The Neighborhood
US TV

Third-episode verdict: The Neighborhood (US: CBS)

In the US: Mondays, 8/7c, CBS
In the UK: Not yet acquired

Just as with Happy Together, I had high hopes for The Neighborhood, once I’d seen the first episode, since it too defied expectations. It sees typical white midwesterners Max Greenfield and Beth Behrs move into a tough(ish) suburban black neighbourhood in LA. Neighbour Cedric the Entertainer isn’t too keen on having white neighbours, so generally tries to be as antagonistic as possible to them; however, the rest of his family are more open-minded, bringing it a different kind of conflict.

The first two episodes managed to do more than simply be “hey, you’re white!” and “hey, you’re black!” jokes every 10 seconds. Instead, they were surprisingly insightful looks at the differences between black and white Americans’ culture, while being almost a comedy of manners about what can and can’t be said and by whom in modern America.

Episode two also saw a potential alternative discussion point for the show, with Cedric the Entertainer the voice of tough conservative black American parenting values and Greenfield the voice of softer modern white parenting approaches. Indeed, there were times in the episode where the words black and white never even got mentioned.

The Neighborhood

There goes The Neighborhood

So it’s a shame that episode three lived down entirely to my initial expectations for the show. Greenfield stopped being an equal, more a figure of fun for everyone to laugh at. The jokes were basically “hey, you’re white!”, “hey, you’re black!” and most of the comedy revolved around the characters laughing at, not with each other. On top of that, not the slightest bit of cultural insight.

Basically, a standard CBS sitcom then. In fact, I couldn’t make it to the end of the episode, it was so unwatchably awful and standard CBS sitcom.

Which is a shame, since Happy Together showed that CBS is clearly aiming for a new, younger, gentler, more diverse market than it has been before, and I’d hoped The Neighborhood would be a good pairing with it. It isn’t.

Oh well. Two goodish episodes ain’t bad, is it?

Barrometer rating: 4

The Barrometer for The Neighborhood

Happy Together
US TV

Third-episode verdict: Happy Together (US: CBS; UK: E4)

In the US: Mondays, 8:30/7:30c, CBS
In the UK: Acquired by E4. Starts Thursday, October 18, 9pm

Normally on CBS, a sitcom like Happy Together would be something to avoid. A happily married couple in their early 30s (Damon Wayans Jr and Amber Stevens West) have to deal with a young A-list celeb (Felix Mallard) moving in with them? Imagine the hijinks as they laugh at how stupid and vain he is, and how he’s always on his mobile phone! Imagine the point-scoring conversations as everyone tries to be meaner than everyone else. What larks, hey?

Fortunately, Happy Together isn’t a standard CBS sitcom and Chuck Lorre has nothing to do with it. Instead, it’s a pleasing three-hander that throws up surprisingly accurate observations about married life and growing older, with a bunch of self-deprecating, charismatic characters. Most of the comedy stems from the gulf between the self-image of people who still imagine themselves as young but are on the cusp of middle-age and the actual reality of their life, but there are just as many insights into the downside of being rich and famous.

Each episode so far has been a ‘meeting of cultures’ – if being an A-list celebratory or a 30-something married couple are cultures. Episode 1 saw our married couple learn what it’s like to be a young celeb going to parties and discover that 10pm is when the action starts not stops – and that everyone will be watching you when the action does start. It was relatively pleasing and fun, even if not totally laugh out loud.

Episode 2 saw a slight uptick in the comedy, with some genuinely good lines and good performances from everyone, as our young celeb moves in – if bringing a shoebox of goods can be classified as ‘moving in’ – and our couple learns just how much ‘stuff’ they’ve accumulated over the years. Can they be minimalist, too, or have they grown to love their things?

Meanwhile, episode 3 sees our thirtysomethings learn that the benefits of youth are about to wear off on them in terms of physical fitness and they can’t get away with not exercising any more. But will they be able to survive Mallard’s Calvin Klein underwear model fitness regime? And is giving up junk food and being in constant pain too high a price to pay to fit into those skinny jeans again? As Wayans Jr puts it, “I promised ‘in sickness and in health’ but I never realised ‘in health’ would be the bad one.”

