Netflix’s Marvel’s The Defenders are in action at last

We’ve been teased to death so far, but finally we have an actual, proper trailer for Netflix’s Marvel’s The Defenders, the show that unites Daredevil, Jessica Jones, Luke Cage and Iron Fist at last. Not quite as exciting as seeing all of The Avengers together, but this is actually pretty exciting and funny stuff. And not just because Sigourney Weaver is the Big Bad of the piece. How’s about that hallway fight scene?

What have you been watching? Including Return of the Mac, The Good Fight, Imposters and Doctor Who

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently and your chance to recommend anything you’ve been watching.

I’m back. <INSERT PERTINENT DOCTOR WHO QUOTE HERE>. 

Oddly, I haven’t missed much in my absence, since not many new shows have started, while plenty have wound up or have taken an Easter break. In fact, I’ve had the time to rewatch all of Marvel’s Iron Fist, as well as an episode of The Champions

Iron Fist actually held up quite well on a second viewing, although it turns out not to have any hidden depths at all that I missed and the fight scenes do often look quite bad on a bigger screen. But it’s still hugely enjoyable, the soundtrack’s truly marvellous, and it and season 1 of Daredevil are so far the only Netflix Marvel shows that I’ve even been inclined to rewatch.

Next up, of course, is Marvel’s The Defenders, which will be arriving in August during TMINE’s annual break. I presume it’s because they don’t want me to comment on the fact that Daredevil is wearing Iron Fist’s costume in the teaser trailer. Too late, boys. Too late.

As well as the regulars, I’ve also had time to play catch up on a few shows that I’d got behind on. That means that after the jump, I’ll be looking at the final episodes of DC’s Legends of Tomorrow, The Good Fight and Imposters, as well as the latest episodes of The Americans and The Magicians, the return of Doctor Who and the back end of the second season of The Man in the High Castle.

Fortitude I’m now working on so I should have a round-up of the final episodes next week. I’ll also be a lot further along in Midnight Sun, which I’d probably have watched already if the upgrade to the Sky Go iOS app hadn’t resulted in the download rights on the whole series being revoked for some odd reason, meaning I couldn’t watch any of my previously downloaded episodes while I was away.

The Prison Break revival started while I was away, I know, but frankly, I suspect the show’s time has gone and I’ve had enough Wentworth Miller and Dominic Purcell of late on DC’s Legends of Tomorrow, anyway.

Some time in the next few days, I’ll be taking a look at ABC (Australia)’s Hugo Weaving-starrer Seven Types of Ambiguity, which rather than being a documentary about literary criticism is a sort of Rashomon-ish look at a child abduction from the different points of view of all involved. However, awkwardly, as well as being only six rather than seven episodes long, each episode is from a different character’s perspective (I think), so I’m unsure whether I have to watch the whole thing or not.

I did try to watch The Son, AMC (US)’s mini-series Western that stars Pierce Brosnan. Potentially, it sounded quite interesting, with Brosnan playing an old Texan cattle baron during the First World War, while we get flashbacks to his life growing up among the Comanches as a boy after they kill his family. However, it’s AMC, so amazingly slow and boring, so I didn’t even make it through the first episode.

I also gave one other show a try:

Return of the Mac (US: Pop)
Yet another one of those TV shows in which celebrities play ‘themselves’ with hilarious results (cf Lopez, Donny!, et al), this sees former New Kid on the Block Joey McIntyre playing a version of himself who wants to do serious acting. Unfortunately, no one else wants him to do serious acting, so when he pitches with his agent to a female-led network, apart from the drooling by the 30- and 40-somethings who used to worship him when they were young, he has to endure the fact they only want to offer him a late night talk show. Can you imagine?

Produced by fellow New Kidder Donnie “Not Mark” Wahlberg and Jenny “Vaccines are Evil” McCarthy, who also cameo as “themselves”, the show struggles to do much beyond set up very easy jokes about reality TV, celebrities, McIntyre and his career, without coming close to even Donny!‘s low bar in finding a remotely interesting gimmick to supplement these low balls.

About the only thing it does well doesn’t even involve McIntyre, as it’s all about his wife’s work with a gloriously over the top stylist. January Jones cameos for all of a minute and is better than everyone else in the cast, despite being January Jones. That should tell you something.

Continue reading “What have you been watching? Including Return of the Mac, The Good Fight, Imposters and Doctor Who”

Netflix's Marvel's Iron Fist
Streaming TV

Season review: Marvel’s Iron Fist (Netflix)

Marvel took the movie world by storm with The Avengers, a little film one or two of you may have seen. One of the most important aspects of The Avengers was the fact it wasn’t the first movie to features its protagonists, all of whom had appeared in the preceding movies Iron Man, The Incredible Hulk, Thor and Captain America: The First Avenger, either as the leads or as co-stars.

A staple of the comic book world, the crossover was something that had never really been tried in the movie world before and audiences loved it.

With a few reservations. The most notable of these was that there wasn’t a huge amount of diversity in that superheroic line up: lots of straight white men as leads and usually as the villains, too, but women, people of colour et al were either in the supporting cast or completely absent. And while the movies have slowly added black characters such as Falcon and Black Panther and bumped up the role of supporting superheroine Black Widow to the point where Captain America: Winter Soldier was as much about her as about Captain America, solo movies with black or female superheroic leads are still a little way off.

