European TV

What TV’s hot in Lisbon right now?

Good question. See, I was there for the past few days (hence my lack of blogging), and following the success of my previous photo expeditions to LA and New York, including my New York TV advertising feature, I thought I’d give you a brief rundown. With pictures.

So the first thing to note is that Meo is the king of telecoms over there. As well as mobile phones and broadband, they also offer TV services over the phone line, via satellite, via cable and even over 3G/4G. Meo is everywhere, particularly when it comes to WiFi hotspots. However, NOS does pretty much the same thing, including offering a whole range of premium channels, largely featuring US imports, and so has a lot of cash to spend on advertising. Here, for example, towering over the monument to Luís de Camões and this Easter parade is Claire Danes, the star of Segurança Nacional (aka Homeland).

Easter parade Claire Danes

Claire Danes

Traipse all over Lisbon and you’ll spot NOS adverts for everything from Modern Family and Castle through to Vikings and Teenage Mutant Ninja Turtles. However, confusingly, Homeland/Segurança Nacional actually airs on one of Fox International’s channels, which does its own advertising, too. Top of the heap of its advertising and appearing on the wall of pretty much every Metro station in Lisbon? Empire.

Fox's Empire in Lisbon

But NOS, Meo and Fox aren’t the only channels in Lisbon. AXN is out there, too. Top of its promotional considerations and dominating most bus stops and street signage is Chicago Fire.

Chicago Fire in Lisbon

“But, Rob,” you might ask. “Aren’t there any programmes made in Portugal?”

There are a few, at least, including news programmes, although most of the ones I saw advertised were for kids and were cartoons. The only truly ubiquitous advert was for Portugal’s very own version of Masterchef, which was about as common as Empire was on the Metro and airs on TVI, Portugal’s fourth terrestrial TV channel.

MasterChef Portugal

US TV

Look! Here’s two Supergirls in one place!

Well, here’s something you don’t see very often: not just one but two Supergirls.

Two Supergirls

On the left, we have Melissa Benoist, who plays Kara Zor-El in the new CBS Supergirl; on the right, we have Helen Slater, who played Supergirl in the 80s movie Supergirl.

They’re together in one place because Slater is also appearing in the new Supergirl, as is former Superman Dean Cain, although their exact roles in the show are yet to be revealed.

They’re probably not playing Supergirl’s biological parents (or should that be ‘biological’, given Kryptonian reproduction?), as Laura Benanti has already been cast as Supergirl’s mum Alura Zor-El, but maybe their adoptive parents? No word yet if the show intends to make it a triple and rope in Smallville’s Supergirl, Laura Vandervoort. She’s currently slumming it on Bitten, so could probably do with a change.

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The Wednesday Play: Les Blair’s Blooming Youth (1973)

It’s strange how history – even TV history – remembers some names and not others. Take Mike Leigh. You’ll almost certainly have heard of Mike Leigh, in part because of his film work, but largely because of his work on the BBC’s Play For Today, with the likes of Abigail’s Party and Nuts In May still famous to this day. In particular, Leigh is known for the improvisational nature of his plays, working with the actors to create the scripts from which the final product is created.

Mike Leigh went to Salford Grammar School where he studied acting. He later moved to Birmingham and worked at the Midlands Art Centre, where he started to develop that famous style of his. He then enrolled on a course at the London Film School. In 1971, he worked on a feature film, Bleak Moments, and was recruited in 1973 by the famed Tony Garnett to make dramas for Play for Today.

The strange thing is that if you replace “Mike Leigh” with “Les Blair” in that previous paragraph, it’s still a completely true statement. Blair acted with Leigh in Salford, they shared a flat together in Birmingham, went to the Film School together, and Blair edited and produced Bleak Moments, which Leigh directed.

The big difference between Leigh and Blair, however, is that while Leigh began to edge more into comedy, albeit with a satirical edge, and film, Blair stayed firmly in the realm of TV drama, eventually going on to direct the socio-realistic likes of Law and Order and The Nation’s Health with his future long-time collaborator GF Newman. As a result, while Leigh is practically a household name, Les Blair is almost unknown except to TV historians.

Blair’s first effort for Play For Today came just three months after Leigh’s Hard Labour. Blooming Youth was an improvised drama about a group of polytechnic students sharing a house together, including a world weary cynic, a nervous studious virgin, and a couple in a relationship. Not a lot happens in it, but what marks it out is its realistic depiction of student life at the time, with dingy rooms, epic boredom and other aspects of study that would have been familiar to anyone who’d been to either university or polytechnic.

And it’s your Wednesday Play. Enjoy!