What have you been watching? Including Ex Machina, 3 Days To Kill, Community and Game of Thrones

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Can you feel it? Can you? The summer season of TV is starting everyone! New things to watch! Hooray!

Okay, it’s starting slowly this week, but next week, we should have even more. Nevertheless, elsewhere, I’ve already reviewed the first episode of Netflix’s Between and previewed both Supergirl and Mr Robot. I’m also planning to review NBC’s new Charles Manson drama, Aquarius, and preview CBS’s new ‘comedy’ Crowded separately. But they’ll have to wait until next week now.

After the jump, the current TV regulars: Community, Game of Thrones and Silicon Valley. But first, a couple of film reviews!

Ex Machina (2015) (iTunes)
Domhnall Gleeson is a programmer working at a very Google-like company of the near future, who wins a employee lottery the prize of which is to spend a week with the company’s owner, Oscar Isaac. There he has the chance to try a new Turing Test variant on gynoid Alicia Vikander. The new question is – despite knowing she’s a robot, will he still decide she’s intelligent and care about her? And will she care about him? Except, of course, all is not what it seems…

Written and direct by Alex Garland, it’s very clever and very beautifully shot, if a little slow and, towards the end, exploitative, with great performances all round. However, it would probably have had a much bigger impact on me if I hadn’t seen the low budget but very similar and considerably more entertaining and action-packed Caity Lotz version The Machine just a few months ago. Watch that instead.

3 Days to Kill (2014) (Netflix)
Sometimes, knowing too much about a movie can either make it or kill it. Or sometimes both. Here, we have what is essentially Taken, with Kevin Costner as an ageing CIA agent in Paris who has to come to terms with the fact that he hasn’t been a great husband or father to his ex-wife (Connie Nielsen) and daughter (Hailee Steinfeld), all while killing lots of bad guys and occasionally homaging The Bodyguard.

This shouldn’t come as a huge surprise since the script is by Luc Besson. So on that level, there’s some information that might make you want to watch the movie and actually, if that’s all you had to go on, that would probably be a reasonably good summary of its strengths. If you know what a Luc Besson action movie is like, you’ll know more or less what to expect (comedy, comedy sidekick, French-speaking Africans, kids, insane Paris car chases, women with guns, etc).

So now I’ll add a little extra fact to the mix: Amber Heard is Costner’s boss. This may or may not make you want to watch it, although Heard actually does pretty well in the acting stakes here, and there are some funny scenes involving her and Costner determining exactly what ‘young’ means to both of them (“32? Middle-aged, grandpa!”).

So let’s drop the last factette on you: it’s directed by McG. This should send you running to the hills and certainly you can expect a few exploitative and crass McG tropes in here, too. But actually, it’s largely just McG emulating Besson, so forget I just told you this information – if you can do that, you might actually half enjoy it. It’s not brilliant, but it is a lot more Besson than McG.

Continue reading “What have you been watching? Including Ex Machina, 3 Days To Kill, Community and Game of Thrones”

Weekly Wonder Woman

Weekly Wonder Woman: Sensation Comics #36, Convergence: Action Comics #2, Convergence #8, Injustice: Gods Among Us #4

Wonder Woman versus Power Girl

This week, it’s the end of Convergence, now that DC has completed its move to the West Coast. Thank the gods for that. That means we’ve got a couple of leftover fights to deal with: over in Convergence: Action Comics #2, we have Red Son Wonder Woman versus some Power Girl or other; and in Convergence, we find out that all that fighting was pretty much for nothing because the status quo must be re-established.

Meanwhile, Diana spends her time goading people for no good reason in Injustice Gods Among Us #4 and we got from the sublime to the ridiculous in Sensation Comics Featuring Wonder Woman #36. And that’s all after the jump, you lucky people.

Continue reading “Weekly Wonder Woman: Sensation Comics #36, Convergence: Action Comics #2, Convergence #8, Injustice: Gods Among Us #4”

News: three new Gold sitcoms, a Mr Ripley TV series, Fry’s Hippopotamus film + more

Film casting

  • Henry Cavill exits Stratton
  • Sam Neill and Roger Allam to star in adaptation of Stephen Fry’s The Hippopotamus

Film trailers

  • Trailer for American Ultra with Kristen Stewart, Jesse Eisenberg, Topher Grace et al

Internet TV

International TV


New UK TV shows


US TV show casting

New US TV shows

New US TV show casting


Preview: Mr Robot 1×1 (US: USA Network)

In the US: Wednesdays, 10/9c, USA Network. Starts June 24
In the UK: Not yet acquired

I want you to hack me as hard as you can

Over the years, the USA Network has struggled to work out what kind of network it is. Scroll back a decade or more in the timeline and most people associated it with the likes of country & western reality talent show Nashville Star. Then it started trying to do drama, with a brilliant but quickly cancelled remake of the UK’s Touching Evil, which was perhaps a bit too dark and unmarketable for the likes of USA.

The network didn’t abandon its attempts with drama, but the set back did lead it to start going a bit fluffier. By about 2007, Burn Notice, Monk and Psych were the network’s go-to shows, and while Burn Notice was obviously a much darker show than either Psych and Monk, it still wasn’t quite Requiem for a Dream. These shows had something of an 80s nostalgia to them, which led to the fluffy likes of In Plain Sight.

2009’s Royal Pains proved a game-changer, showing that fluffy and light were very much the order of the day on USA, leading us to the quite fluffy White Collar, the slightly fluffy Covert Affairs, Suits and Graceland, the really very fluffy Common Law, Fairly Legal, Necessary Roughness, Playing House, and Sirens, and eventually the still-fluffy Benched.

Now some of these were great, some of them really weren’t, but they almost all still had something of an edge to them, at least. And slowly, with most of the new fluff fluffing in the ratings, the pendulum has started to swing back over the past year or so towards USA’s skulking darker side with the likes of Rush, Satisfaction and, coming soon, Complications.

This is all for the good, since now we have perhaps USA’s darkest – and best – new show for quite some time, Mr Robot. It sounds fluffy, doesn’t it, with that name, but it’s really not. Think Fight Club if it was all about hacking or Batman, if Batman was a socially anxious coder who used technology to stop people faking identities, end the distribution of images of child abuse and bring down the corporate elite who secretly rule the world.

Rami Malek (24, The War At Home, The Pacific) is Elliot, a white hat techie at a cybersecurity firm. He has social issues, which means in between bouts of crying to himself at home from loneliness, taking morphine, having sex with his drug dealer, hacking people he knows about to find out more about them or talking to his new friends – the viewers at home – he’s busily putting the world to rights. Or to rights as he sees them.

In particular, he’d really like to destroy his company’s biggest client, The Evil Corporation, and one day he comes across ‘Mr Robot’ (Christian Slater) and his team of socially minded hackers, who offer him the chance to do just that and liberate society from this menace. Is The Evil Corporation really running the world? Is what Slater says possible? Can he be trusted? And is he even real or is he just the Tyler Durden of Elliot’s unmedicated, occasionally paranoid schizophrenic sub-conscious?

All these questions and more are asked and you will want to know the answers. If you’re in the US, you can watch the full episode below; otherwise, I’ll leave you with some trailers and we can talk more after the jump.

Continue reading “Preview: Mr Robot 1×1 (US: USA Network)”