredom. This rewatch revealed it was a full hour and 20 minutes before anything that could be quantified as ‘mildly exciting’ happened in the movie – that being the 10 minute final battle between the Four and evil hacker/scientist Victor Von Doom. An excruciatingly painful bit of movie-making that proves that everything Marvel is not gold and that superheroes need to have both personalities and fun to be worth watching.

The Man From UNCLE (2015) (iTunes)
Guy Ritchie’s reboot of the 60s TV series attempts to do what Sherlock Holmes did for Sherlock Holmes. Here, we get an origin story of sorts – how CIA agent Napoleon Solo (Henry Cavill) and KGB agent Ilya Kuryakin (Armie Hammer) end up working together to defeat a greater enemy, with the help of Mr Waverley (Hugh Grant). The first 15 minutes isn’t half bad, as we learn a lot more about Solo than we did in the TV series (he’s a former war profiteer who agreed to join the CIA to avoid prison) and get a decent version of post-war Berlin to enjoy. Unfortunately, the intellectual, cool Kuryakin of the TV series here is yet another stereotypical Russian, ex-Spetsnaz soldier, and there’s almost zero cameraderie between the two of them.

At least for the first half, after which I turned off because it was just so astonishingly boring.

Fast and Furious 6 (2013) (Channel 4)
Seeing as both Gina Carano (would have been good as Wonder Woman) and Gal Gadot (fingers crossed, will be good as Wonder Woman) were in this, I thought I’d tune in for this, having studiously avoided all the previous installments of this ‘fast cars, fast criminals’ movie franchise. Unfortunately, it was just as awful as I thought it would be, with no trace of acting skill displayed by anyone, characterisation that’s beyond insulting and almost zero grasp on reality. I didn’t even make as far as any of the stunts. Oh well.

Continue reading “What have you been watching? Including The Man From UNCLE and Sicario”

News: Supergirl/The Flash crossover confirmed; Manhattan cancelled; S4C funding frozen; + more

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Review: Wicked City 1×1 (US: ABC)

In the US: Tuesdays, 10/9c, ABC

There was a time when the anthology show ruled US airwaves. Jobbing actors would show up for a week in The Twilight Zone, The Night Gallery, General Electric Theater, Studio One or whatever, then move on to the next gig. But increasing production values, logistical difficulties and viewer choice started to make that weekly anthology show more or less impossible; the power of stardom also meant that if you could get an actor or actress with a significant fanbase in a starring role, people would watch week after week, no matter what the story, which made the anthology show less and less attractive.

But over the past few years, the format has started to return. It began, oddly enough with Love Bites, a somewhat terrible NBC romcom that featured a different couple every week. That failed very, very quickly, in part because the scripts were just awful, but also because the formula wasn’t quite right. Weekly wasn’t the way to go.

Instead, it was cable that developed the correct format for a modern anthology show, with first American Horror Story and then True Detective. With an audience who likes serial drama but who wants eventual conclusions to their stories that haven’t been drawn out too long, what could be better than a season-long story with a beginning, middle and an end, the next season then telling a completely new story in the same vein? With a bit of cleverness, you can even appease fans of the shows’ stars by having the cast come back to play different characters if they want – or just let them go off to the next job if they’d rather, just like in the old days, since that way you can get big names with limited availability to come in for just a season.

It’s a scheme that certainly worked with ABC’s American Crime, a ‘so good it could have been HBO’ drama about the terrible effects of the American judicial system and all the other systems that have evolved around it. Now ABC are hoping to repeat the show’s success with Wicked City, a “a character-driven, true crime procedural that explores sex, politics and popular culture across various noteworthy eras in LA history”.

The first season is set in 1980. Or maybe 1982. A few years after LA’s Hillside Strangler struck, anyway. Ed Westwick (Gossip Girl) is a serial killer on the make, emulating his idol, the Strangler, by killing girls he picks up in bars then leaving them dead in the same places. It’s something to do with his father having left when he was eight, apparently.

Then one night, he’s about to chop the head off Erika Christensen (Six Degrees, Parenthood) and then have sex with her corpse, when she reveals she’s a single mother. Things get even better when it turns out that not only does she have sociopathic tendencies of her own – she’s one of the killer nurses you hear so much about it these days – she quite enjoys pretending to be a corpse while Ed Westwick has sex with her.

It’s a match made in heaven, isn’t it?

Meanwhile, a couple of brave male, squabbling cops – Jeremy Sisto (Kidnapped, Suburgatory, The Returned) and Gabriel Luna (Matador) – are on Westwick’s trail, hoping to stop him before he can kill yet more young women. All while listening to as many 80s classics and using as many pagers, rotary dial payphones, old Mustangs and 4:3 TVs as the music and props departments can provide.

Unfortunately, there is one problem with the modern anthology format that Wicked City fails to overcome: you actually need to make people want to watch the next season, or even the next episode, hopefully by writing some good scripts. And avoiding complete moral bankruptcy.

Continue reading “Review: Wicked City 1×1 (US: ABC)”

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