A Million Little Things
US TV

Third-episode verdict: A Million Little Things (US: ABC)

In the US: Wednesdays, 10/9c, ABC
In the UK: Not yet acquired

ABC’s A Million Little Things does not have a million little things going for it. Indeed, by the end of episode three, it already looks like it’s used up all it did have going for it. A slightly obvious attempt to rip off This Is Us, it sees three male friends’ relationship change when their fourth number commits suicide. They begin to re-evaluate their lives and start revealing their deeper emotions to each other. So many secrets! So many flashbacks! So many emotional moments!

To its credit, A Million Little Things is far less willing to indulge in forced emotional blackmail than This is Us is. Episode two was genuinely weepy at times, as ‘our band of dads’ get together to try to look after the daughter of their dead friend, and the show did earn those tears through drama, rather than simply the situation. It’s also less keen on serving up shiny new secrets every episode and is more content answering the secrets it’s already posed.

Trouble is, the initial secrets all seem to have been answered and those that remain either aren’t very exciting or seem easy to guess. So why bother watching? On top of that, the show’s raison d’être is “men talking about their emotions for the first time”. Nice idea, but the show started from a slightly repetitive foundation – one of the friends was planning to kill himself just as the fourth friend did kill himself; it then built on that foundation very little, the result so far seeming to be in episode three, “If you talk about your emotions, you will be ostracised, because no one wants to hear your bad secrets”. That’s not very encouraging and the whole response needed to produce that outcome seems manufactured.

Very few things

This forced drama goes against that initial selling point versus This is Us. And without any new secrets and with only forced drama now to rely on, there’s very little else going for A Million Little Things. The cast are still good, the female characters have finally been rounded out, James Roday proves there’s more to him than Psych, but the story engine powering the show along appears to have spluttered out into little more than musings about why people have affairs or become sad in a relationship. And the answers provided are pretty standard. And if the PA is planning on embezzling or has a secret plan from beyond the grave she’s following, I’m not sure I care.

All in all, then, after a promising start, A Million Little Things is getting crossed off the viewing list. A shame because a drama about men exploring men’s issues in a deeper, more emotional manner than we normally get on TV might have been worth watching. Unfortunately, this isn’t that show.

Barrometer rating: 3

The Barrometer for A Million Little Things

Titans
Streaming TV

Review: Titans 1×1 (US: DC Universe; UK: Netflix)

In the US: Fridays, DC Universe
In the UK: Acquired by Netflix. Will air in 2018

‘Tis the season to launch new streaming TV services, apparently. You’d think there were enough already, with the likes of Netflix, Amazon, Hulu, Crackle et al already here and charging a healthy $10 or so a month for a subscription, but ‘No Large Media Conglomerate Left Behind’ and all that. Disney (which owns Marvel) is contemplating its own service, while WarnerBros, which is already mulling its own streaming service, has just launched another one for its DC Comics property.

It’s going to end badly, you mark my words.

Anyway, a streaming TV service needs TV to stream. Although DC Universe has a decent back catalogue of movies and TV series, a lot of DC’s comic properties are already doing nicely on other networks so are tied up elsewhere. The Flash, Arrow, Gotham, Supergirl, DC’s Legends of Tomorrow, Constantine, Krypton, and Black Lightning won’t be gracing DC Universe yet. Instead, the company is working through some of its lesser, quirkier properties. Later down the line, we’ll be seeing live-action Swamp Thing and Doom Patrol series, but first up, we’re getting Titans.

Unsurprisingly, to ensure its first scripted outing is a success, DC Universe has chosen to commission the US’s most powerful and prolific TV producer Greg Berlanti (producer of virtually all those other DC superhero shows, plus the likes of You and a few other shows, too) to head it. Equally unsurprisingly, it’s pretty damn good. Who needs Batman, hey? F*ck Batman.

Continue reading “Review: Titans 1×1 (US: DC Universe; UK: Netflix)”
Marvel's Iron Fist
News

Iron Fist cancelled; Lethal Weapon extended; Name of the Rose trailer; + more

Every weekday, TMINE brings you the latest TV news from around the world

Internet TV

International TV

French TV

Scandinavian TV

Spanish TV

UK TV

US TV

New US TV shows

New US TV show casting

  • Rarmian Newton and Darby Camp to recur on AMC’s NOS4A2
  • Shannon Kane and Perri Camper to recur on BET’s American Soul
  • RJ Walker and Paula Newsome to recur on BET’s Boomerang
  • Seth MacFarlane, Sienna Miller, Simon McBurney et al join Showtime’s The Loudest Voice in the Room
Kriger (Warrior)
Airdates

When’s that show you mentioned starting, TMINE? Including Gladbeck, Berlin Station, People Of Earth, Kriger and Das Boot

Every Friday, TMINE lets you know when the latest TV shows from around the world will air in the UK

A great big splurge of acquisitions this week, with Sky Witness picking up ABC (US)’s The Rookie, Universal picking up CBC (Canada)’s The Coroner, and Fox UK picking up TBS (US)’s People of Earth. Only the last of those came with a premiere date, which you’ll learn in just a mo.

Otherwise, a bumper crop of premiere dates for you this week for previous week’s acquisitions.

