Thursday’s “Cult cancelled, new BBC1 dramas and a Ringworld mini-series” news

The Daily News will return on Monday

Film

Film casting

Trailers

  • Trailer for Elysium with Jodie Foster and Matt Damon
  • Trailer for Syrup with Amber Heard, Shiloh Fernandez and Kellan Lutz

Theater

Canadian TV

  • Greg Bryk, Greyston Holt and Paul Greene join Bitten
  • Trailer for season 2 of Continuum

UK TV

US TV

US TV casting

New US TV shows

  • SyFy green lights: miniseries for Ringworld and Childhood’s End
  • pilot of Bryan Fuller’s High Moon, developing Orion, Sojourn, Clandestine, Infinity, Silver Shields and Shelter
  • Jamie Foxx to write, direct and produce SyFy horror anthology series
  • HBO green lights: Ryan Murphy’s Open
  • AMC considering Breaking Bad spin-off
  • Starz developing Vietnam drama Airborne

New US TV show casting

US TV

Preview: Defiance 1×1 (SyFy/SyFy UK)

Defiance

In the US: Mondays, 9/8c, SyFy. Starts April 15th
In the UK: Tuesdays, 9pm, SyFy UK. Starts April 16th
In Canada: Mondays, 10pm, Showcase. Starts April 15th

When a new show hits the airwaves and becomes a cultural phenomenon, it can take a little time for the copy-cats to appear. Case in point is HBO’s Game of Thrones, now starting its third season, which until now has had few imitators. Now comes SyFy’s Defiance, which although limited by its basic cable licence and family audience, features all the culture- and world-building, tribes, fights and weird sex of Game of Thrones, albeit in a sci-fi rather than fantasy setting.

Developed by Farscape, seaQuest DSV, Cult and Alien Nation creator Rockne S O’Bannon, Defiance is set a few decades from now on a radically transformed Earth that has seen the arrival of not just one but seven alien races who had come to what they thought was the uninhabited Earth in order to settle on it. Initially willing to co-exist, things go a bit pear-shaped and a war breaks out. The terra-reformer technology the aliens were going to use in a controlled manner gets unleashed accidentally and haphazardly, remaking the Earth in unpredictable ways. After the war winds down, both sides exhausted, the world becomes more like the wild west, with gangs of humans and aliens roaming around in a relatively lawless society.

Against this backdrop, we follow two scavengers – Nolan (Grant Bowler) and his adopted alien daughter Irisa (Stephanie Leonidas) – as they try to get rich by selling parts of old spaceships that they find, broken bits of which continue to fall from orbit. Eventually, they find themselves in St Louis, now a frontier town that has been renamed Defiance. There they have to get to grips with all the different alien communities, the tensions, the politics and more – including this Earth-thing called love.

And while the show is certainly ambitious, surprising and involves plenty of hard SF – even simultaneously having a tie-in online multi-user game that you can play set in the same world – it’s also depressingly conventional in exactly the same way Terra Nova was.

Here’s a trailer.

Continue reading “Preview: Defiance 1×1 (SyFy/SyFy UK)”

Tuesday’s “Blake’s 7 remade, Bates Motel gets a 2nd season and Sky has Fortitude” news

The Daily News will return on Thursday

Doctor Who

Film

Trailers

Film casting

Trailers

  • Trailer for Ron Howard’s Rush, starring Chris Hemsworth

Theatre

Canadian TV

  • Space to co-produce, acquires Jonathan Strange & Mr Norrell

French TV

  • Canal+ acquires Banshee, Vikings

UK TV

US TV

New US TV shows

New US TV show casting

  • Amy Aquino joins ABC’s Divorce: A Love Story, Vik Sahay to recur on Sean Hayes comedy, plus other pilot casting
UK TV

Rant of the week: Do we need professional TV documentary presenters?

Professor Andrew Wallace-Hadrill

TV presenting, particularly for documentaries, is not an easy job. Not everyone can do it. Even if you go on one of the training courses that’ll teach you all the ins and outs, you’re still effectively acting: learning lines to be recited to camera for a show that millions and millions of people will watch, if you’re lucky, can be nerve-wracking and difficult. Even if you pull that bit off, there’s the intangible question of whether the camera will ‘love’ you or not, and whether you’re attractive enough as far as commissioners at least are concerned.

