
In the US: Tuesdays, 8/7c, ABC Family
Sometimes, it’s really possible for TV to make you feel old. I remember watching an episode of Quantum Leap back in the early 90s while I was at university and thinking to myself, “Ah, isn’t that sweet? Donald Bellisario and Deborah Pratt have put their little four-year-old daughter Troian into an episode.”
Troian Bellisario is now 25 and one of the stars of Pretty Little Liars. In fact, of all the stars she’s the oldest.
God damn it. I’m officially old.
Pretty Little Liars is an attempt to somehow meld Gossip Girl with Vampire Diaries, with just a hint of Desperate Housewives. Based on the book series of the same name – which ironically was only developed in the first place when an attempt to create a TV show from the initial idea floundered – it features four pretty high school girls who were once the best of friends. That all ended a year ago, when the fifth member and leader of their group, Ali, disappeared one summer. A year later, one of the friends returns from a stay in Europe to find the group has fallen apart.
Yet something’s going to bring them together. Could it be Ali? If it is, why won’t she reveal herself and why does she keep sending them anonymous text messages? Worse still, is she going to give away all their secrets?

The intention behind the Big Finish ‘Lost Stories’ range is to dramatise scripts that were intended to be made as Doctor Who stories back in the day, but never quite made it. Compared to many in the range, Ingrid Pitt and Tony Rudlin’s The Macros does at least have ‘namecheck’ quality – at least some people had heard of it before Big Finish decided to make it.

