What have you been watching? Including Y Gwyll, Ground Floor, Thor 2, Gravity and Homeland

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV.

Sorry for the long delay in posting this but holiday and the resulting workload meant I didn’t have time to do it properly. Obviously, it might be a bit tricky for y’all to remember what you’ve been watching in the past three weeks, but if you let everyone know, I’m sure they’ll be grateful.

Elsewhere, you can find my review of the first episode of Ground Floor (more on that in a bit), my fourth-episode verdict on The Tunnel/Tunnel and my mini-review of the first episode of Dracula. The latter proved so bad that I couldn’t even countenance the idea of watching any more episodes, although I hear it might have picked up with episode four on Friday – although, given it’s only six episodes long, that might be leaving it a tad late. Also abandoned on the general grounds of life being too short is Atlantis – and the more I read recaps of the episodes as they air, the happier I am I’ve done that.

Still in the viewing queue are last night’s Serangoon Road, Almost Human and Homeland, as well as last week’s increasingly tedious Agents of SHIELD – let’s hope this week’s Thor 2 crossover is going to give it a boost.

Shows I’m watching but not necessarily recommending
Agents of Shield (ABC/Channel 4)
FitzSimmons get some characterisation, another call back to The Avengers and Coulson gets trauma counselling. And I just don’t care. Much. When will the TV curse of Jeph Loeb be lifted?

The Blacklist (NBC/Sky Living)
We’ve now had ‘evil Wilson’ (House’s Robert Sean Leonard) doing evil doctor things, thus proving my theory about the casting decisions going on. Last week’s episode, however, excitingly dumped a big bunch of story on us, revealing (just about conclusively) that James Spader is indeed (spoiler alert) Megan Boone’s real father and her hubbie probably is more than he seems. Quite impressive for a show that’s not even cracked 10 episodes yet. Throwaway above-average fun so worth watching if you have an idle hour.

Ground Floor (TBS)
Episode two was marginally better than the first. Some additional maintenance workers showed up; Skylar Astin mysteriously turned into JD from Scrubs; there have clearly been some wardrobe decisions with respect to Briga Heelan, who’s getting some more practical outfits appropriate for a support worker; and it’s also making some good points re: class. However, it does feel a lot like an Ayn Rand diatribe at times, with the blue collar guys essentially ‘where they belong’ because they’re slackers who don’t work all day and are a bit dumb, whereas the guys on the top floor are hard-working bastards who get up before 5am every morning and leave work at midnight. Rather than, say, the blue collar workers having to hold down two jobs to make ends meet and the rich guys essentially having got lucky and blowing their ‘because it’s Monday’ bonus on cocaine, champagne and lap dancers when they’re ‘working’ with clients.

The Tomorrow People (The CW/E4)
About a gadzillion times more interesting and better than the original, but really starting to feel like a never ending series of episodes where people run around and get chased down corridors a lot, with baddies introduced then killed a couple of weeks later. Still, they’re up the diversity count, they’ve finally given some back story and character to the Asian guy, and there has been some plot advancement so at least they’re heading in the right general direction, albeit slowly.

Recommended shows
Arrow (The CW/Sky 1)
Some terrible acting and borderline racism in the ‘black hoodlums’ episode, but the Black Canary storyline has seen the show firing on all cylinders, there’s been some fun stuff between Felicity and Oliver, and the fight scenes have been as good as always. You can see how they’re starting to set up the arrival of The Flash in the background of the stories, too, and seeing Amanda Waller from ARGUS turn up (albeit the nu52, slimmed down version) was a fun shout out to DC fans. Strange how little screen time Laurel’s getting though. I wonder what’s up there?

Elementary (CBS/Sky Living)
Two references to The Adventure of the Silver Blaze in two weeks, including one story outright based on the original was interesting, as was a guest appearance by Olivia D’Abo from The Wonder Years, who turns out to be English-American. Well I never. The show’s also finding its feet with respect to the characters, although the Gerard backstory episode was a little perfunctory on that score. Some fun Englishisms coming in (‘bell end’ and ‘gits’, I’ve noticed) and of course we’ve had the joy of Mycroft showing up to create a New York Diogenes (club). The end of last week’s episode made me wonder if (spoiler alert)Mycroft is working for the British government, as per the books, and we might still learn that he’s as good at deduction as Sherlock, but has been hiding it.