So a set of skills that aren’t entirely negligible. No wonder we end up with so few faces on the TV: Kirstie Allsop, Professor Brian Cox, Liz Bonin, Bettany Hughes, Sir David Attenborough, Bear Gylls et al – you’ll be familiar with practically all of them.

To a certain extent, particularly with documentaries, there’s also the ‘area expertise’ required to be authoritative: there’s a qualitative difference between documentaries that have Danny Wallace as their front man than Professor Brian Cox, because Wallace is hired to be an everyman while Cox is An Expert. Cox, however, is a scientist, so you don’t get him to present an episode of Timewatch, say, unless there’s some scientific component to it. There’s also the built-in marketing associated with a known face: it’s a lot easier to get money and an audience for something featuring Sir David Attenborough than some complete unknown naturalist.

But despite all that I’ve just said, I am worried that this concern with known faces and professionalism in broadcasting is impoverishing our broadcasting.

Now I love Bettany Hughes: I think she’s a fabulous broadcaster and she’s extremely knowledgeable about her subject area. The key point there is ‘about her subject area’. She specialises in Ancient Greek culture and history, and it’s noticeable that her best documentaries have been about these areas. Where she’s strayed out into other areas, with shows such as Divine Women, Alexandria or Seven Wonders of the Buddhist World, they have been noticeably poorer, less detailed and in some cases factually incorrect.

Ditto Brian Cox. He’s a very personable presenter and a particle physicist – he certainly knows his stuff in that area. So why on Earth was he host of The Wonders of Life, attempting to explain biophysics at a GCSE level, when that’s clearly not his area of expertise? Hell, I’d have taken Liz Bonnin over Cox for that, since she could arguably have added greater detail to the show, being a trained biologist. Which doesn’t explain why she was involved in the archaeology show Egypt’s Lost Cities, which largely consisted of shots of her and her co-presenter going “Golly!” at remote sensing data.

Unless you’re a genuine polymath like Jacob Bronowski, this cross-discipline hosting is something that should be avoided at all costs, otherwise, you might as well just get Vernon Kay in and be done with the whole ‘expert’ thing.

Meanwhile, surprisingly over on BBC2 rather than BBC4, which until now has been the last hold-out of truly intelligent documentaries at the BBC, they’ve been running the rather good The Other Pompeii: Life and Death in Herculaneum. Timed, I suspect, to coincide with the British Museum’s new exhibition on the subject, it’s hosted by Professor Andrew Wallace-Hadrill, one of the archaeologists who has been excavating Herculaneum. He’s not exactly a novice broadcaster, having been in several documentaries over the years, but he’s not one of the usual suspects. Despite essentially being a tour of the remains and a look at how the population of Herculaneum lived, from the lives of slaves through to what the poor ate (discovered by analysing their coprolites), the programme was utterly engaging, Nicholson pottering around markets, talking Italian to professors involved in the project and a variety of untelegenic fellow experts adding to the wealth of information imparted. Nicholson knew what to talk about, knew what he was talking about and knew how to talk about it.

By contrast, BBC1 went for the ‘TV face’ route, getting Margaret Mountford from The Apprentice to present Pompeii: The Mystery of the People Frozen in Time. Now, being BBC1, this was always going to be a dumber documentary anyway. And Mountford does have archaeological expertise, famously retiring from The Apprentice to finish her doctorate in papyrology, particularly as it pertains to Roman fragments from the Oxyrhynchus collection. But this was far the inferior show, leaving Mountford to stare at wax figures without adding much herself. Because knowing Latin and being able to analyse papyrus does not make you an expert on the archaeology of Pompeii.

So my pleading isn’t so much for fewer famous experts on TV as for more experts, and for those experts to be able to talk about things in which they are experts and interested. If someone like Wallace-Hadrill can make good TV, then there must be many others out there capable of hosting documentaries that will add to our knowledge rather than insult our collective intelligences.

But what do you think? Do we need professional TV documentary presenters who can host shows even on subjects that aren’t in their area of expertise? Or do we need more experts on shows, even if they’re not as good at hosting TV programmes as their more experienced colleagues?

PS I am aware, of course, that documentary hosts don’t necessarily write shows they host, even for subjects that they are experts in. There are researchers and consultants, obviously. Yet I still feel there is an empirical qualitative difference in terms of what goes into these documentaries if the host actually knows about the subject.