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Mini-review: 35 Diwrnod 1×1 (S4C)

35 Diwrnod

In the UK: Sundays, 9pm, S4C. Available on Clic

S4C’s last attempt at a drama that would appeal to everyone who wasn’t a Welsh speaker was Y Gwyll/Hinterland, a sort of Welsh Wallander. It was actually pretty good and as a result, it got a whole load of people watching the channel who normally wouldn’t have tuned in, spelling record ratings and a recommission for the show.

Gwawr Martha Lloyd, S4C’s drama content commissioner, is a smart enough cookie not to simply drop the ball and leave Y Gwyll as a one-off, so now comes 35 Diwrnod, written by award-winning authors Siwan Jones and Wiliam Owen Roberts. As is probably no surprise to Welsh speakers, a big surprise to everyone else, it focuses on 35 days in the lives of the people living on a South Wales cul-de-sac. But it’s a very particular 35 days – it’s the time between Jan Richards (Lois Jones) moving onto the estate and her murder. In fact, the show starts on day 35 with her death then the rest of the show flashes back to show the events leading up to it. All the viewer has to do is work out whodunnit.

In contrast to Y Gwyll, which was immediately compelling and had a very distinct tone and feel from the first moment, 35 Diwrnod is a bit more of a melange. There’s domestic bliss, domestic hell, family life and everything you’d expect of a South Wales estate, particularly one where you need to have a wide variety of potential suspects for the murder. But then there’s drug raids and references to The Shining. Since it’s South Wales, there’s a lot of loan words from English interspersed in the Welsh dialogue with one Welsh speaker practically speaking English at one point (“…crack cocaine… prison warden… stupid…”), which is either humorous or helpful, depending on your point of view.

It’s a bit of a slow build and the change of tones is disconcerting. But it is engrossing and well shot and there are enough mysteries for any armchair detective to enjoy. Will you work out who the murderer is before the end?

PS Fans of Caerdydd will be gratified to spot Ryland Teifi (Peter) in the cast

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Question of the week: what was your favourite show of 2013?

Lots of TV blogs and sites have top 10s and 20s of the year’s programmes. Not wishing to be left out of the crowd, I thought I’d do one, too. But in my usual chaotic fashion, I decided to just list as many as I remember liking and then turn to you, my lovely readers, in the hope you’re more organised. And that you’ve nothing to do.

Anyway, this is really just the new shows that I loved in 2013. Feel free to list old shows, new shows or even DVDs you enjoyed last year.

The winner by a mile for the coveted top slot was:

Hannibal (review)
Elegant horror of the finest order, a simply sublime season that instead of being built around gore (although there was some incredibly disturbing imagery), hamminess and archness à la The Blacklist gave us a true horror: the fear of going mad, with FBI investigator Will Graham slowly beginning to doubt his own sanity. With a season-long arc that was hard to perceive until the final episode, it ended with a single image that made the whole thing worthwhile. Astonishing TV in almost every sense, from the dialogue to the visuals to the acting to the soundtrack to the throw-aways at the end of episodes that will haunt you for a long time after viewing.

Having said that, they cast Eddie Izzard in a key role so it wasn’t entirely perfect.

The runners up (no particular order)

  1. The Americans
  2. Serangoon Road
  3. Anno 1790
  4. The Tunnel
  5. Y Gwyll
  6. Engrenages/Spiral
  7. The Almighty Johnsons (season 3)
  8. Banshee
  9. The Blacklist
  10. House of Cards

But how about you?

And now it’s time for Hinterland, not Y Gwyll

It was in Welsh and called Y Gywll when it aired on S4C last year, but now, thanks to my suggestion at the BAFTA preview (no doubt), it’s on BBC Wales in both English and Wales. Compare and contrast:

The bilinguality is handled quite well and adds a new element to the show, although you can spot the joins if you look hard. Mattias is now the English-speaker in a community of Welsh-speakers. The other cops all speak Welsh and purely through the editing, there’s an element of him seeming to force them to ‘behave’ and speak English. But since a lot of the locals speak Welsh, Mattias finds he has to rely on the others to question those who either can’t speak English or won’t, or who won’t confide in him, only in a local. There’s not a lot of Welsh in it but there’s more than zero.

Episode 1 was on Saturday, but you can watch it on the iPlayer if you missed it. No word yet on its BBC4 air date and what languages it’ll be in on that channel, though.