US TV

What did you watch this week (w/e December 23)?

The Bleak Old Shop of Stuff

Time for "What did you watch this week?", my chance to tell you what I watched this week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case we’ve missed them.

Last one of these before Christmas and the New Year, so get your recommendations in now, since there are people out there with time on their hands and awkward conversations to avoid and some decent TV might be a lifesaver.

  • American Horror Story: End of the season and it’s all change. Overall, a very silly show that was never really scary, just gory when it chose to be. Right, who’s going to give Alex Breckenridge a job?
  • The Bleak Old Shop of Stuff: Essentially, Radio 4’s Bleak Expectations transposed to the small screen as a single-camera comedy and with a very famous cast (Mitchell and Webb, Stephen Fry, Katherine Parkinson). The trouble is it doesn’t work as well. The same verbal jokes are there but they flutter by quickly without an audience to laugh at them and give time for gaps in the dialogue. There’s CGI for some of the more outlandish fantasies (none of them as outlandish as radio can conjure up though) and the whole thing feels like 300 thanks to the copious amounts of green screen, but none of that was actually funny, and was again largely about verbal puns. And at an hour, the run-time of the story was far too long. All the same, it raised at least the regulation amount of laughs, which is more than you can say about Life’s Too Short and Rev these days.
  • Dexter: An episode marginally better in quality than the previous ones, but largely because of the ending, which should have been how the previous season ending. Overall, a very disappointing season that together with last season’s finale burnt up most of the goodwill and excitement surrounding the show. Fingers crossed next year will be better and at least there’s something interesting for the show to address.
  • Homeland: By turns, exactly what I expected, yet also surprising. Given the plot mechanics needed for a second season, it was obvious what was going to happen, but I was hoping for (spoiler) Brody to trigger the bomb. But beyond that, there were enough twists that I didn’t see coming and enough overall intelligent writing to satisfy me. However, the finale, together with a few of the preceding episodes, also showed the programme’s roots in 24, with many of the same tropes, just approached differently and slightly more realistically.
  • Life’s Too Short: Finally caught some of this. Pretty much exactly like every other Ricky Gervais-scripted show, particularly Extras, but without the laughs.
  • Misfits: Better than series two, with some real standout episodes, but another season that didn’t really go anywhere with the characters, even though they developed slightly. Season four really needs to start heading in a different direction and start fleshing everything out more.
  • Rev: The Christmas episode and just miserable.
  • Shameless: Yes, I’ve seen the first episode of the second season, and beyond a slightly worrying trend towards making Fiona more of a ‘winner’, this is still excellent stuff and Emmy Rossum is great. They’ve also recast Jane Levy’s part, since she’s off starring in Suburgatory now.

And in movies:

  • Sherlock Holmes: A Game of Shadows: Not as good as the first Robert Downey Jr movie. Stephen Fry is oddly unsuited to the role of Mycroft, it turns out and the replacement of Rachel McAdams with Noomi Rapace from The Girl with the Dragon Tattoo robs the movie of a vital element as well. But Kelly Reilly’s back, Jared Harris makes a fabulous Moriarty, the script is actually quite good, Jude Law is better than in the first movie and the ‘fight scene’ between Moriarty and Holmes is memorable, as is the coda at the end. Silly, but enjoyable and smarter than many a blockbuster, even if this is less detective story than action adventure movie.

"What did you watch this week?" is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

Random Acts

Random Acts: the pilots are taking over Chicago

Amber Heard in Chicago

Chicago’s rapidly becoming a town where TV shows want to shoot. It’s been a while since The Loop and Prison Break‘s first season shot there, but The Chicago Code‘s there right now and a couple of pilots are shooting there as well. Cooper and Stone, starring Alex Breckenridge and Vanessa Ferlito (one of the original stars of CSI: NY), is randomly annoying the Chicago neighbourhood of Ravenswood Manor:

Cooper and Stone in Ravenswood Manor

“Go back to L.A.,” one resident complained

Meanwhile, The Playboy Club – NBC’s female-oriented answer to Mad Men that’s set in a 1960s Playboy club just as women’s lib and the Pill are about to hit the world – is currently giving the city a make-over. Eddie Cibrian (who, continuing the CSI theme, was in CSI: Miami for all of a season) is running around Chicago in a whole load of Jon Hamm’s cast-offs:

Eddie Cibrian in The Playboy Club

Eddie Cibrian in The Playboy Club

Eddie Cibrian

Since the show’s aimed at women much more than men, I imagine this will be happening a lot:

Eddie Cibrian

However, given the setting of the show and since Amber Heard’s in it, I imagine men* will want to watch it, too:

Amber Heard in The Playboy Club

You may ask where randomness comes into this. Well, guess where Amber gets her style advice from:

Amber Heard reading Lucky magazine

Yes, well known Mad Men envier and Lucky magazine’s “old reliable“, Ali Larter.

Ali Larter in Lucky magazine

I wonder if that’s why Amber took the role?

* And gay women, obviously:

US TV

The CW’s upfronts 2011

The CW Upfronts

Poor Alex Breckenridge – let down by pilot season again. The CW, which is largely ruled by reality shows, only has about thruppence ha’penny to rub together, so isn’t going to be picking up her pilot, Cooper and Stone. Shame.

Still, what have they picked up instead?

  • Hart of Dixie, in which Rachel Bilson gets used to being a doctor in a small town after she leaves the big city. Hang on, isn’t that Doc Hollywood?
  • Ringer, in which Sarah Michelle Gellar goes on the run by assuming the identity of her twin sister. Genius plan that one. Still, it does feature Ioan Gruffudd, Nestor Carbonell and Kristoffer Polaha, so might be worth a look
  • The Secret Circle, which comes from the author of The Vampire Diaries and sees Britt Robertson from Life Unexpected discover she’s a witch. Another good supporting cast – Thomas Dekker, Gale Harold, Ashley Crow and Natasha Henstridge – but if it’s anything like The Vampire Diaries, I might be out before this has even started.

Not sure they picked the right shows there. Details and trailers after the jump.

Continue reading “The CW’s upfronts 2011”

News

Thursday’s “second time lucky?” news

Much Ado About Nothing with David Tennant and Catherine Tate

Film

Canadian TV

  • CBC orders pilot for Great Scott

US TV

US TV

Review: Franklin and Bash 1×1

Franklin and Bash

In the US: Wednesdays, 9/8c, TNT

Crazy, unconventional lawyers who don’t play by the rules and who fight for the little guy! Yay! That’s what we need more of, isn’t it? That hasn’t been done to death with Eli Stone, Harry’s Law, The Deep End and The Defenders in just the last three years alone, has it?

Why no, Sir! In fact, what the genre of crazy, unconventional lawyers who don’t play by the rules and who fight for the little guy has in fact been missing all these years – something you probably hadn’t realised until TNT decided to tell you this by thrusting new show Franklin and Bash and assorted breasts in your face – is crazy, unconventional fratboy lawyers who don’t play by the rules and who fight for the little guy.

Yes, Franklin and Bash are the kind of lawyers who’ll get women to take their clothes off in court and jiggle their breasts at the jury, who’ll hit on women they work with and have naked hot tub parties, in a show that tries vainly and pathetically to be funny, while Malcolm McDowell phones in his part in between lighting cigars with the vast stack of dollar bills he must be earning.

Sigh. Cue the trailer.

Continue reading “Review: Franklin and Bash 1×1”