Homeland (Showtime/Channel 4)
Has been treading a dangerously thin line these past few weeks, retreading first season storylines that made me wonder why I’m bothering watching the show. But it’s gradually metamorphosed in the past two weeks into a musing on the nature of modern day spying: is there a point to it, is human intelligence really still better than machine-gathered intelligence, does spying do more harm than good? Indeed, Carrie and her bipolar problems are starting to look like relics from another series, as Saul and F Murray Abraham give us a better series altogether back at Langley. Also, Carrie and her pregnancy: is that really the fate of every woman in these stories if they dare to have sex – accidental pregnancy? It’s punishment for pointless drama. Nice Romeo and Juliet reference, a couple of weeks ago, mind.

Serangoon Road (ABC1/HBO Asia)
Developments aplenty here, with MI6 being trotted out as the evil spiders in the web, and the chief Chinese baddie getting some nuances. Last week’s ending showing us that love may be one thing, but follow your heart and things tend to go pear-shaped, was a nicely cynical spin on the piece.

The Tunnel (Sky Atlantic/Canal+)
It’s surprising how much I’d forgotten of the original series, now I watch this. The US adaptation, I now belatedly realise, didn’t even touch the surface of the mental illness politics of the ‘Truth Terrorist’, whereas The Tunnel has resurrected it. Highlight of last week’s episode: Caroline Proust from Engrenages/Spiral turning up in an odd wig. I wonder if she’ll get to speak English this week?

Y Gwyll/Hinterland (S4C)
Now being shown on S4C in Welsh with English subtitles. After the pretty good first story, the second was something of a stonker that landed the show straight on the recommended list, despite being a seemingly dull story about farming boundary disputes. Some excellent direction made one chase scene particularly tense. Dave the Coach from Gavin and Stacey did a good turn as a solicitor, too. Last week’s was less impressive, being far less of a crime investigation than the second story, and more a case of Mathias getting all emotional and harassing a guy who lives in the woods. This week’s is the last story, I think, so catch it while you can before it airs in English on the BBC.

And in movies:

Thor 2
The Dark Elves (particularly Christopher Eccleston, clearly in it for the money) want to end the universe so give Asgard a kicking after they find out Natalie Portman has a secret weapon up her sleeves, so Thor has to release Loki and get him to help stop the Elves. But can Loki be trusted?
Directed by Alan Taylor, who’s directed six episodes of Game of Thrones, this was a far more matter of fact sequel than the original, which saw everyone more iconically: Thor gets to wander around in a cape and hang around in retro Norse taverns with Heimdal; Sif gets a nice furry dress suit; and more. Just about all the characters from the original get good service; mothers and women, particularly Frigga, are given far more significance than the father-obsessed first movie; and there’s a surprising amount of comedy even in the final fight scene. We also got to see more of Odin’s ravens, which was nice. Traumatically for me, the University of Greenwich gets a severe kicking at the end – even the Painted Room – which had me far more upset than the ending of The Avengers which levelled New York. And as I’m sure just about everyone from London said when they watched, it’s not three stops from Charing Cross to Greenwich on the Underground – you either need to get a train from Charing Cross overground, or get the jubilee line to North Greenwich and then get a bus or go to Canary Wharf and then get the DLR. Hope that helps, Thor.

Gravity
Sandra Bullock and George Clooney are astronauts fixing the Hubble Telescope when fragments of a satellite destroy their spaceship, forcing them to find some other way to get back to Earth. Slightly perfunctory characterisation and a plot more suited to a theme park ride, but that’s not what this movie is: it’s the 2001: A Space Odyssey or Superman of its age, a visual treat that finally gives us a 3D movie that’s not only more than just a series of ViewMaster slides and things being thrown out the screen at us but which is genuine 3D and absolutely pointless to watch in anything except 3D. Absolutely staggering in IMAX 3D, a brilliant soundtrack and although you can quibble with the science, it’s based enough in fact that the terror comes from knowing just how difficult and dangerous everything is in space.

Hansel and Gretel: Witch Hunters
Brother and sister Hansel and Gretel (Jeremy Renner and Gemma Arteton – yes, there’s over a decade’s age difference between them) grow up and make it their mission in life to kill witches, including chief witch Famke Janssen. A film that makes no sense and is colossally stupid, but knows it, given Will Ferrell and Adam McKay are the producers. However, that knowing comedy just isn’t enough to make this a decent film, although it’s still about 1,000 times better than the similar Van Helsing.

“What did you watch last week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

The BarrometerA Barrometer rating of 1

Fourth-episode verdict: The Tunnel/Tunnel (Sky Atlantic/Canal+)

In the UK: WednesdaysTuesdays, 9pm, Sky Atlantic
In France: Mondays, 8.55pm, Canal+. Begins 11th November

I was away last week at the opportune moment, so rather than a third-episode verdict on The Tunnel/Tunnel, the UK and France’s remake of Bron/Broen (aka The Bridge), we’re now up to episode four. And I have to say, it turns out there’s a right way and a wrong way to remake The Bridge and this is very much the right way.

