US TV

I’m not even going to bother with a Carusometer for this one. It started off a bit dull, despite having Emilie Ullerup in it, and by the time I got to episode four (since episode one was a two-parter), I couldn’t even bother reaching the end of the episode.

It’s just not very interesting. Nothing remarkable about it at all. Oh well.

Eleventh Hour, yet another remake of a British series, has now managed to notch up three episodes. Unlike Life On Mars, which chose to start with two remake scripts and an original script, Eleventh Hour has gone for one remake and two original, so we can get a firmer idea of what the show’s going to be like.

As predicted, it is indeed shaping up to be the new Doomwatch, although it’s also the new CSI, which is handy, given it’s on CBS. While episode one was less daft and science-fictiony than the UK original script, episode two was pretty much an episode of CSI – and a stupid one at that – with a science label hung on it; episode three, however, was a relatively interesting piece on GM food with overtones similar to the Doomwatch pilot The Plastic Eaters.

Rufus Sewell is a good lead; Marley Shelton can’t really act, but her character’s more useful than Ashley Jensen’s original, offering FBI skills rather than simple "falling over" skills, and she could plausibly do the job, at least. Not really interesting dramatically, yet, but the science in the plots separates it from a standard procedural – just. There needs to be more chemistry between Sewell and Shelton for the show to be of true interest though and they need to steer clear of the science-fiction UK originals as well as the more obvious "who’s the techno crim?" scripts, too.

Predictions
Already booked for a whole season, but needs to make the central format more interesting for it to really appeal.

Carusometer rating
Two or Partial Caruso

Time (ho ho) for a third-episode verdict on the US version of Life on Mars. So far, we’ve had a combination of two remake scripts and an original script – on top of the original bland pilot.

The new first episode wasn’t bad at all and ironed out many of the problems of the pilot and episode two did enough jiggering around with the UK script and added enough new elements to the overall set-up that the show started to feel increasingly different – even if it was word-for-word and shot-for-shot the same at times.

Episode three, the first original episode, decided to venture into the treatment of gay men in the early 70s. Although pretty clumsy in places, with none of the regulars revealing any truly horrifying prejudices and Gene Hunt delivering an awesomly bad speech at one point on the subject, it did allow the producers to deliver an episode that focused on truly American concerns, making it a show in its own right, rather than simply a relocation.

Jason O’Mara, previously one of the weak links in the show’s set-up, is proving a reasonable lead, since he’s veering more towards a comedy portrayal of Sam Tyler than John Simm did, something he actually seems quite good at. Oddly, the weakest link is Harvey Keitel who veers between non-comitted, frail and spaced out with no apparent reason. He’s starting to make me wonder whether David Caruso could do a better job, which is something that should never happen.

On balance, it feels like a weaker version of the UK Life on Mars that’s still trying to find its feet. It’s still pretty good and there are aspects of it that are better than the UK’s version, such as Gretchen Mol’s more interesting and brighter Annie. But as of yet, it still hasn’t got the magic of the original.

Predictions
Could limp on for at least another season, but could go on for a whole lot longer if it finally finds its mojo.

Carusometer rating
Two or partial Caruso