In on the joke

Rather than being one long sneer at the characters or the standard “superior unfunny wife tuts at funny inferior husband’s little foibles” sitcom, Happy Together allows all the characters their moments to shine and is an equal opportunist when it comes to weaknesses. The characters all know their limitations and laugh along with them, too.

Wayans Jr and Stevens West are as funny as each other, get to be as silly as each other and actually have a genuine chemistry. You can well believe that these are a comfortable, happily married, well matched pair of characters with a well established Friday night routine; equally, Mallard manages to make his character charming and innocent, rather than stupid or the butt of every joke.

I found myself smiling and even laughing a lot at most of the situations the show has thrown up so far. Sure, I might not live with an A-list celeb, but the show is a perfect study of a modern marriage between two not especially hip but not totally unhip people. In many ways, it has more to say about modern relationships and family than Modern Family does these days. Give it a try.

Barrometer rating: 3

Happy Together

The Name of the Rose
News

The Name of the Rose, My Brilliant Friend acquired; BBC’s Dracula; + more

Every weekday, TMINE brings you the latest TV news from around the world

Internet TV

  • Netflix green lights: series adaptation of Kirsten “Kiwi” Smith’s Trinkets, with Brianna Hildebrand, Kiana Madeir, Quintessa Swindelal et al

International TV

Australian TV

French TV

  • Cineteve developing: political comedy Parlement, border crime thriller Nine, French revolution western Cagliostro and spy thriller Gaston

UK TV

  • Syco developing: Julian Fellowes royal art collection drama
  • ITV green lights: missing girl detective drama A Confession, starring Martin Freeman, Charlie Cooper and Siobhan Finnerman
  • BBC acquires: Rai (Italy)’s The Name of the Rose
  • Sky Atlantic acquires: HBO (US)’s My Brilliant Friend
  • Atrium developing: adaptations of Edmond Rostand’s Cyrano de Bergerac as Cyrano, with Joseph Fiennes; Hanif Kureishi’s The Body; Jane Thynne’s Clara Vine novels as Clara Vine; and supernatural thriller The Mexican Witch Hunt
  • BBC One green lights: Dracula

US TV

  • Trailer for season 2 of Starz’s Counterpart

New US TV shows

  • CBS developing: sibling co-parenting comedy Siblings…
  • …and adaptation of James Patterson’s Texas Ranger as Ranger
  • Fox developing: modern Wild West procedural Deputy
  • FX developing: adaptation of Carmen Maria Machado’s Her Body and Other Parties
  • NBC developing: adaptations of Bruce Feiler’s Council of Dads and RTS (Switzerland)’s Quartier des Banques (Banking District)

New US TV show casting

The Haunting of Hill House
Streaming TV

Fourth-episode verdict: The Haunting of Hill House (Netflix)

Available on Netflix

The Haunting‘s one of those classic horror movies that’s thoroughly deserving of the title. Directed by Robert Wise and based on Shirley Jackson’s 1959 novel of the same name, it sees a group of people taken by a scientist to an old house to investigate whether it’s really haunted or not. These people, some sceptics, some psychic, some a bit unhinged, slowly learn that either the house is haunted or they are.

Wise’s direction doesn’t involve horror or ‘jump shocks’ but is instead based around the slow build up of tension and horror, as we try to piece together what’s happening and our imagination runs riot. It’s a technique that’s been used countless times since and the likes of Ghostwatch owe The Haunting a huge debt.

The Haunting of Hill House

Cycles of horror

Horror, like every other genre, is subject to trends and the style of horror exemplified by The Haunting was to reach its zenith in The Exorcist, before changing cinema rules meant gore took over as the mode of choice for directors by the mid-70s and 80s. Since then, we’ve had The Blair Witch Project give us more than a decade of “found footage” horror, while the Saw franchise and the likes of Eli Roth dialled up sadistic horror to the max. Meanwhile, the “jump shock” school of horror – aka “quiet, quiet, BANG” – has had a renaissance in movies such as The Quiet Place.

Thanks to director Mike Flanagan (Occulus, Absentia, Before I Wake) we also now have a return to at least something of the original The Haunting‘s tension-building horror with a new adaptation of The Haunting of Hill House for Netflix as a ten-part series. To expand the story out to that much of a runtime, Flanagan does a lot of tinkering with the underlying story, making the various original characters siblings, yet otherwise keeping them similar. He also gives us two timelines.

