The BarrometerA Barrometer rating of 2

Third-episode verdict: The Last Resort (ABC)

In the US: Thursdays, 8/7c, ABC
In the UK: Not yet acquired
In Canada: Thursdays, 8pm, Global

There is a certain doom-laden atmosphere surrounding The Last Resort. It’s not just because it’s a show about a rogue US nuclear submarine captain and his crew, threatening to nuke the US after the navy tries to destroy it for questioning an order to nuke Pakistan. It’s not because people get violently killed every episode. It’s because despite being possibly the best new drama on US TV this fall, judging by its ratings and the fact it’s on ABC, it’s not long for this world.

After a surprising and auspicious start, episode two gave us an almost literally nail-biting episode, as our heroes, holed up on a semi-friendly Caribbean island, faced off against a team of special forces sent in to capture their submarine. Episode three similarly gave us more military-grade tension as the submarine armed with its cloaking device – the ‘Perseus prototype’ (presumably not the more accurately titled Proteus prototype because of copyright issues with Craig Thomas’ similar invisibility device on the HMS Proteus in Sea Leopard) – has to brave blockades, depth charges and active sonar to escape from the US navy again.

And if, somehow, the show could confine itself purely to military operations, it would be an adrenaline-junkie’s fix second to none, thanks to showrunner Shawn Ryan’s steely attention to detail. True, some of the actors and characters are about as interesting as a paddling pool, but Andre Braugher and Robert Patrick more than make up for that by themselves.

But, unfortunately, the show is slightly lumbered with its island setting and supporting characters, including the strangely wooden Dichen Lachman, who for once gets to sound Australian. The islanders are a strange mix: a combination of black and Hawaiian stereotypes, despite the obvious fact that the show is set in the Caribbean, and some nerdy scientists, who are incomprehensible speaking either English or French. Whenever the US cast interact with the islanders, the show degenerates into poorly executed soap crossed with US imperialism.

There’s also the political goings on in DC, which are more bad spy novel than gripping drama, particularly Autumn Reeser’s desperate attempts to come across as a steely engineering businesswoman who talks like a man but who’s all-woman. And there’s also the clumsy attempts to deal with sexism in the US navy, with Robert Patrick’s constant undermining of officer Daisy Betts (another Australian you might remember from Persons Unknown) getting progressively more tedious with every clumsy attempt to smash it into the dialogue.

Nevertheless, it’s a brave show, prepared to go to places a lot of shows aren’t – a US government that pre-emptively nukes Pakistan and is prepared to fire on its military; heroes prepared to negotiate with terrorists and criminals; military personnel who disobey orders and start to let discipline fall apart; and more. When it sticks with military matters, although ultimately it’s just a load of CGI a lot of the time so doesn’t quite match the punch of a show like Strike Back, it’s still the tensest show on network TV. It’s just a shame that its ability to deal convincingly with non-military matters is so second rate – and that it’s probably not long for this world.

Barrometer rating: 2

What did you watch last week? Including Red Dwarf X, Ben and Kate, The Mindy Project, Looper and Dexter

It’s “What did you watch last fortnight?”, my chance to tell you what I movies and TV I watched in the past two weeks that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

First, the usual recommendations: The Thick of It, Moone Boy, Red Dwarf X and Homeland.

So here’s a few thoughts on what I have been watching:

  • Ben and Kate – Not much to say that I didn’t cover in my review of the first episode. I tried watching it. Everything about it bar Lucy Punch was dreadful. I couldn’t stand any more of it, so I switched off. Don’t bother with this one.
  • Dexter – Well, I was going to give it one last chance, and after a shaky “oh surely not” first few minutes of the first episode where they milked things out as much as they could, they finally settled down and gave us something that felt like Dexter again. Episode two managed to be as nasty and as high quality as episode one, so I’m sticking with it for a while at least.
  • Doctor Who – I finally got round to watching A Town Called Mercy. It was all right, I guess. Ben Browder was good for the 10 minutes he was in it. But it felt like a very tedious bit of old-school Who, in which the moral dilemma of the week is spelt out in excruciating detail, the liberal ideal is espoused and the liberal ideal is proved right at the end, no matter how unlikely that is, given the scenario we’ve been painted. Clunky, but with moments.
  • Elementary – More of a mystery story than the first episode and a bit more of the Holmes of the books got added in. A little blander perhaps, but a bit smarter and a bit better than the first episode, so I’m not writing it off yet.
  • The Last Resort – An almost literally nail-biting episode, but the whole thing falls apart as soon as any female characters appear. This isn’t because women shouldn’t be in such a manly show but because the writers appear to have no idea how to write women except as problems or as men. Plus an actress other than Autumn Reeser could probably pull off the “I may be a woman but I talk like a man” dialogue that she gets, but that’s not the actress in the role, unfortunately, so it just looks silly.
  • Made in Jersey – You have to admire a bunch of producers who admit to themselves that their pilot episode was a colossal cock-up and basically reboot the entire thing from the second episode, which is what the producers of Made in Jersey have done. Apart from shunting aside most of the cast, in favour of an all new cast that includes Ringer‘s Kristoffer Polaha, they’ve got rid of the Legally Blonde aspect, got Kyle MacLachlan to team up with our heroine and toned down the New Jersey stereotypes. There was also an interesting bit about how people in your own class can bring you down when you try to aspire. A definite improvement on episode one, even if it’s still not that much different from any other legal procedural.
  • The Mindy Project – Not quite as funny as the first episode but if you added up the comedy value of every other comedy on TV this week, combined, they still wouldn’t be as funny as The Mindy Project. The end scene was just nasty.
  • Moone Boy – Like an amiable stroll through 80s TV. Now promoted to recommended
  • Partners – While not quite as offensive as the first episode and the writers were clearly tailored the roles to their cast, by downgrading David Krumholtz to more of a nerd than an alpha male, it was still both unfunny and at least a little offensive, so I turned off. Avoid this one, too.
  • Person of Interest – I obviously abandoned this after episode three but since the mother in law has carried on watching, I thought I’d try leaping back in to see if has got any better. And largely, although the plot clearly has moved on and I found myself a bit lost at times, it hasn’t got any better. It’s the same. While Amy Acker being evil was moderately entertaining, the show still has the same flaws – the star, decent action taking place off-screen rather than on-screen and so on – makes this feel just like a lazy action star who’s feeling a bit tired and so sends the stunt double in rather than do the stunt himself.
  • Red Dwarf X – surprisingly good. Basically, it’s as though we never left series one or two and everything since has been ignored. I even laughed several times. Colour me surprised.
  • Vegas – More procedure-bound than the first episode, this was still a decent hour of drama. Good to see they’re adding another woman to the mix, this time on the side of evil, too.

