Audio and radio play reviews

Hands up anyone who’s not a Charley fan. Right, get out: you’re barred.

Since we’re now left only with people of pleasing intellect and taste, we can begin the review. First, as a brief aside, is "Nicholas Briggs as the Daleks" really a major selling point, worthy of the cover? Okay, so he does the TV voices, too, but who, other than committed fans, knows that and cares. More to the point, won’t they already be buying at least three copies of every Big Finish release already? You don’t think it’s because Briggsy is one of the Big Finish producers that his voicing mysteriously warrants a cover praise, do you?

Anyway, moving on. When you sit down to write a piece of intelligent fiction, more often than not, you tend to want to make it "multi-layered" – ie "not too basic". The audience need brain stimulation, you convince yourself, so let’s add some plot twists. All well and good so far.

The problem is when you go overboard and start to cackle to yourself as you add in every single plot twist and clever idea you can possibly think of. Suddenly, your play lurches from minute to minute like a rodeo bull, throwing off audience members willy nilly.

Oops Alan Barnes. I’m looking at you here.

Continue reading “Review: Doctor Who – Brotherhood of the Daleks”

What’s up here? This is getting silly. Not only has Louise Jameson already starred in three entire series of Gallifrey already, she’s been in the Tomorrow People plays, the last Sapphire and Steel play and a previous Companion Chronicles piece, The Catalyst. Now she gets another one? What did Mary Tamm, Janet Fielding, Sarah Sutton and Matthew Waterhous do wrong? Actually, don’t answer that.

Of course, the quick answer is that Big Finish producer Nigel Fairs seems to like Jameson, given that he’s responsible for writing and directing a sizable number of the plays I just listed. In fact, this follows on directly from The Catalyst, at least in storytelling metaphor, even if the story itself is set at a more random point. Co-starring David Warner (oh look, another Big Finish fave. Fancy that.), the play isn’t as good as The Catalyst and feels like a couple of old Blake’s 7 episodes cobbled together.

I’m not selling it to you, am I?

Continue reading “Review: The Companion Chronicles 3×4 – Empathy Games”