French TV

Did 19-2 just do a Spiral shout out?

19-2 is, for those who don’t know, a English-language Canadian remake of a French-language Canadian show, also called 19-2. Set in Montreal, it has the slightly novel, Wallander-esque touch of having everyone speaking English, even though they’re really speaking French. The signs are all in French, the newspapers are all in French… and even the movies are in French.

Engrenage

You’ll notice here that virtually all the movie titles are fake. But let’s look closely at that second one: Engrenage. There have been a few short movies called Engrenage or L’Engrenage, but not recent ones. So I’m just wondering if perhaps this was a nice shout out to France’s premier cop show, Spiral aka Engrenages.

Maybe not, but I’d like to think it was.

Question of the week: what was your favourite show of 2013?

Lots of TV blogs and sites have top 10s and 20s of the year’s programmes. Not wishing to be left out of the crowd, I thought I’d do one, too. But in my usual chaotic fashion, I decided to just list as many as I remember liking and then turn to you, my lovely readers, in the hope you’re more organised. And that you’ve nothing to do.

Anyway, this is really just the new shows that I loved in 2013. Feel free to list old shows, new shows or even DVDs you enjoyed last year.

The winner by a mile for the coveted top slot was:

Hannibal (review)
Elegant horror of the finest order, a simply sublime season that instead of being built around gore (although there was some incredibly disturbing imagery), hamminess and archness à la The Blacklist gave us a true horror: the fear of going mad, with FBI investigator Will Graham slowly beginning to doubt his own sanity. With a season-long arc that was hard to perceive until the final episode, it ended with a single image that made the whole thing worthwhile. Astonishing TV in almost every sense, from the dialogue to the visuals to the acting to the soundtrack to the throw-aways at the end of episodes that will haunt you for a long time after viewing.

Having said that, they cast Eddie Izzard in a key role so it wasn’t entirely perfect.

The runners up (no particular order)

  1. The Americans
  2. Serangoon Road
  3. Anno 1790
  4. The Tunnel
  5. Y Gwyll
  6. Engrenages/Spiral
  7. The Almighty Johnsons (season 3)
  8. Banshee
  9. The Blacklist
  10. House of Cards

But how about you?

What have you been watching? Including The Ground Floor, The Tunnel, Kick Ass 2 and Now You See Me

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV.

Not much airing at the moment, this close to Christmas. However, there’s been a little at least:

Almost Human (Fox)
Shown out of order, this was the second episode filmed and the first episode since the pilot to show any real promise. You can see why they moved it to the end, since it involved a second Dorian android and without having had any time to get to know the first one, this wouldn’t have been as emotionally interesting and to compare the differences. But it does, in retrospect, show how the writers have moved away from certain ideas, such as giving Minka Kelly anything to do.

The Ground Floor (TBS)
I can’t quite be bothered to do an nth-episode verdict on this. It’s chugging along reasonably nicely, but clearly has a far better grip on rich people than blue-collar workers, which it appears to assume are a bunch of slackers compared to those hard-working rich people. On the other hand, it clearly also believes that women haven’t got what it takes to be salespeople, judging by the complete lack of them on the sales floor (maybe they should have a word with the producers of Work It?). It’s losing a lot of its veneer, its obsession with Skylar Astin’s singing is getting annoying, and Briga Heelan is clearly finding it hard operating at 150% every episode so her performance has been losing energy. But its charming enough in a low-key 90s sitcom sort of way.

The Tunnel (Sky Atlantic/Canal+)
And so it ends. Largely, I’d have to say this was the best version of The Bridge, with most of the original’s flaws polished and fixed, giving a thematic unity to ’TT’ and his actions that didn’t exist in either the original or the US remake; the stupider things were changed; the dialogue was improved; and Stephen Dillane was marvellous. Even though I’d seen the original and this largely followed its various plot twists and turns, it was genuinely thrilling, too. It wasn’t perfect, however. Compared to Sofia Helin’s Saga Norin, Clémence Poésy’s Elise Wasserman was a much duller, less charismatic character, albeit one who Asperger’s was for more useful and far more plausible than Norin’s more teenage Aspieness. The French side of things was more or less ignored in favour of the English side and when it was dealt with, the show demonstrated far less of the nuance and understanding it did with the English. But a genuinely good show that made me hope for not just a second series, but more dramas from Sky Atlantic.

And in movies:

Kick Ass 2
While not quite as good as the original, a sequel with a lot to offer. As well as doing with super team-ups what the original did for superheroes, Kick Ass 2 essentially switches from being a fantasy for geek boys – wouldn’t it be cool to dress up and be a superhero for real? – to being one for geek girls, giving us the ever-popular Hit Girl teaching mean girls a lesson, training up a geek boy and making him buff, and getting a first kiss from an older boy. It also gives us ‘Night Bitch’ and ‘Mother Russia’, who have their own female takes on superheroism (and villainy).

