US TV

What have you been watching? Including Rules For Living, True Detective, The Last Ship and Suits

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Last week, I had the bright idea to shift ‘What have you been watching?’ to Mondays, as several Sunday shows were finishing and Thursdays were starting to fill up with new shows.

Stupid idea. Very stupid idea. A quick glance through the schedules revealed that I should leave things as they were, as as well as replacements for the existing Sunday shows and a couple of returning shows, there was a whole bunch of new Friday shows to deal with, too.

Thankfully, I’ve just about made it through this week’s viewing selection, with only Sunday’s Humans to work my way through still. Elsewhere, I’ve reviewed the first episodes (and sometimes more) of:

That means that after the jump, I’ll be looking at the latest episodes of the usual regulars: Halt and Catch Fire, Hannibal, Humans, Stitchers, Tyrant, Westside and The Whispers. We’ve also got the return of The Last Ship, Suits and True Detective to consider, as well as the second episodes of Clipped and Proof. Some of these are getting the chop. Can you guess which, Tigers?

But first, some theatre!

Rules For Living (National Theatre)
A dark comedy starring that Stephen Mangan (Episodes, Dirk Gently, Green Wing), Miles Jupp (Rev, Neville’s Island), Claudie Blakley, Maggie Service and Deborah Findlay from off the tele, as a family getting together for Christmas. Jupp and Mangan are brothers, Findlay the mum, Service Jupp’s actress girlfriend and Blakley Mangan’s wife whom Jupp has pined for ever since they were kids.

The play’s focus, oddly enough, is cognitive behavioural therapy and the idea that we acquire ‘rules for living’ over time that while initially helpful, can eventually lead us to fixed behaviours that only make us unhappy. Only by learning what our rules are and breaking out of them can we become happy.

The play’s conceit is to put each character’s rule on a scoreboard at each end of the stage, so that the audience knows the rule, when the character has to obey it and what the exceptions to the rule might be. At the end, everyone’s score gets tallied up and the winner ‘rewarded’.

Rules For Living is both very funny and uncomfortable; it’s also uneven and occasionally forced, with elements of plausibility being stretched very far at some points. But it’s still very enjoyable, occasionally saddening, occasionally raw and by the end of it, you’ll be wondering what your own rules might be.

Another quirk of the the play is that it’s staged ‘in traverse’ – that is, the play is in the middle of the theatre almost like a pit, with the audience mostly on either side of the stage.

In traverse

We were in the front row, which meant that we were as little as a couple of feet away from the cast (and some nice looking cake) at some points. However, if you want to avoid (spoiler alert) being hit by food during the food fight I’d recommend sitting a couple of rows further back or wearing something that can be washed clean easily.

Continue reading “What have you been watching? Including Rules For Living, True Detective, The Last Ship and Suits”

The BarrometerA Barrometer rating of 2

Third-episode verdict: Westside (New Zealand: TV3)

In New Zealand: Sundays, 8.30pm, TV3

Without having watched Outrageous Fortune, it’s getting increasingly harder to work out Westside, TV3’s 1970s-set prequel to the most popular drama in New Zealand history that isn’t called Shortland Street. Telling the story of OF’s safecracking grandpa Ted West when he was still young, vibrant and married to his still-alive wife Rita, does it feel like Outrageous Fortune 30 years earlier?

Dunno.

Is it true to the characters of the original show?

Dunno.

Does it tie into and sort out all kinds of plot threads from the original show?

Dunno.

Are its Shakespearean episode titles as good as the originals’?

Does it really matter?

To be honest, though, it might be a two-edged sword, knowing Outrageous Fortune well while watching this. There are sub-plots and plot threads from the first couple of episodes that I thought might be interesting for Westside to explore in later episodes. Except having looked them up, it turns out they were all answered in the original show. And having now looked them up, I know there’s going to be a sad ending, too.

So in retrospect, I was probably better off not knowing about Outrageous Fortune, instead getting to enjoy a fun Bonnie and Clyde meets Life on Mars down under comedy crime caper, with a swaggering, smart and likeable young buck of a semi-ethical criminal, his scheming, adulterous but apparently equally good-hearted wife, his dopey gang and their equally dopey relationships with other criminal gangs of various ethnic origins.

My first recommendation for anyone who never watched the original show is therefore to not look up anything about the original show, at least until this season is over. Let it stand on its own two feet, because it does this very well.

After a very decent start to the show, the second episode was a slight come down, losing some of the fun, while bravely making most of our heroes casual racists in a 1970s-stylee. Rita’s scheming was nevertheless good to watch and we got our first Almighty Johnsons cameo (Eve Gordon) – here’s hoping for more to come.

Episode three saw a return to the fun of the first episode, as well as a continuation of the darker themes, with 1970s attitudes to domestic violence coming under the spotlight, as well as New Zealanders’ then attitudes to other islanders. Thankfully, this was all a lot more tasteful than Australia’s Jonah From Tonga.

It’s hard to dislike and very easy to like Westside. It could do with tightening up here and there, and there are a couple of duff actors in the supporting cast, but the leads are great, the setting is marvellous and the plots strong. It may be a prequel but it feels like it has the potential to run and run (and I’m sure that’s the intention, too). Just don’t spoil it for yourself by reading what happens 30 years later.