Let’s dispense with the few negatives of the show: the lack of feel for the French side of things, Keeley Hawes and the relatively uncharismatic Clémence Poésy compared to Sofia Helin. Whether it was the original Swedish/Danish show’s subtitling or a simple decision on the part of the show’s creators not to make the show too specific in its references, beyond its settings, there was very little in it that made you think the show was appealing to local rather than an international audience. 

The Tunnel, however, is very, very good at evoking South Kent and Englishness, right down to references to Wagon Wheels and Bargain Hunt. The dialogue, mainly by Ben Richards, is excellent, more subtle and far better at developing and building characters than the original’s was. And while Helin’s Saga Norin very obviously had Asperger’s but the Asperger’s you’d expect of a teenage girl rather than a near 40-year-old woman, ‘Elise Wassermann’ is both younger yet clearly not as developmentally undeveloped as Norin was.

The show, unlike The Bridge (US), also sticks more closely to the original, particularly with the politics, yet does it perhaps more smoothly than the original did. The action scenes are better and more convincing, the direction is better and the whole thing is very tense. There have also been subtle movements of scenes around that make the story flow better and make it seem less arbitrary than the original did in developing and dropping storylines. The police work also feels like real investigation and real deduction.

Unfortunately, though, this is all largely true of the bits involving the UK. By contrast, the show feels like it got little input from any French writers, so the show doesn’t feel as sure of itself dealing with French politics and issues so barely even tries. Poésy may be more plausible than Norin, despite having her own vintage sports car, too, but she’s also nowhere near as interesting, a flat by-the-book character rather than the force of nature that is Norin. Yes, she has sex with random men because she feels the need, but it’s all done in a very ‘cinq à sept’, sexually mature way rather than because of any empathy problems or lack of shame that she might have (although she does have them).

And then there’s Keeley Hawes, who thankfully disappeared after the third episode, having ruined the second episode trying to do a Kent accent. The show’s writers did try to do something interesting with her drug-addicted character, but it just felt like they had a pressing need to have Hawes in the show, rather than because the script demanded it.

All the same, those flaws aside, this is a fine a thriller as the original, and since it’s doing such a hearty job of polishing and even improving the original, I can only heartily recommend it to you.

Barrometer rating: 1
Rob’s prediction: Sky’s first excellent drama, although Canal+ might be more disappointed in it. Hopefully, with a second season of the original already airing, this will get to tread in its footsteps and be more French in the process.

Veuillez installer Flash Player pour lire la vidéo

UK TV

Preview: The Tunnel (Tunnel) (UK: Sky Atlantic; France: Canal+)


In the UK: Wednesdays, 9pm, Sky Atlantic. Starts 16th October
In France: Canal+. Starts in November

Well, here we are again, on a border, two dead women’s bodies cut in half and stuck together, two different police forces from two different countries having to investigate the crimes, and resolve their personal and cultural differences. 

The Swedish-Danish co-production Bron/Broen – known in the UK as The Bridge – was a big success in both countries, one of BBC4’s biggest successes of 2012 and has taken the rest of the world by storm, too. Given the story involved co-operation between two countries’ police forces, it was always a natural for remakes, too.

We’ve already seen one example of such a remake in the US: The Bridge, which sees a US and a Mexican investigator pairing come together to solve a crime on the exact border of the US and Mexico. In some ways an almost exact duplicate, in others an improvement, but overall a blander dilution of the original, it’s been renewed for a second season.

Chances are, we probably won’t see it in the UK for a while, though, because the rights have already been acquired by the makers of a new Sky Atlantic/Canal+ co-production, The Tunnel. Yes, this time there’s been a murder but because there’s no bridge to France, it’s all happening underground in the Channel Tunnel.

Starring Stephen Dillane (Game of Thrones, Hunted, The One Game) and Clemence Poésy (Harry Potter and The Goblet of Fire), The Tunnel is once against an almost exact replica of that original show, but surprisingly enough, there are still a few things the format can offer that we haven’t seen before. Here are some trailers.

Continue reading “Preview: The Tunnel (Tunnel) (UK: Sky Atlantic; France: Canal+)”

What did you watch last week? Including Isabel, Mysteries of Lisbon, Agents of SHIELD and Atlantis

It’s “What did you watch last week?, my chance to tell you what movies and TV I watched last week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. 

