US TV

Preview: Stitchers 1×1 (US: ABC Family)

In the US: Tuesdays, 9/8c, ABC Family. Starts tonight

Usually, there’s nothing quite like the word ‘family’ in the description of something televisual to guarantee its general shoddiness. But over the years, ABC Family has been a notable exception. I stopped watching the network’s output a while back when it started producing things like Bunheads: it may have been the best show in the world, but when you’re a 40-something male, you probably shouldn’t be watching TV dramas about female teenage gymnasts. – that’s just creepy. However, over the years, the network has produced some generally decent shows, including Kyle XY, Three Moons Over Milford, Lincoln Heights, 10 Things I Hate About You and Pretty Little Liars.

As you may have noticed from that list, the network has been moving from genre shows towards more conventional fare generally aimed at teenage girls and young women. But it apparently hasn’t escaped the network’s bosses that what teenage girls want to watch is changing – we’re living in a post-Twilight, post-Hunger Games world. So the network’s decided to take some baby steps back into genre TV. This autumn, we can see the continuation of the Mortal Instruments film franchise in Shadowhunters and now we have Stitchers, a hybrid sci-fi/procedural drama that’s part CSI, part Inception.

Emma Ishta is Kirsten, a technically gifted PhD student who has a rare brain condition that makes her unaware of passing time. This makes her aloof, rude, generally unloved and unable to feel emotions in the same ways as the rest of us – when her adopted father commits suicide she’s unmoved because it feels to her exactly the same as if he’d died years ago.

She’s also willing to break whatever rules she wants to get what she wants. While this gets her kicked out of Caltech, her condition does mean that she’s uniquely suited for the top secret ‘Stichers’ programme into which she’s quickly recruited following the washing out of the previous ’Stitcher’. The programme not only allows the brains of the recently deceased to be preserved for much longer than normal, it allows the ‘Stitcher’ to enter their memories as though they were the real world, in order to solve crimes. And in this first case, she must enter the mind of a man killed in a bomb explosion, because he’s stashed two other bombs around LA and they’re set to go off soon.

And while it’s as stupid as bag full of spanners wearing toupees, it’s at least a good deal more fun than CSI: Cyber. Here, have a rather good, Inception-like trailer that belies the show’s essentially cheap silliness and another trailer that’s a little bit less deceptive.


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News: more Fortitude, trailers for lots of new US shows, a returning Hero, a SHIELD spin-off + more

Film casting

Theatre

Australian TV

Canadian TV

French TV

Internet TV

  • Trailer for Netflix’s Grace and Frankie
  • Trailer for season 3 of Netflix’s Orange is the New Black
  • Casting for Netflix’s The Get Down

UK TV

New UK TV show casting

US TV

US TV show casting

New US TV shows

New US TV show casting

US TV

Review: 12 Monkeys 1×1-1×2 (US/UK: Syfy)


In the US: Fridays, 9/8c, Syfy
In the UK: Acquired by Syfy UK. Begins 9pm, 27 February 

For quite some time now, Syfy has been coasting. Gone are the halcyon days when Battlestar Galactica was the toast of the town. Indeed, with a schedule intermittently packed with wrestling, reality shows and knowingly bad B-movies, it was possible to surmise that Syfy had changed its name from the Scifi channel not just for trademarking purposes but so it could avoid having to show sci-fi, with what little it did airbeing anaemic-to-poor knock-offs (Alphas) or imports (Continuum, Being Human, Bitten). 

However, for the past couple of years, Syfy has been trying to raise its game in original programming. Sometimes, the quality’s been awful (Dominion, Z Nation), sometimes it’s been okay (Defiance, Helix), but so far, nothing’s been great.

12 Monkeys doesn’t quite change that track record, but given what’s gone before it, it’s surprisingly good. The film, 12 Monkeys, was a Terry Gilliam classic, itself based on the Chris Marker’s 1962 ‘photo-roman’ La Jetée, in which a time traveller from the future comes back to the modern day to prevent armageddon. However, time paradoxes mean that the story has more than a twist or two.