Premiere dates

Gladbeck

Gladbeck (54 Hours: The Gladbeck Hostage Crisis) (Germany: ARD; UK: BBC Four)
Premiere date: Saturday, October 20, 9pm

As life slows down on a hot summer’s day in 1988, an armed bank robbery goes awry. While fleeing from the police, the two gangsters take an entire busload hostage. The ensuing manhunt, however, turns into a disaster. The police make fools of themselves with their amateurish operations and, above all, are obstructed by the nation’s media who swoop down on the events in their rat race for the juiciest pictures and live interviews with the kidnappers. As Rösner, the driving force of the duo, orchestrates their 54 hours of fame in cold blood, his accomplice Degowski derives sinister pleasure from manipulating the media. But Degowski is also unpredictable and violent. When he loses his nerve and kills a teenage passenger in the bus, the two men choose two young women as their hostages while leaping into another getaway vehicle. Thus begins an odyssey that goes completely out of control…

Berlin Station

Berlin Station (US: Epix; UK: More4)
Premiere date: Thursday, October 25, 9pm

Slightly touristy, slightly ridiculous adaptation of Olen Steinhauer’s novel that sees American spy Richard Armitage (ho, ho) travelling to German to use his superior German skills (ho, ho) to sniff out a mole at the US embassy. Is it his American mentor Rhys Ifans (ho, ho), maybe?

It’s pure bobbins that’s somehow made it through to three seasons, thanks to the gloss of its European setting and starry cast. I wouldn’t advise watching.

Episode reviews: 1-2

People of Earth

People Of Earth (US: TBS; UK: FOX UK)
Premiere date: Tuesday, October 30, 10:30pm

Former Daily Show correspondent Wyatt Cenac is a cynical magazine journalist, sent to cover an “alien abductees survivors group” where he soon begins to realise that those vivid hallucinations of talking deer might be a sign that he, too, has been abducted. So he decides to stay in town and see if he can work out what’s really happening and whether an alien invasion is really underway.

The show is a 50/50 split between two strands. The first strand is the desperately unfunny goings on at the support group, which reminds you of Go On but with Cenac’s deadpan instead of the jokes and Matthew Perry’s sardonic quips.

The second is with the aliens themselves – for they are real – where the show is actually a properly funny workplace comedy. Yes, that’s right – a workplace comedy. I mean have you ever considered how much effort goes into faking those cover-ups?

Unfortunately, the aliens begin to occur less and less as the season goes on, so the jokes become fewer and fewer. So I gave up.

Episode reviews: 1-3, 4, 5, 6

Kriger (Warrior)
Danica Curcic, Dar Salim and Lars Ranthe in Kriger (Warrior)

Kriger (Warrior) (Denmark: TV2; UK: Netflix)
Premiere date: November 13 [via]

Six-part Danish drama  about communities, loyalty and betrayal among war veterans, bikers and police officers, intertwined with a love story between war veteran CC (Dar Salim) and police officer Louise (Danica Curcic).

CC is back home in Denmark after active service in several war zones, and is haunted by his last mission which went horribly wrong when his best friend, Peter, was killed in action. CC is plagued by guilt and can’t find a place for himself in a society that prefers to forget about the war. To ease his conscience, he helps Peter’s widow, police investigator Louise, who has a particular interest in gang crime and, in particular, rocker king Tom (Lars Ranthe).

Das Boot

Das Boot (The Boat) (Germany: Sky Deutschland; UK: Sky Atlantic)
Premiere date: Friday, November 23 (I think)

Eight-hour miniseries sequel to Wolfgang Petersen’s Oscar-nominated 1981 anti-war classic movie of the same name. With the Allies having cracked the German military’s Enigma code and being able to track the movement of its submarine fleets, serving on a German U-boat has become little more than a suicide mission. The new series follows the crew of an ill-fated submarine that launches on its inaugural mission from Nazi-occupied France, as well as the stories of the family and friends they leave behind and that of French resistance fighters taking on the Nazi regime from the inside.

What TV’s on at BAFTA in November? Including On the Edge

Every so often week or so, TMINE flags up what new TV events BAFTA is holding around the UK

I’m going to try to keep on the ball a bit more with BAFTA events, so actually go to its website every week or so to find out what they’re showing that they haven’t told me about. This week, we have one new TV entry, airing in November.

4Stories – On the Edge and Q&A

Wednesday, 14 November 2018 – 6:00pm
Chapter Arts Centre, Cardiff

Created out of Channel 4’s major talent initiative 4stories, On the Edge is a bold and uncompromising three-part anthology looking at life in Britain today. These distinct but thematically linked films shine a light on key perspectives in criminal justice – the story of a victim, a witness, and a repeat offender – and serve up a raw slice of real life in contemporary Britain. Join executive producers Ben Bickerton and Phil Trethowan for more information on this year’s search for the next breakthrough filmmakers.
The screening will be followed by a Q&A with Ben Bickerton, Phil Trethowan and writers Janice Okoh and Georgia Christou.

THE FILMS
That Girl – written by Rose Lewenstein, Directed by Dionne Edwards

Free-spirited Ashley (Chanel Cresswell) refuses to grow up, enabled by sensible flatmate Becca (Alexandra Roach). But when she is forced to confront a reality she tried to bury in her past, their faithful bond is tested. Will Ashley take the law into her own hands?

A Mother’s Love – written by Janice Okoh, Directed by Anwar Boulifa.

The lives of single mum Josephine (Nadine Marshall) and her 11 year old son Ishmael (Keajohon Jennings Dillon) are shattered when he witnesses a gangland crime on their estate and is asked to testify against the killer.

Through the Gates – written by Georgia Christou, Directed by Stella Coraddi

Aimee (Ria Zmitrowicz) has spent most of her youth in and out of prison. Tessa (Wunmi Mosaku) is her disillusioned parole officer, living her own life of organised chaos. Both are trapped in viscous cycles. Can they help each other find a way out?

All tickets for this event are FREE

Members can reserve their place by emailing Vicki.

Non-members can reserve a ticket via Chapter box office.