TV reviews

Three episodes into My Own Worst Enemy and it’s clear that this isn’t the car crash we were expecting. Essentially The Bourne Identity crossed with True Lies, it sees Christian Slater finding out he has multiple personality disorder and one of his personalities is a real-life secret agent – which would be nice and exciting if it weren’t for the people trying to kill him and his family.

It all sounds a bit dumb and it is, but the show is better than the set-up suggests. It tries its best to be gritty and to be as adult as possible, given the sci-fi foundation beneath its surface. After initially seeming like it would Slater and his other self working together to stay alive, the title’s come into play and the two Slaters are having interesting little time-shifted battles against each other.

We also have Slater’s spy partner, whose relationship with his wife shows that Slater and the still not well used Mädchen Amick actually have the relatively good end of the sociopathic secret agent-hausfrau relationship spectrum. This is actually quite a poignant sub-plot of spousal neglect that works quite well in context.

The spy stuff’s all a bit uninspiring compared to CBS’s The Unit, but Slater’s good, there’s an interesting series arc developing – finally giving Saffron Burrows something to do – and it’s quite dark, which always gets the thumbs up from me. But it doesn’t yet have that magic ‘something’ necessary to make it a must-see, a theme common to most of the Fall’s new shows. Close, but no cigar.

Predictions
Could well make it to a full season, but unlikely to make it to season two without more oomph.

Carusometer rating
Two or Partial Caruso

I’m not even going to bother with a Carusometer for this one. It started off a bit dull, despite having Emilie Ullerup in it, and by the time I got to episode four (since episode one was a two-parter), I couldn’t even bother reaching the end of the episode.

It’s just not very interesting. Nothing remarkable about it at all. Oh well.

Eleventh Hour, yet another remake of a British series, has now managed to notch up three episodes. Unlike Life On Mars, which chose to start with two remake scripts and an original script, Eleventh Hour has gone for one remake and two original, so we can get a firmer idea of what the show’s going to be like.

As predicted, it is indeed shaping up to be the new Doomwatch, although it’s also the new CSI, which is handy, given it’s on CBS. While episode one was less daft and science-fictiony than the UK original script, episode two was pretty much an episode of CSI – and a stupid one at that – with a science label hung on it; episode three, however, was a relatively interesting piece on GM food with overtones similar to the Doomwatch pilot The Plastic Eaters.

Rufus Sewell is a good lead; Marley Shelton can’t really act, but her character’s more useful than Ashley Jensen’s original, offering FBI skills rather than simple "falling over" skills, and she could plausibly do the job, at least. Not really interesting dramatically, yet, but the science in the plots separates it from a standard procedural – just. There needs to be more chemistry between Sewell and Shelton for the show to be of true interest though and they need to steer clear of the science-fiction UK originals as well as the more obvious "who’s the techno crim?" scripts, too.

Predictions
Already booked for a whole season, but needs to make the central format more interesting for it to really appeal.

Carusometer rating
Two or Partial Caruso