Between Two Ferns
Film

Orange Thursday: Between Two Ferns: The Movie (2019) and Wonder Woman: Bloodlines (2019)

Every Thursday, TMINE reviews two movies, carefully avoiding infringing a former mobile phone company’s trademarked marketing gimmick

Looks like we made it. Or I thought so till today.

No, hang on. We really did. Look, it’s Thursday and here’s Orange Thursday.

A couple of odd ones this week. First up, we have a movie version of Zach Galifianakis celebrity chat show, Between Two Ferns. That’s the one where he sits with a guest between two ferns and insults them. How are they going to do a movie of that, hey?

And then, rolling like it’s 2018, it’s the return for one week – and one week only – of TMINE’s old feature, Weekly Wonder Woman, as we look at the release of new animated movie, Wonder Woman: Bloodlines, which tells the story of how Diana, princess of the Amazons, rescues a wounded pilot, Steve Trevor…

What do you mean you’ve already seen that like half a dozen times already? You have a point. Yet surprisingly, Wonder Woman: Bloodlines, is an origin story that should still be watched.

Both of those after the jump.

Continue reading “Orange Thursday: Between Two Ferns: The Movie (2019) and Wonder Woman: Bloodlines (2019)”
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The Investigation
News

The Investigation, Treadstone acquired; Walter goes to S4C; France’s Fleabag meets Killing Eve; + more

Every weekday, TMINE brings you the latest TV news from around the world

Internet TV

French TV

  • Trailer for FranceTV Slash’s Mental

UK TV

US TV show casting

New US TV shows

New US TV show casting

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Almost Family
International TV

What have you been watching? Including Almost Family and Mr Robot

It’s “What have you been watching?”, your chance to recommend to fellow TMINE readers anything you’ve been watching this week

Ruby Rose

This week’s reviews

This week’s been a bit quieter than planned reviews-wise. I did manage to review Batwoman (US: The CW) as planned; however, I’m just finishing episode eight (of nine) of Raising Dion, which is obviously a day or two later than Boxset Monday and Tuesday allows. But it’s a shoo-in for next week.

What’s coming this week

Orange Thursday didn’t happen again, either. Sorry. However, fingers crossed, we’ll be looking at Between Two Ferns: The Movie (2019) and – in a brief flashback to Weekly Wonder Woman – Wonder Woman: Bloodlines (2019).

As well as Raising Dion, the coming week should also bring us Nancy Drew (US: The CW) and eternal optimist that I am, I’m hoping to watch season two of Plan Cœur (The Hookup Plan) over the weekend.

And after that, Fall 2019 – part three begins…

Mr Robot
Mr Robot

The regulars

Fall 2019 – part one and Fall 2019 – part two brought us new shows, but I’ve been winnowing again. I can’t really be bothered with either Prodigal Son or Emergence any more, so they’ve been dropped from the viewing queue.

But that still leaves us with Evil, Magnum PI, Mr InBetween, Pennyworth, Stumptown and Titans. On top that, Mr Robot has made his comeback.

All of those after the jump, together with a brief rundown of last week’s extra turkey, Almost Family.

Continue reading “What have you been watching? Including Almost Family and Mr Robot”
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Phase IV
Film

The alternative ending of Saul Bass’s Phase IV is now available

A long time ago, I nominated Saul Bass’s Phase IV (1974) as one of the scariest movies ever made. Sure, it’s about little tiny ants, but you only have to watch the first nine minutes of it to be totally creeped out by Bass’s micro-photography, and real-life teeny tiny ants (and wasps pretending to be ants) setting their mind to destroying and/or enslaving the human race.

The movie’s ending is reasonably bizarre as it stands.

However, that wasn’t Bass’s original ending. As you might expect of the graphic designer who worked most with Stanley Kubrick, that was a completely different beast.

In the book Future Tense by John Brosnan, an alternate ending to the film was described: “Bass originally filmed a spectacular, surreal montage lasting four minutes, showing what life would be like in the ‘new’ Earth, but this was cut by the distributor.”

A preview version with this ending intact was shown to some audiences in 1973-4, and clips of it showed up in the film’s theatrical trailer, and in Saul Bass’ title sequence to Martin Scorsese’s Cape Fear (1991).

Unfortunately, though, it was lost to the mists of time until 2012, when the alternate ending and preview version resurfaced. The 35mm original footage of the ending was then scanned and colour-corrected (it had faded to magenta) by the Academy Film Archive.

Until now, Paramount has refused to license the additional footage, so releases of the movie since 2012 have failed to include it. But guess what. The movie’s 45 years old this year and has been released in 4K on Apple’s iTunes service – and the alternative ending is available as an iTunes Extra.

You can view a nice polished clip of this here, but if you don’t mind blurry vision, here’s the full thing, in all its oddness.