UK TV

Torchwood 1×11-1×13 – Combat, Captain Jack Harkness and The End of Days

Torchwood

So Torchwood lurches to an end. I was going to say “finally found its feet, more or less”, but then I saw End of Days and I changed my mind. More on that later.

Before that was Combat, penned by that Mickey from Doctor Who. Let’s not beat around the bush: it was Fight Club with Weevils. No one was pretending otherwise. Since most of the Torchwood episodes were ‘inspired’ by something else, we shouldn’t be too surprised by this. All the same, while the plot was a bit rubbish, the characterisation was pretty good and you didn’t feel violated by the dialogue – always welcome, I think. At the end, the trailer for the next episode left me wanting to watch it. Amazing.

So then we got Captain Jack Harness. I enjoyed it. I really did. I sat there thinking that if the producers ever needed a template for future episodes, they could do a whole lot worse than this one. Tosh proved to be interesting, once she had something to do. There was some real spookiness. Ianto proved to have a few guts. Owen got what he deserved. Jack had some reasonable backstory filled in and John Barrowman proved that while he may lack sparks when he kisses women, he’s got what it takes with the guys.

I do worry though that the Torchwood team need to get out less, since they all seem to fall in love at the drop of a hat.

So there I was, about to say that Torchwood had finally worked out a decent formula, when End of Days popped up. Oh my. It’s like the entire team caught 24-hour Tourette’s. Now compared with Chris Chibnall’s previous efforts (Day One, Cyberwoman, and Countrycide), it was noticeably better. But all the usual failures were there: completely nonsensical plots, cringe-worthy dialogue, bizarre characterisation, and non-stop swearing for no real reason. The acting also became a thousand times worse.

We finally learned what the season’s big bad was, too: appropriately enough, a spin-off from a much better Doctor Who monster. Time taken to defeat the season’s doom-laden arc-creature: two minutes. Not that threatening then. Which was a shame, since the build up in Captain Jack Harness had been quite impressive. Surely if you’re going to spend every episode having someone say “Something is stirring in the darkness” (or similar), you better make sure it can’t be killed by a Care Bear Blast at the last moment?

I also have to wonder what The Mill’s been up to, since I saw better critters while playing a rubbish port of Quake for the Mac from about 10 years ago. Seriously, they got paid for that?

Nice ending though.

So now it’s over and another series has been commissioned. Since the writer of Captain Jack Harness, Catherine Tregenna, also wrote Out of Time, I think those happy few of you who are Torchwood fans should petition the Beeb to let her write most of next series’ scripts, since she’s clearly the best writer they’ve got (at least, until they learn how not to mangle PJ Hammond’s work).

At the very least, Russell T Davies needs to get himself an electric cattle prod and take it to work on the script editor and Chibnall until they get their respective acts into gear. I’m hoping that the lessons learned in the second half of the series get passed on and thought about, because I get the impression Torchwood is finally on the way to being a halfway decent series. But the deadwood in Torchwood still needs a whole load of chopping.

UK TV

Review: 30 Greatest Political Comedies

Michael Howard and Charles Kennedy

In the UK: Wednesday 20th, 10pm, More4

Aha! The much heralded 30 Greatest Political Comedies! No, really, it was. Okay, I’m lying, it wasn’t.

I mean let’s face it, if you were the More4 marketing department, would you bust a gut in the run-up to Christmas, promoting a list show voted for by MPs? No. Me, neither. I’d be off with Tiggy, Mimzin and the other PR girls, drinking cosmopolitans at that super new bar that’s just opened near Victoria.

So it snuck out last night with the stealth of Jack Bauer, a knife clenched between his teeth, throwing a terrorist’s body overboard to cover his tracks. Hosted by two Thunderbirds puppets with uncanny resemblances to Michael Howard and Charles Kennedy, the show listed, surprisingly enough, the 30 political comedies that MPs felt were both the closest to real life and the funniest. Ranging from the election night sketch in Monty Python’s Flying Circus to Yes, Minister and The Thick of It, the shows got hyped by various sitting MPs, journalists and broadcasters, strung out on speed and intravenous drug-using Dutch prostitutes.

See? That’s what happens when you watch shows about politicians. They rub off on you and you start lying every five seconds.

Continue reading “Review: 30 Greatest Political Comedies”

US TV

Review: The Lost Room

The Lost Room

In the US: Monday 11th December-Wednesday 13th December, Sci Fi. Repeated Sunday 17th December, starting at 5pm.

In the UK: Begins 9pm, 9th January 2007, Sky One

While Big Finish have been jessieing around, trying to recapture the essence of Sapphire and Steel for their audio plays and generally failing hopelessly, someone else has been quietly doing likewise. Surprisingly enough, it’s the US’s Sci Fi Channel who have done their level best to create something with the same qualities as that British fantasy classic, yet is wholly different, original and American.

Yes, a Sci Fi Channel mini-series that’s actually rather good – will miracles never cease?

Back in 1961, something happened. No one’s sure what. Some think God died. Others think the rules of the universe simply broke down. Whatever it was, a motel room off Route 66 was taken out of normal existence, leaving behind 100 or so ‘Objects’.

The Objects are indestructible and can sense each other. They want to be united. Each has strange powers, some useful, some not. The Comb can freeze time. The Spectacles can stop combustion within 20 feet. The Cufflink? The Cufflink can reduce blood pressure, while the supposed Prime Object, the Clock, can sublimate brass. As I said, the powers aren’t always useful.

Then there’s the Key. The Key can open any lock of any door and take you to that missing motel room and then back again to any other door in the world. But what happens if someone’s already in the room and the Key gets used?

Continue reading “Review: The Lost Room”

US TV

Review: Torchwood 1×9 – Random Shoes

Torchwood: Random Shoes

Yet another Torchwood that wasn’t that bad. Far fewer plot holes than last week, characterisation was pretty good (bar Jack’s, of course) but a bit more boring and derivative, notably of Love and Monsters.

Did y’all like it? Do you think they’ve finally ironed out the bulk of the problems and are slowly working up to a decent TV series? Or it it fatally flawed still?