You know, for an awful 20 minutes or so, I thought this was going to be bad. Not Bonekickers bad, simply daft. Because it’s very, very easy when you’re dealing with demons, exorcisms and faith to put one foot wrong and mess the whole thing up.
Certainly, Apparitions starts off by putting that foot right into its mouth, revisiting 1997 and the death of Mother Theresa.
The 70s was a great time for TV. Whether it was drama, comedy, documentary or stupid escapist tatt, the 70s turned up some of the best television ever made – although sometimes ambition exceeded either the budget or the technology.
Even kids TV was great, particularly if it was science-fiction or fantasy. Not only was it well made, it was intelligent. Whether you watched the Beeb and caught Doctor Who, The Changes or The Moon Stallion, for example, or watched ITV and tuned in for Timeslip, Ace of Wands or Children of the Stones*, you could pretty much be guaranteed something interesting that made you think.
The reasons for the high quality of kids’ sci-fi TV are clear. Not only were there people with an ethos of creating decent programming for kids at both networks, a competitive duopoly that encouraged innovation and a captive audience with little else to do but watch tele, thus avoiding lowest common denominator worries, there was access to really good, high grade hallucinogenic drugs.
Whether it was magic mushrooms, LSD or even peyote, TV writers were knocking back quite extravagant amounts of not quite illegal substances, giving them a new view on reality, writing and the creative process.
Sky is perhaps the most obvious example of a kids’ show written by people on drugs**. Created by Bob Baker and Dave Martin in 1975, it was a curious seven-part serial about an alien that comes to Earth.
So far, so simple, no?
What differentiates it from other similar fare is that it’s clearly off its face. Sky is a time traveller with incredible powers from another dimension. Or maybe another universe. Except he might be a god. Just like Jesus and any other religious figure in fact, since they were all time-travellers too.
He’s arrived here before the correct time – we’re still “before the chaos” – and needs to get to the future where he can show the surviving people of the Earth the right way to live in harmony with the Earth. Trouble is, the Earth of today senses that’s he’s alien and tries to repel him, just like an immune system repelling a bacterium. While he searches for ‘the Juganet’ – the way to the future – Sky is attacked by trees and plantlife, before eventually the Earth creates something in human form – ‘Ambrose Goodchild’ – to destroy Sky.
It’s never been repeated, it’s never been released on VHS or DVD, but you can watch it some of it on YouTube. It’s a Lost Gem. Here’s the title sequence followed by a clip to get you in the mood. You might need to be taking something though.
This should probably be called The Other The Other Boleyn Girl, given there’s a multi-million dollar effort with Eric Bana, Scarlett Johansson and Natalie Portman out on DVD right now, too. Also based on Philippa Gregory’s book of the same, this is a study of Mary Boleyn, Anne Boleyn’s elder sister and fellow mistress of Henry VIII. Made for the BBC in 2003 and starring Natasha McElhone, Jodhi May, Jared Harris and Steven Mackintosh, it’s cheaply made yet more powerful and more innovative that its highly turgid American cousin.
It’s quite a traumatic tale, with happy newlywed Mary finding that the king’s interested in her and that both her husband and her father want her to take up with the King to advance their standing in court. Reluctant at first, not least because she regards adultery as a terrible sin, Mary eventually falls in love with Henry and as history recounts, it all goes pear-shaped after that.
The adaption is relatively faithful to the book, although it does skip over big chunks of the narrative – unlike Hollywood, however, the BBC adaptation does at least make clear where there have been jumps of a year or so, something that made the big screen version less than coherent at times.
You couldn’t describe it as historically authentic, though, because despite its best efforts, Gregory’s book isn’t to be trusted on all its details – rather than being a pious so-and-so as Gregory suggests, most of the records hint that Mary was a bit of a goer – and McElhone is obviously too old to play the teenage Mary. I won’t go into the incest stuff either, although Gregory usually does, more or less in every book she writes. Hmmm.
The oddest part of this adaption is that it’s shot on grainy video almost as a reality TV show (complete with partially improvised script), with Mary and Anne both offering video diary-like pieces to camera at various parts of the narrative. This more radical approach does involve you, but it also distances, since its fast cuts and shaky-cam mean you spend more time being fascinated by Philippa Lowthorpe’s direction than having a chance to get involved with the characters.
McElhone’s as good as always; May seems far less devious than other Anne Boleyns you might have seen (on The Tudors for example); Jared Harris, who plays Henry, turns in pretty much the same performance he did in To The Ends of the Earth, which is good in its way but doesn’t seem particularly Henry-ish (again, age seems to be a factor); and Steven Mackintosh is okay in a difficult role: the gay, incestuous (as written by Gregory, anyway) brother George Boleyn.
If it’s a toss-up between the big-screen version and this one, get this one, if only because it’s better and considerably cheaper. But probably only worth getting if you’re a big history buff.
Here’s the first few minutes to give you an idea of what’s it’s like:
Incidentally, Philip Glenister’s in it as William Stafford, Mary’s second husband. Someone’s stuck all his appearances in it together and uploaded the result to YouTube. Enjoy!