Now You See Me
Four hot young – and not so young – magicians unite on stage to rob a bank, and with the FBI in pursuit, continue to commit crimes. Why are they doing it? How are they doing it? It doesn’t matter, because the answer is utterly ridiculous and stupid, the dependency on special effects instead of genuine magic robs it of any real fascination, and it all boils down to a lot of chases, bad dialogue and things that wouldn’t work like that in real life. Perhaps its biggest mystery is how it got Jesse Eisenberg, Morgan Freeman, Isla Blair, Michael Caine, Woody Harrelson and Mark Ruffalo to star in it. Watch The Prestige instead

“What have you been watching?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

Events

A third Totally Serialized is coming to London in January

Village Francais

Remember the first two Totally Serialized (one, two)? Well, the third one’s coming next month…

Totally Serialized – Season 3
16 – 19 January 2014 at Ciné Lumière

From 16 to 19 January 2014, Ciné Lumière will hold the third edition of Totally Serialized, London’s favourite TV series festival. It will showcase the best of new productions from both sides of the Channel as well as European TV series. Audiences can enjoy their favourite shows on the big screen (Garth Marenghi’s Darkplace, The Returned, My Mad Fat Diary) attend premieres of tomorrow’s cult series and meet the creators during Q&As and masterclasses.

The rise of TV shows in the past few years has been meteoric, with clunky acting, minimal plotlines and pre-recorded laughter replaced by multimillion-dollar productions starring A-list actors, with staggering special effects, and the finest writers churning out complex stories and incisive dialogue designed to keep the viewer hooked. An even more recent development in the British TV industry has been the breaking down of frontiers, with international buyers moving away from a remake-centred strategy and now broadcasting the original series with subtitles. French shows such as The Returned, Braquo, Spiral, Hard and Maison Close have benefited from this shift, and have proven to be a success on Channel 4, FX, BBC Four and Sky Arts respectively. One of the aims of this festival is to encourage this trend by showcasing tomorrow’s cult series.

TV professionals will get a chance to participate in an industry event dealing with various aspects of the constantly-evolving field of TV series, including producing, screenwriting, and financing, as well as case study of The Tunnel featuring writer Ben Richards amongst others. There will also be networking opportunities to allow ideas and future collaborations to flourish. The general public can also have a peek at what goes on behind the scenes with our Craft Masterclass on women and TV writing, organised in collaboration with BAFTA, during which leading screenwriters such as Virginie Brac (Spiral), Paula Milne (The Politician’s Husband, White Heat, Small Island) and Emma Reeves (The Dumping Ground, Young Dracula) will examine women’s contributions to screenwriting and the particular obstacles they face.

This masterclass will be a central part of our Leading Ladies strand, which will also include UK premieres of the French hit Mafiosa in the presence of director Pierre Leccia, and of season 2 of My Mad Fat Diary, in the presence of Sharon Rooney and writer Tom Bidwell. Our other highlight will be on political thrillers, with three gripping UK premieres on Sunday 19 January: the Belgian Salamander, recently acquired by BBC Four for its Saturday Night Slot; the Danish hit The Protectors, an Emmy Award-winning offering of Nordic noir which is set to delight fans of Borgen and The Killing; and the French Les Anonymes by Pierre Schoeller (The Minister), who will be here for a Q&A.

Following the success of our UK premiere of The Returned in last year’s edition of Totally Serialized, we are pleased to host a marathon of the full first season of the now Emmy-awarded French show as part of our Saturday Fright Night, which will also feature a 10th anniversary screening of all the episodes of Garth Marenghi’s Darkplace – with a Q&A with Matthew Holness – and a zombie party. For those who prefer laughter to chills, our Cult Comedy Marathon will showcase the best comedies from both sides of the Channel.

Totally Serialized is curated by Lorraine Sullivan and organised by the Institut français du Royaume-Uni, in association with: SACD, La Culture Copie Privée, MediaDesk UK, Canal+, BAFTA, TV France International, France 24 and Ile de France Film Commission.

Programme after the jump and even more details at the Totally Serialized web site.

Continue reading “A third Totally Serialized is coming to London in January”

French TV

Season five of Engrenages/Spiral started filming yesterday

Engrenages - season 4

Hooray! France’s best TV series is getting ready for a fifth season. Filming started on Engrenages/Spiral yesterday and unlike the fourth season, is set to involve all the characters (more or less) for a change. It’ll be 12 episodes and all the usual cast (except for cough, cough, not saying unless you’ve seen the end of the fourth season), too.

Full details in French below:

La capitaine Laure Berthaud est en charge d’un double homicide particulièrement éprouvant pour son groupe d’enquêteurs: un jeune enfant est impliqué. Les policiers, avocats et juges travaillent sur cette même affaire qui les plongera dans les quartiers nord de Paris, dans les milieux du grand banditisme, des indics et des gangs de filles. La brutalité de l’affaire va resserrer les liens entre les personnages, révélant des affinités inattendues, des remises en causes personnelles, mais peut-être aussi provoquer des ruptures définitives.

Personne ne ressortira indemne de cette nouvelle enquête…

And if you’d rather know what that says in English, I’ve spoiler cloaked a translation for you:

Captain Laure Berthaud is responsible for a double homicide that will be particularly challenging for her team: a young child is involved. Police, lawyers and judges working on the same case that will plunge them into the suburbs north of Paris, in the worlds of crime, informers and girl gangs. The brutality of the case will strengthen the relationships between the characters, revealing unexpected affinities and personal questions, but may also result in permanent splits. Nobody will emerge unscathed from this new enquiry…

[via]