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Review: Trust Me 1×1

Trust Me, with Eric McCormack, Monica Potter and Tom Cavanagh

In the US: Mondays, 9/8c, TNT

Over the years, there have been surprisingly few shows set in the world of advertising. Given that it’s a sexy, sexy industry, filled with volatile creatives, loads of money and gadzillions of product placement and sponsorship opportunities, you’d have thought it would have been a no-brainer, but apparently not. Bewitched and Mad Men and that’s about it, really.

So, finally, at last, comes the show we’ve all been waiting for (?). Produced by former advertising execs and current producers of The Closer, Trust Me stars Eric McCormack (Will in Will and Grace, who recently had a brief sojourn on The Andromeda Strain), Tom Cavanagh (JD’s brother on Scrubs and Eli’s father on Eli Stone) and Monica Potter (Boston Legal and Martha in Martha, Meet Frank, Daniel & Laurence).

While the lack of class A drugs probably disqualifies it from being called a realistic portrayal of the advertising industry, in many ways it’s a reasonably accurate look at the egos of the creatives in the boys’ club that is the modern advertising industry, right down to the fact there’s only one woman in it.

Pity it’s not as funny as it thinks it is.

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Today's Joanna Page

TV star casting in the West End: good or bad?

Today’s biggish news is that famed director and writer Jonathan Miller has decided to have a go at West End casting practices – and in particular the casting of David Tennant (and Jude Law) in Hamlet.

Apparently, he’s been trying to get his no-star version of Hamlet into the West End but can’t, even though he reckons the performances are bound to be better than either Tennant’s or Law’s.

So the question for you, my friends, is does he have a point? Or do West End producers have a point?

For my own part, I’m very easily swayed by some big film or TV names into turning up at a theatre when I otherwise wouldn’t: my most recent theatre attendances (off the top of my head) have included Fat Pig (Joanna Page, Robert Webb, Kris Marshall, Ella Smith), Art (bloke off Dalziel and Pascoe, Sean Hughes and Alistair McGowen if I recall correctly), A Few Good Men (with Rob Lowe and John Barrowman), The Master Builder (Patrick Stewart and Kelly Reilly), Patrick Stewart’s one-man version of A Christmas Carol, and Sexual Perversity in Chicago (Matthew Perry, Minnie Driver, Hank Azaria, Kelly Reilly).

That’s money in the pockets of theatres that they otherwise wouldn’t have had with less well-known casts. And the West End isn’t exactly cheap.

More to the point, are celebs possibly the best choices? Maybe they’re famous because they have talent. David Tennant isn’t exactly unknown in theatre.

In fact, is Miller just grumpy because he couldn’t get his own production off the ground? Why have a go at a version of Hamlet that hasn’t even started performing? 

Fat Pig is the most obvious piece of TV celeb casting at the moment, so why not pick on it? Is it because, way back in 2002, he cast the RADA-trained Joanna Page in his production of Camera Obscura at the Almeida (to generally excellent reviews), and so wouldn’t have had much of a leg to stand on?

What do you think? Are good actors being overlooked? Are they being overlooked in favour of better, more famous actors? Or is celeb casting a necessary evil in a competitive market?

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Review: Back To You 1.1

Back To You

In the US: Wednesdays, 8/7c, Fox

In the UK: Channel 4 and E4 from January, probably on Fridays

Y’all remember Zeno’s paradox right. Okay, not the actual one, but the one on Knight Rider. You know, the one about what happens when an unstoppable force hits an immovable object?

Here we would appear to have not one, not two, not three but four unstoppable forces/immovable objects. On the one hand, we have Kelsey Grammer, whose Frasier was a delight to all who watched it. Surely any sitcom he appears in must be comedy genius, almost guaranteed, particularly when one of the exec producers is Christopher Lloyd, who also exec produced Frasier?

But then we have Patricia Heaton from Everybody Loves Raymond. Ah. Not a terrible actress. Some might even say quite a good comedy actress. But exposure to that level of awfulness for so long might have made her radioactively bad – so much so that any sitcom she comes into contact with withers on the vine.

Then there’s Fox. Name a good sitcom on Fox. You can’t, can you? Because the only returning sitcom they have from last year’s crop is Til Death, and I’m not touching that without a full biowar suit and 30 minutes’ warning.

So what happens when Kelsey Grammer and Christopher Lloyd meet Patricia Heaton and Fox in a sitcom like Back To You? Comedy gold or comedy doom?

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