Still in the pile: last night’s Homeland and 666 Park Avenue. Also, Strike Back: Vengeance, which we’re saving up to watch in one go at the end of the series.

And in movies:

  • Looper – A film that’s been getting a lot of hype, it’s actually a relatively low key, low budget sci-fi movie with some fairly imaginative ideas, a decent twist or two and the benefit of some CGI to make Joseph Gordon-Levitt look more like Bruce Willis. But other than that, you’re going to get more action on TV from Hunted and more complex plots from Doctor Who. So don’t believe the hype, don’t expect an action extravaganza, don’t expect to have your brain stimulated à la Inception. But do expect to enjoy about an half and a hour of the movie’s 2h20 run-time, and do be surprised by cameos from the likes of Piper Perabo and Garret Dillahunt.

“What did you watch last week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

US TV

Review: Hunted 1×1 (BBC1/Cinemax)

Hunted with Melissa George

In the UK: Thursdays, 9pm, BBC1. Available on the iPlayer
In the US: Fridays, 10pm, Cinemax. Starts October 19

Action heroines are few and far enough between, particularly on TV, that when a writer creates a female-centric action drama, such as Hunted, he or she has to decide to do one of two things: to be gender-neutral and ignore the fact it’s a woman doing the fighting or to be gender aware and tailor the writing accordingly.

Both ways can work – look at either Buffy The Vampire Slayer or Haywire – but both involve peril. You can be gender neutral like Burn Notice, but then you end up with Gabrielle Anwar, who hasn’t eaten food since 2005, regularly beating 200lb ex-special forces guys in hand-to-hand fights.

Nope, not happening.

Or you can be gender-aware like Missing, tailor your action scenes to the fact your lead is a tad smaller and weaker than the steroided-up 6’5″ male characters, but have have pretty much every single plot item happen because the lead is a woman, and in Missing‘s case, a mother.

Hunted, which features Home and Away star Melissa George as a former army intelligence officer who joins private sector company Byzantium Security – this decade’s Saracen Systems – to carry on spying but for the highest bidder, goes for the secret third approach: the hybrid option, in which pretty much everything happens because George is a woman, but the action scenes remain gender-blind, even though George is built like a Littlewoods catalogue model.

Hunted‘s implementation is probably the least satisfying of all the options (Haywire – more on that later – is secret option four: how to do it properly), results in George mooning about lovers, moving in with the bad guys to look after their kids and getting pregnant by a colleague. Yet somehow, despite the hand of Frank Spotnitz being behind the plotting and dialogue, both of which have the power to make your brain rot in the manly mirror universe of Sky/Cinemax’s Strike Back, Hunted is actually surprisingly okay: nothing extraordinary, nothing too smart and in many ways quite stupid, but with enough flair and action that it’s a passable enough way to spend your time.

Here’s a trailer:

Continue reading “Review: Hunted 1×1 (BBC1/Cinemax)”

Thursday’s “BFI online player, Strike Back renewed and M Night Shyamalan’s TV show” news

Film

Trailers

  • Trailer for Movie 43 with so many people, I can’t list them all
  • Trailer for The Lone Ranger, with Johnny Depp
  • Trailer for Parker with Jason Statham, Michael Chiklis and Jennifer Lopez

Theatre

UK TV

US TV

  • Strike Back gets a third season
  • SyFy and Hulu acquire Primeval: New World
  • Trailer for season 2 of American Horror Story
  • Tuesday ratings: CBS dominates, New Girl steady, everything else down

US TV casting

New US TV shows

New US TV show casting

Cinemax and the BBC’s Hunted tries to do viral

Hunted is a relatively new thing: a shiny British-American action co-production. Like its predecessor, Sky’s Strike Back: Project Dawn, it’s co-produced by Cinemax and showrun by Frank Spotnitz, but in this case, it’s going to be on BBC1 and it’s made by Kudos, the people behind Spooks. It stars Melissa George as a sort-of spy, starts this Thursday at 9pm on BBC1 and on October 19 at 10pm on Cinemax in the US. Also like Strike Back: Project Dawn, it looks great but with a plot that is ‘muchos bobbins’. Here’s a trailer:

Over in the US, Cinemax is trying to raise interest in the show by viral marketing. They’ve set up a web site, Byzantium Tests, that ostensibly claims to be a personality test to see if you are suitable – i.e. disturbed and sociopathic enough – to join Byzantium Security, which is the company (I’m guessing) that Melissa George works for/used to work for in Hunted.

Here’s one of the tests. It features George doing her absolute level best attempt at an English accent.

Unfortunately, I simply don’t have the time to go through the estimated 1.6×10^10 questions in the test to see if it’s any good, but I’m told there’s a good pay-off at the end. Let me know if you make it all the way through…