Gilliam’s 12 Monkeys, as well as being a movie rather than a series of photos, adds many plots and sub-plots to Marker’s story, portraying a virus-devastated future from which Bruce Willis returns to find out the source of the virus and prevent the future from happening. Along the way, he meets a doctor (Madeleine Stowe), with whom he falls in love and convinces he’s from the future, and a psychiatric institute inmate (Brad Pitt), who is the head of ‘the Army of the 12 Monkeys’, the likely cause of the virus. And again, as with La Jetée, there are plenty of timey-wimey twists.

This new TV version moves things on slightly and straightens out some of the twists. Our new hero is Aaron Stanford – best known as Pyro in X-Men 2 but also doing serviceable secret agent turns in both Nikita and Traveler – and he’s come from 2043 to find out the source of a viral outbreak that’s set to happen in 2017. Why him? Because in the future, the few remaining survivors of the virus find not only a time machine that can ‘splinter’ someone back in time but also a message from a CDC doctor, Amanda Schull (Louis’ helper in Suits), saying that he is the one who must help stop the virus from getting out. Will he convince her of what’s going to happen? Will he be able to find who’s really behind the viral outbreak? And how many time paradoxes will he encounter along the way

Here’s a trailer.

Continue reading “Review: 12 Monkeys 1×1-1×2 (US/UK: Syfy)”

News: Benedict Cumberbatch is Dr Strange, a US Wire In The Blood remake, full seasons for 4 CBS shows + more

Film casting

  • Mark Rylance to star in Steven Spielberg’s adaptation of Roald Dahl’s The BFG
  • Benedict Cumberbatch to play Dr Strange

Australian TV

Canadian TV

US TV

US TV show casting

New US TV shows

What have you been watching? Including Belle, Halt and Catch Fire, and Continuum

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

The heat’s back on again, both in terms of the summer weather and the arrival of new shows, so I’ve not been able to get round to/force myself to watch FX’s Middle Eastern-yet-largely Caucasian dictator and familial rapist show, Tyrant. I’ll try to get round to that by Monday, assuming that all these Dulux swatches I’m keeping my eye on have lost enough moisture that I can compare them accurately. But I have reviewed two new shows:

One was better than the other.

I also managed to watch a couple of movies. Well, one and a half.

Belle (2013)
Jane Austen but with a black woman and slavery. Gugu Mbatha-Raw (Undercovers, Bonekickers (yikes), and Touch, but best known as Martha Jones’ sister Tish in Doctor Who) excels as the daughter of a slave whose aristocrat father places her with his uncle to look after – his uncle being the highest-ranked judge in England (Tom Wilkinson). Based on a true story, it’s a two-threaded piece, on the one hand examining the place of black and mixed race women in 18th century society, with Belle too high-born to eat with servants yet because of her skin too low-born to formally eat with her own family. She may have a £2,000 income a year, unlike her impoverished, equally-illegitimate white cousin, but that doesn’t mean anyone wants to marry her either. Contrasted with that is a case being examined by Wilkinson in which slaves are thrown overboard a ship and the ship’s captain tries to claim on the insurance for loss of cargo. The two threads mirror each other, with Wilkinson’s growing awareness of Belle’s station informing his opinion on the case and vice versa. The cast are fabulous, with Penelope Wilton, Miranda Richardson and Emily Watson shining, too, although Tom Felton (Murder in the First, but best known as Draco Malfoy in Harry Potter) is horribly typecast as an evil racist aristo. Some tear-jerking moments and a lovely romance, but a little too gently paced and in need of trimming in places.

Monuments Men (2013)
Another film based on a true story, this sees George Clooney, Matt Damon, John Goodman and others as somewhat past-it art experts at the end of World War 2 flying out to Europe to try to rescue whatever art they can before the Nazis steal it or destroy it – or the Allies bomb the hell out of it. That’s the first half-hour anyway, but we gave up after that because pretty much nothing much happens. There’s no good dialogue, the direction is limp, there’s no action, no scenes of note: there’s more excitement in a Pathé newsreel.

After the jump, a round-up of the regulars, with reviews of 24, Continuum, Enlisted, Halt and Catch Fire, Old School, Penny Dreadful, Suits and Undateable.

Continue reading “What have you been watching? Including Belle, Halt and Catch Fire, and Continuum”