In the first, set in 1992, we have a family move into the old ‘Hill House’, a fixer-upper if ever there was one. They intend to remodel it and redesign it, before selling it on, so they can make enough money to settle down permanently and build and live in their ‘Forever House’. Tragically, however, before their dreams can be attained, the family has to flee in the middle of the night, leaving mother Carla Gugino behind dead. What happened? Father Henry Thomas (ET) claims it was ghosts; others say it was suicide.

The whole world wants to know, so naturally when son Steven (Michiel Huisman) is down on his luck, the aspiring novel writes a tell-all book, which makes him rich – but ostracises him from his sisters, mortician Elizabeth Reaser, child psychologist Kate Siegel and struggling addict Oliver Jackson-Cohen.

Sister Nell (Victoria Pedretti)? Well, she’s a bit batty these days thanks to all the dreams. Of course, things take a turn for the worse for her once she decides to go back to the house one night, leaving the rest of the family to piece together what happened to her and revisit old memories – that’s when old memories aren’t revisiting them…

Continue reading “Fourth-episode verdict: The Haunting of Hill House (Netflix)”

God Friended Me
US TV

Third-episode verdict: God Friended Me (US: CBS)

In the US: Sundays, 8pm, CBS
In the UK: Not yet acquired

CBS is, of course, the home of procedural, but it should garner some kudos at least for having invented – or at least modernised – the ‘faith-based’ procedural with God Friended Me. The show sees aspiring atheist podcaster Brandon Micheal Hall join forces with online journalist Violett Beane and best friend Suraj Sharma to try to work out why a Facebook account calling itself ‘God’ is taking such an interest in his life and offering friend recommendations. When Hall accepts God’s suggestions, he ends up helping to repair people’s lives and bring a little happiness to the world, since it turns out they’re all in need of some human care. Such are the coincidences of it all, maybe that account really is God – he and Beane are going to try to find out, at least, and along the way, Hall might be reconciled with his preacher father (Joe Morton) as a reward for his efforts.

Reviewing the first episode, I exhorted readers to put their cynicism aside for what is essentially the new media version of Early Edition. It may be technically illiterate and theological nonsense, but only the jaded will be annoyed by a show that sees millennials (including a journalist) trying to help others and making other people’s lives better. It’s easy-going, genial stuff with a pleasing enough cast. What’s to dislike?

God Friended Me

The word of wood

Trouble is, since then, it’s been a bit blah and lacking in conviction. Despite the fact that the man Hall rescues at the start of the first episode turned up at the end to save Beane’s life, episode two sees Hall implausibly arguing that it’s definitely not God. The show’s writers seem to want to maintain that ambiguity, since they’ve dialled down the improbable levels of coincidence in favour of something just as easily explainable through secular methods. If it’s God, there’s a hook; if it’s a bloke in a dug-out with night-vision goggles and a WiFi hotspot, it’s all just a bit creepy.

On top of this unwillingness to explore its own boundaries, the show is also a bit trite and offers pat solutions to every emotional concern. Episode two sees an uncommunicative autistic boy naturally turn out to have useful musical savant abilities; meanwhile, episode three sees a tough ex-cop willing to take in a kid who was caught stealing. How trusting. How good that he doesn’t just turn your place over.

Now, dear reader, you don’t have to worry about your theistic cynicism being challenged, just your trust in human nature.

God Friended Me

Mere mortals

The show at least does still have a decent cast and set of characters. While there’s little research gone on into online journalism, podcasting or even being a vicar, the jobs at least have a semblance of reality to them and everyone’s heart is in the right place. It’s a little beyond credence that Morton hasn’t yet used ‘God’ as a Thought For the Day to talk to his son about God, now he’s listened to the podcast, but maybe he will at some point.

The relationship between Hall and Beane is probably the show’s highlight, however, so it’s a shame that after the first episode, they do so comparatively little together and Beane’s skills are no longer used as well as before. The writers really need to work more with these two to fine-tune the relationship, but the end of episode three suggests that’s a work in progress.

All in all, God Friended Me is a decent enough, faith-based procedural that won’t offend anyone, but won’t really excite anyone either. I might keep watching, in the hope that the show manages to get its formula right or at least do something as interesting as it did in the first episode, but it’s just as likely that I’ll give up on it next week.

Barrometer rating: 3

The Barrometer for God Friended Me