Barrometer rating: 2
Rob’s prediction: Could run for multiple seasons

What have you been watching? Including Big Hero 6, The Audience and Hannibal

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Life is good. Summer is here. I’ve watched loads of tele. Elsewhere, I’ve reviewed and previewed:

I’ve also passed verdict on the first four episodes of UnREAL (US: Lifetime) and the first three of Between (Netflix). That means that after the jump, I’ll be looking at the latest episodes of: Game of Thrones, Halt and Catch Fire, Hannibal, Sense8, Silicon Valley, Stitchers, Westside and The Whispers.

But before that, not only have I watched a movie, I’ve been to the theatre again:

Movies

Big Hero 6 (2014)
The first Disney animated movie to be based on a Marvel comic, Big Hero 6 sees a group of nerds come together to become science and technology superheroes when they’re faced with a man with an army of tiny robots. Led by a teenager called Hiro, they’re also helped by an inflatable healthcare robot called Baymax who can’t quite get to grips with this fighting thing superheroes do…

It’s actually quite a sweet little film, albeit with slightly traumatic moments that might disturb little children, with ironically Hiro learning from the caring Baymax how to be a better person and hero. Despite being a bit ‘boys and toys’, there are also a few good female nerd roles and some bits that will make you laugh out loud. The East meets West location of San Fransokyo is brilliantly realised, too.

Theatre

I’ve already reviewed The Oresteia (Almeida) elsewhere.

The Audience (Apollo Theatre)
Once a week, in a tradition that goes back to the time of Queen Victoria, the reigning monarch of the UK meets with the current Prime Minister to be updated on current events and to discuss matters of relevance to the both of them. In the hands of playwright Peter Morgan (The Queen), what could be purely a matter of historical interest instead becomes a song of praise to both the institution of the monarchy and the Queen herself.

The play flits between historical periods, giving us Prime Ministers from Churchill through to David Cameron, with the Queen acting as a fixed point in time who can compare Anthony Eden’s misadventures in Suez with Tony Blair’s in Iraq, Cameron’s small majority with Wilson’s, and act as a confessional for all of them. But it also looks at how the Queen herself changes over time, starting from a young, independent woman wanting to be involved in matters of state through to the mature monarch who accepts the needs of the constitution for her to back the government in everything, whatever she might feel personally. She also gets to have her own sounding board. Who, you might ask? Well, who could possibly provide the Queen with an audience except herself?

Rather than put the boot in as The Queen perhaps did, the play, which has been updated since its original run with Helen Mirren to include both Blair and Cameron at the expense of Callaghan, humanises both the Queen and all the Prime Ministers: Churchill is the traditionalist who mentors the new queen but also wants to postpone her coronation for political purposes and forces her not to change her name when she marries; Eden was right about Mussolini and Hitler and is convinced Nassar is the same; Wilson is the upstart socialist from Huddersfield with the eidetic memory who becomes paranoid as Alzheimer’s starts to rob him of his faculties; and Brown is the economics expert who believes his destiny was to lead the country – but who knows that he’s not got the right skills for the job. Even Major is redeemed: the man everyone remembers as little more than the tail end of Margaret Thatcher’s regime is here the man who brokered deals between warlords in the Balkans but who’s constantly undermined by his supposed allies.

And then there’s Margaret Thatcher…

Kristin Scott Thomas is excellent as the Queen, having to endure numerous quick changes of costume and jumps between time period, yet still surely making even the most ardent republicans feel something for the most powerful woman in the world, the firm proponent of the Commonwealth who was happy as a mechanic in the war and who would probably vote Labour if she could. In this she’s helped considerably by Izzy Meikle-Small as her younger self, who’ll make you wonder if the Queen is really just a grown up Arya Stark.

Hats off also to David Calder (Star Cops) as Churchill, Gordon Kennedy (Absolutely) as Gordon Brown, Michal Gould as John Major, Nicholas Woodeson (Rome) as Harold Wilson, and Highlander’s David Robb as Anthony Eden.

I’ll happily confess that both my wife and I wept buckets during the play and would happily go and see it again.

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Australian and New Zealand TV

Review: Westside 1×1 (New Zealand: TV3)

Westside

In New Zealand: Sundays, 8.30pm, TV3

As we saw recently with AMC’s Better Call Saul, prequels can be tricky things. You typically only get a prequel to a show if it’s been popular and has a strong fan base, and those fans are going to want everything to line up nicely with whatever’s already been established in the original story. However, unless you want ever-reducing audience numbers, you have to ensure that the prequel is of interest to a wider circle than just the fans.

The show formerly and cleverly known as Westside Story, but which is now presumably for copyright reasons simply Westside, has these two issues to juggle. Now, I’ve already gone into the history of its progenitor Outrageous Fortune elsewhere, so I won’t bother here but suffice it to say, as esteemed New Zealand shows with a huge fan base go, you couldn’t find a bigger one than Outrageous Fortune. All the same, that finished five years ago and wasn’t widely known in its original form overseas – indeed, these days it’s perhaps better known as the show that the creators of The Almighty Johnsons ran before venturing into matters more fantastical and theological. As a result, there’s a potential new audience for Westside that never saw the original and who might be looking forward to Rachel Lang and James Griffin’s latest production.

So will the story of safecracker Ted West, his wife Rita and their son Wolf, the future prison-bound patriarch of Outrageous Fortune‘s West family, stand on its own two feet or will it simply be a piece of fan service from a creatively bankrupt team that have run out of ideas?

I’ll tell you after the jump.

Continue reading “Review: Westside 1×1 (New Zealand: TV3)”