So, when Netflix and Marvel announced they would produce a series of comic book TV shows together, three things were almost compulsory. The first was lower budgets. That meant having none of the movie universe characters in any of the shows, which meant having to pick completely new characters. The second was that there would be crossovers, which in turn would lead to one great big TV series featuring all the new heroes. The third was diversity would be key.

And thus we have a new group of superheroes: ‘The Defenders’. Not to be confused with ‘The Avengers’, obviously. The Defenders is also the name of the ultimate TV show at the end of the list.

The sequence started with Daredevil, a really superb opening featuring probably the one character many people would have heard of, thanks in part to the Ben Affleck adaptation over a decade ago. Daredevil’s also blind and a lawyer who does pro bono work defending the poor and helpless from big business.

That was quickly followed up with the suprisingly excellent feminist deconstruction of the entire genre, Jessica Jones, and then Luke Cage, an affair almost plotless because rather than being a superhero show, it largely was more interested in discussing black culture, history and what is the true and correct course of action for the modern black man of honour. A quick second season of Daredevil proved less satisfying, as it ditched gritty reality to pit our hero against a bunch of immortal ninja called ‘The Hand’.

All the same, for all their pros and cons, diversity – globs of it everywhere.

Which makes Marvel’s Iron Fist something of an odd choice. Because although it fits well with Mark Zuckerberg’s idea of diversity, it’s almost a slap in the face to the other shows’ efforts.

Young Danny Rand, the white male son of white corporate mogul billionaries, is on their private jet to China when it crash lands in the mountains of Tibet. Coincidentally, that’s just as the mystical city of K’un-L’un appeared from heaven on its 15-year regular cycle, journeying between planes of existence. Taken in by the warrior monks who guard K’un-L’un, the orphaned boy is trained in their ways and eventually succeeds all trials to become ‘the Iron Fist’, K’un-L’un’s ‘living weapon’ who uses the power of the heart of the Shou-Lao the Undying dragon, to defend the city from the Hand, whenever it appears on Earth.

However, when K’un-L’un returns to the Earthly plane again 15 years later, Danny abandons his post and heads to New York where he discovers the Hand are already in residence at his parents’ company, Rand Enterprises. Soon, he must prove who he really is, take back his company from the bad people who now run it, and stop The Hand.

Yep, that’s right: Iron Fist wants you to care about boardroom politics and a spoilt, immature billionaire who wants to clear his family name.

Bad decision by Marvel and Netflix? Well, actually, despite some very odd decisions, a very shaky start, and a very long list of flaws, Marvel’s Iron Fist turned out to be really, really enjoyable stuff – due in part surprisingly because it features Sacha Dhawan (Outsourced24, The Tractate Middoth, Line of Duty, An Adventure in Time and Space) as a sarcastic warrior monk named after a Swiss ski resort.

Big spoilers after the jump…

Continue reading “Season review: Marvel’s Iron Fist (Netflix)”

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What have you been watching? Including Falling Water, Hyde and Seek and Westworld

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. 

Nearly there. Not quite, but nearly. Elsewhere this week, I’ve reviewed Travelers (Canada: Showcase; UK: Netflix), Shoot The Messenger (Canada: CBC) and Eyewitness (US: USA) and passed third-episode verdicts on Frequency (US: The CW; UK: Netflix), No Tomorrow (US: The CW), Westworld (US: HBO; Sky Atlantic) and Timeless (US: NBC; UK: E4).

I’ve started watching Graves (US: Epix), so I’ll be putting a review together of the first couple of episodes of that tomorrow and Dirk Gently’s Holistic Detective Agency (US: BBC; UK: Netflix), Chance (US: Hulu) and Channel Zero (US: Syfy; UK: 5*) won’t be far behind it. A third-episode verdict on Insecure (US: HBO; UK: Sky Atlantic) will be in among the mix, too.

Regulars readers will realise that I still haven’t watched Deep Water (Australia: SBS; UK: BBC Four), StartUp (US: Crackle) or Divorce (US: HBO; UK: Sky Atlantic). I really will watch Deep Water one day and I might still give StartUp a go, but I think I’ll have to leave Divorce to you guys to discover for yourselves, since TBH, I don’t like the sound of it. Just the title. No.

Crisis in Six Scenes (Amazon), Haters Back Off (Netflix) and Easy (Netflix)? Never heard of them. Don’t know what you’re talking about.

I’ve had no time to watch last night’s Son of Zorn or Eyewitness, but after the jump, the regulars: Ash vs Evil Dead, DC’s Legends of Tomorrow, Doctor Doctor, The Exorcist, Falling Water, The Flash, High Maintenance, Hyde and Seek, Impastor, Kim’s Convenience, Lethal Weapon, Lucifer, The Secret Daughter, Supergirl, Westworld and You’re The Worst. I’m pretty sure I’m not going to be able to continue watching all of those, though, so this might be the last week for some of them and it’ll definitely be the last week for at least one. You’ll find out which after the jump.

Continue reading “What have you been watching? Including Falling Water, Hyde and Seek and Westworld”