With the US fall season upon us, naturally there’s a lot of new shows for me to review. Last week’s bonanza includes:

I also started watching the second episodes of several shows. Unfortunately for them, they were less than engrossing or funny, so I also stopped watching the second episodes of Trophy Wife and Back In The Game.

The first episode of Betrayal – ABC’s tale of rich professionals feeling unsatisfied with their lives so cheating on/murdering their partners – was just dreadful so not even worth a review. Hello Ladies, in which Stephen Merchant chats up lots of American women badly, was very well written but was distilled essence of Merchant’s brand of cringe comedy so I just found it unpleasantly unwatchable. 

Still in the viewing queue are: the third episode of the rather good Serangoon Road and Witches of East End, both of which I should be reviewing in full tomorrow. 

Other shows I tried
Mysteries of Lisbon (Sky Arts)
Acclaimed Portugese period drama, involving a school, a locked-up noblewoman and a lot of people describing things in flashback and then other people saying how interesting that was and then describing some other things in flashback. Very melodramatic in the truest sense of the world, so more for those with greater patience than I have.

Isabel (Sky Arts)
Game of Thrones but in Spanish and based on the real-life Queen Isabel I of Castile, one of the most important women in Spanish history. A lot more fun than I was expecting, although the subtitlers seem to get a bit confused by gender (“Isabel and Alfonso are his brothers” and when discussing a chess game, “If the queen is so important, why can she only move one square at a time?”, being some of the most amusing). Definitely one to try.

Shows I’m watching but not necessarily recommending
Agents of SHIELD (ABC/Channel 4)
Not even a cameo by Samuel L Jackson could enliven this extremely dull affair, which lacked Joss Whedon’s gift for dialogue and was basically an episode of Torchwood. In fact, worryingly, this is now almost exactly Torchwood and I’m not sure the world is ready for another one. Channel’s 4 re-editing of the episode to shift Jackson’s cameo to before the end credits was enjoyable hilarious, though. First episode review.

Atlantis (BBC1/BBC America)
Even more like Merlin than the first episode, right down to some distinctly British forest scenes. Even more liberties taken with myth. Jemima Rooper’s turned up, but even she – and some surprisingly good fight scenes – can’t lift this into the level of decently good. First episode review.

The Blacklist (NBC/Sky Living)
A good second episode for NBC’s most promising new drama. A bit of back-pedalling from the pilot and some fun duplicity from Spader’s character. Megan Boone’s character could do with some more personality, but enjoyable disposable tatt. First episode review

The Bridge (US)
Essentially, an episode designed not to wrap up ends but to ensure the series gets a second season. Not much that was good about the episode, though, and to be honest, it’s a minor echo of the original, so I’ll probably drop out for season two. Looking forward to seeing how Sky and Canal+ handle things when The Tunnel starts this month.

Strike Back (Cinemax/Sky 1)
Lots of soft-corn porn, some involving Stuart Sullivan shagging a Russian woman, the rest involving Philip Winchester running around naked in a medical experimentation unit, which I’m pretty sure happened two seasons ago, too. Some fun fire fights, although baddies can’t appear to shoot straight, but overall, this is turning into a distinctly less impressive season, buoyed up only by constant deaths.

Recommended shows
Elementary (CBS/Sky Living)
Back to the regular routine for Elementary, which was a somewhat mundane tale, enlivened only by having its entire plot ripped off from Sneakers and making mathematical problem P vs NP the centre of the action.

Modern Family (ABC/Sky 1)
A decent enough set of three episodes to start the season with, the gay marriage episode being particularly good. But it’s basically business as usual here, without much innovation.

And in movies….

Agent Carter
Not technically a movie, being a bonus 15-movie Marvel One-Shot on the Iron Man 3 Blu-ray, but an enjoyable enough period romp with Haley Atwell reprising her role from Captain America, Carter now a spy for the US in post-war America. Unfortunately, her boss (Bradley Whitford) thinks that women shouldn’t be doing men’s work, now the men are back from war, so Carter has to prove her worth. 

I really do hope this becomes a TV series, as rumours are suggesting, since it shows more promise than both episodes of Agents of Shield and has as many fun cameos (keep watching until after the titles…).

“What did you watch last week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

UK TV

Watch a trailer for Sky Atlantic’s The Tunnel

Well, season two of the original is about to air in Denmark and the US remake has just finished adapting the original (two more episodes still to go, though, weirdly enough), so it seems appropriate that the UK/French version of Bron/Broen/The Bridge now has a trailer. Starring Stephen Dillane (The One Game, Game of Thrones) and Clémence Poésy (Harry Potter), guess where The Tunnel is set. 

It’ll air on Sky Atlantic and Canal+ next month.

[via]