US TV

Review: Pretty Little Liars 1×1-1×3

Pretty Little Liars

In the US: Tuesdays, 8/7c, ABC Family

Sometimes, it’s really possible for TV to make you feel old. I remember watching an episode of Quantum Leap back in the early 90s while I was at university and thinking to myself, “Ah, isn’t that sweet? Donald Bellisario and Deborah Pratt have put their little four-year-old daughter Troian into an episode.”

Troian Bellisario is now 25 and one of the stars of Pretty Little Liars. In fact, of all the stars she’s the oldest.

God damn it. I’m officially old.

Pretty Little Liars is an attempt to somehow meld Gossip Girl with Vampire Diaries, with just a hint of Desperate Housewives. Based on the book series of the same name – which ironically was only developed in the first place when an attempt to create a TV show from the initial idea floundered – it features four pretty high school girls who were once the best of friends. That all ended a year ago, when the fifth member and leader of their group, Ali, disappeared one summer. A year later, one of the friends returns from a stay in Europe to find the group has fallen apart.

Yet something’s going to bring them together. Could it be Ali? If it is, why won’t she reveal herself and why does she keep sending them anonymous text messages? Worse still, is she going to give away all their secrets?

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Audio and radio play reviews

Review: Doctor Who – The Lost Stories – 08 – The Macros

The MacrosThe intention behind the Big Finish ‘Lost Stories’ range is to dramatise scripts that were intended to be made as Doctor Who stories back in the day, but never quite made it. Compared to many in the range, Ingrid Pitt and Tony Rudlin’s The Macros does at least have ‘namecheck’ quality – at least some people had heard of it before Big Finish decided to make it.

But it also had another namecheck quality – it was the brainchild of Hammer Horror/The Time Monster/Warriors of the Deep actress Ingrid Pitt and her husband Tony Rudlin, who had heard about ‘The Philadelphia Experiment‘, a conspiracy theory (and naff movie) that suggested that during the second world war, experiments in invisibility performed by the US Navy on the USS Eldridge led to the ship becoming detached from space and time.

The story – originally The Macro Men – has ended up rewritten a lot, both while it was being targeted at the TV show and while it was being lined up for Big Finish. Not a problem you might think. But for those of you who don’t bother with computer backups, this is a salutary warning: Pitt and Rudlin’s computer hard drive broke and they lost the second episode. Then it broke again and they lost the first episode. So yes, genuinely lost and they’ve had to rewrite it from memory. So how exactly is this the script that was going to be on Doctor Who that so desperately needed to be made?

Oh well, it’s here anyway, quibbles aside, and after all that wait, I can honestly say, “Meh.”

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US TV

Review: Persons Unknown 1×1-1×3

Persons Unknown

In the US: Mondays, 10/9c , NBC

A little while ago, AMC and ITV1 remade The Prisoner. It was awful, so awful in fact that I gave up after three episodes and didn’t even bother reviewing it. Not only was it very dull, it entirely failed to understand the original’s paranoia and themes.

This is quite a common thing to happen: after all Cape Wrath/Meadowlands was pretty much The Prisoner but with criminals. So you might think that The Prisoner could never be remade well.

Fortunately, it seems someone did understand The Prisoner and although Persons Unknown isn’t exactly The Prisoner, Christopher McQuarrie (The Usual Suspects) has taken many of the elements that made the show work, and after crossing them with elements from computer adventure games, transplanted them into this summer mini-series.

So don’t stop me if you’ve heard this before: in Persons Unknown our heroine is gassed and abducted and wakes up to find herself in a quaint small town in America. The town is impossible to escape from, cameras are watching the whole time, and bar a couple of store owners – and some fellow prisoners – the town is entirely deserted. Mysteriously, no one knows why they’re there, only that they have to escape. But who can they trust and why do the people behind it all keep playing games with them?

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US TV

Review: Hot in Cleveland 1×1

Hot in Cleveland

In the US: Wednesdays, 10pm/9c, TV Land

The creators of Hot In Cleveland probably had a few alternative titles in mind for the show before they came up the current title:

  1. Women of a Certain Age – too close to TNT’s Men of a Certain Age?

  2. Cougar Town – oops, already done that.

  3. LA Sucks – might lose a few viewers with that one.
  4. We Wish They All Could Be Cleveland Men – Well, men weren’t going to watch anyway, were they?
  5. Go On, Women, Watch It, Just Watch It – There Are So Few Shows With Female Leads In It That You’ll Watch Nearly Anything, Won’t You? – That would be the network’s attitude at least.

But essentially, the cryptically-titled Hot In Cleveland refers not to the temperature there, but to the fact that a group of rich women of a certain age (Jane Leeves from Frasier, Wendie Malick from Just Shoot Me and Valerie Bertinelli of One Day at a Time/the Jenny Craig weight loss scheme) accidentally wind up in Cleveland. Used to being overlooked by men their own age in LA in favour of younger women, they’re surprised to find the men of Cleveland find them – a washed up actress, a book author and celebrity stylist – attractive.

Shock, and indeed, horror.

So desperate to be wanted and desired after their businesses collapse, husbands leave them, etc, they decide to move to Cleveland, where they end up watched over by their property’s caretaker, ex-Golden Girl Betty White (she’s so hot right now), while trying to find Mr Right/Old School.

Cue much hilarity.

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