The BarrometerA Barrometer rating of 4

Third-episode verdict: Dig (US: USA Network)

In the US: Thursdays, 10/9c, USA

There’s something weirdly fascinating about the USA Network’s Dig. The creation of Tim Kring (Heroes) and Gideon Raff (Homeland), it sees FBI agent (hello to) Jason Isaacs travelling to Jerusalem to catch a criminal, only to somehow get embroiled in an Old Testament conspiracy theory that involves unblemished heffers, cloned kids whose feet must not touch the ground and a long-lost priest’s breastplate that allowed him to communicate with God. Bringing in all sorts of Jewish mythology in the same way that the similar Touch did, it’s nevertheless absolute bobbins in the Dan Brown vein that’s only mildly less stupid. 

Since the first episode, we’ve had all sorts happen but very little get explained, beyond the introduction of yet more conspiracists including Richard E Grant and the pairing of Isaacs buddy-buddy stylee with a sceptical Israeli cop (Ori Pfeffer). There have been plenty of chases, plenty of deaths, plenty of ‘revelations’ and plenty of biblical references, but nothing yet makes much sense. 

The show has a few redeeming features: the Jersusalem filming and having half the show in Hebrew is lovely; the occasional local touch, such as having Pfeffer pick up his kid while taking a suspect to the police station, makes it feel like one of Raff’s shows before he switched to US TV; a strong supporting cast, including Grant, Anne Heche and David Costabile, lift the show above the likes of Allegiance; and having a show that’s firmly about Jewish rather than Christian traditions is novel. 

But that’s not enough, when faced with Dig‘s obvious stupidity and dullness. It’s just tedious to watch.

Nevertheless, there’s something oddly compelling about its strangeness. Normally, with such a high Barrometer rating, I’d have dropped it like so much CSI: Cyber. But for some reason, whether it’s just the absolute strangeness of the show, Isaacs or the location filming, I want to tune in for more.

I absolutely under no circumstances would recommend Dig (or anything Tim Kring is involved with) to anyone, but I might well stick with it, right until the bitter end. At which point, I’m sure I’ll rue my wasted time. But I think I’ll still have seem something different from the usual US TV thriller. And perhaps that’s Dig last remaining redeeming feature.

Barrometer rating: 4
Rob’s prediction: It’s only supposed to last a season and that’s all it’s going to get

European TV

What TV’s hot in Lisbon right now?

Good question. See, I was there for the past few days (hence my lack of blogging), and following the success of my previous photo expeditions to LA and New York, including my New York TV advertising feature, I thought I’d give you a brief rundown. With pictures.

So the first thing to note is that Meo is the king of telecoms over there. As well as mobile phones and broadband, they also offer TV services over the phone line, via satellite, via cable and even over 3G/4G. Meo is everywhere, particularly when it comes to WiFi hotspots. However, NOS does pretty much the same thing, including offering a whole range of premium channels, largely featuring US imports, and so has a lot of cash to spend on advertising. Here, for example, towering over the monument to Luís de Camões and this Easter parade is Claire Danes, the star of Segurança Nacional (aka Homeland).

Easter parade Claire Danes

Claire Danes

Traipse all over Lisbon and you’ll spot NOS adverts for everything from Modern Family and Castle through to Vikings and Teenage Mutant Ninja Turtles. However, confusingly, Homeland/Segurança Nacional actually airs on one of Fox International’s channels, which does its own advertising, too. Top of the heap of its advertising and appearing on the wall of pretty much every Metro station in Lisbon? Empire.

Fox's Empire in Lisbon

But NOS, Meo and Fox aren’t the only channels in Lisbon. AXN is out there, too. Top of its promotional considerations and dominating most bus stops and street signage is Chicago Fire.

Chicago Fire in Lisbon

“But, Rob,” you might ask. “Aren’t there any programmes made in Portugal?”

There are a few, at least, including news programmes, although most of the ones I saw advertised were for kids and were cartoons. The only truly ubiquitous advert was for Portugal’s very own version of Masterchef, which was about as common as Empire was on the Metro and airs on TVI, Portugal’s fourth terrestrial TV channel.

MasterChef Portugal

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Review: State of Affairs 1×1 (US: NBC)

State of Affairs

In the US: Mondays, 10/9c, NBC

Katherine Heigl has been a movie star for so long, it’s hard to remember that she made it big on TV first. Sure, she was something of a teen movie doyenne, playing both Steven Seagal and Gerard Depardieu’s daughters in Under Siege 2 and My Father, The Hero respectively, but it was in first Roswell and then Grey’s Anatomy that she really got noticed, before eventually hitting the big time in Knocked Up.

Unlike most of the world, tired of the endless series of identikit rom-coms that have characterised her career since and aware of her ‘difficult’ reputation, I have a lot of time for Heigl. She’s done her best to change the rom-com dynamic, trying to inject some feminism and even some swearing so that women aren’t continually gentrified and oppressed by the genre. But she could certainly do better than 27 Dresses for starters.

Apparently, she thinks so, too, which is why she’s returned to TV to do something completely different: playing a gun-toting CIA analyst in State of Affairs. Something of a melange of everything from Homeland through The Threat Matrix (bet you thought no one would mention that show again), it sees Heigl advising her former mother-in-law-to-be – the US president (Alfre Woodard) – about the top threats facing the United States’ interests around the world, be it abducted doctors in Africa or Islamist terrorists… in Africa. And along the way, she’ll have to face politics, in-fighting, special forces, psychiatrists, security teams and someone who knows her dirty little secret.

And although pretty much every aspect of the show has been put through the NBC low-quality “generification machine”, if you were expecting it to be an epic disaster that would maintain Heigl’s status as a hate figure in the entertainment industry, you’d be surprised, since it’s okay. It’s not great, but compared to what it could have been, it’s a slight eye-opener.

Here’s a trailer.

Continue reading “Review: State of Affairs 1×1 (US: NBC)”

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