The CarusometerA Carusometer rating of 3

Third-episode verdict: The Ex-List

We’re three episodes into The Ex-List now so it must be time to decide whether to keep watching or not. As you might recall, it’s the story of a quite boring woman who gets told by a psychic that she has to get married within the year to someone she once dated or else she’ll doomed to end up alone. So dull woman starts checking out all her old boyfriends to see what they’ve become over the last 0-20 years, while her far more interesting friends go off and have far more interesting B-plots.

Like No Heroics, this is a show which if the main character were removed completely from the proceedings and the whole thing left to the supporting characters (especially her foxy history teacher friend and her boyfriend, who have quite an interesting relationship), it would actually be quite fun. Unfortunately, it’s not and things have only got more boring since the initial episode, with dull woman’s mountain-biking and cop boyfriends not even as interesting as the rock-star boyfriend of the pilot.If she, both actress and character, had perhaps just a bit more spark, the show would seem less interminable. But I’m not sure her vacillations and constant psychic consultations are appealing to anyone at all at the moment.

Not badly put together, and it has a nice sense of place (although San Diego struck me as having a few more Latinos when I was there) but hampered by the original Israeli format into being something less than it could be.

Predictions
Will get cancelled in the not too distant future

Carusometer rating
Three or Minor Caruso

US TV

Review: Eli Stone 2×1

Eli Stone

In the US: Tuesdays, 10/9c, ABC
In the UK: SciFi, probably (season 1 now airing)

Eli Stone was a show I really disliked at first sight. A high-flying lawyer gets a brain aneurism and starts to have visions of the future, usually involving singing, dancing and/or George Michael, that enable him to save people or fix problems in their life. Where are these visions from? God? Somewhere else? Eli Stone didn’t seem to want to make an actual decision on that one because then it would, you know, have to be saying something.

But it improved slightly and by the third episode had started to have a few moderate things going for it, even if it had got both wishier and washier. By the sixth episode, the producers seemed to have worked out that the format needed a bit of tweaking and by the season finale, the show was actually pretty good and occasionally moving as the producers got progressively bolder.

Now it’s back, just as fluffy as before, but willing to lay down a few hard “this is what we stand for”s, along with a few properly tear jerking moments – and Sigourney Weaver.

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The CarusometerA Carusometer rating of 2

Third-episode verdict: The Mentalist

Time for a third-episode verdict. As suspected, back when I wrote my preview of The Mentalist, in which fake psychic Patrick Jane (Simon Baker) uses his skills in trickiness to help fight crime, this is very much a show dependent on its writers and directors. The opening episode was something of a cracker, with good writing and good direction that showed signs of subtlety and intelligence.

Since then, we’ve had what can only be described as relatively mediocre episodes, in which generic crim-chasing scripts get a little psychic goodness sprinkled on them, usually in the form of a magic trick at the beginning, as a sop to the format. Otherwise, you’d be hard pushed to differentiate them from any other police near-procedural, beyond the fact the format allows the writers to skip whole chunks of working out and leap scenes, simply through Jane’s skills (which often aren’t really explained).

The one exception to this been there, done that feel is Simon Baker, who manages to make every scene better just through his mere presence. Nevertheless, while everything feels like quality, it’s pretty much an illusion. There’s not much wrong with The Mentalist – it just needs to have something right as well, and all that was right in the pilot seems to have been forgotten about.

Predictions
The show’s now been acquired by Five in the UK and has gone to a full season, so should be around for a while for both UK and US viewers.

Carusometer rating
Two – a Partial Caruso

US TV

Review: Samantha Who? 2×1

Samantha Who

In the US: Mondays, 9.30/8.30c, ABC
In the UK: E4?

Samantha Who? was one of those show that came out last year, that wasn’t bad but which I didn’t think I’d stick around for. But my wife started watching it on E4 a few weeks ago and thanks to a realisation that Christina Applegate is one of the best comedic actresses on TV at the moment, we ended up watching the whole first season. And it wasn’t bad and it was quite funny.

Applegate plays Samantha Newly (there’s a clue in that name) who wakes up after a car accident with amnesia. She can’t remember any of her old life and discovers, much to her horror, that she was an evil bitch – which is something she no longer wants to be. Sam (I am) tries to build a new, nicer life, with the help of her formerly estranged parents, her best friends and her ex-boyfriend.

Most of the fun comes from the evil old Sam and the fact all the people who knew her can now tell her what they really thought about her. But new Sam is entertaining in her own right, as are the supporting characters – mainly Sam’s mother (Jean Smart) and her party-girl attorney best friend (Jennifer Esposito).

The second season is set a year after the first which is all a bit confusing since everything seems to have gone backwards – in fact, there’s more than a hint of déjà vu here…

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US TV

Review: My Own Worst Enemy 1×1

My Own Worst Enemy

In the US: Mondays, 10/9c, NBC

I can’t imagine the NBC planning meeting behind this.

B: “What have we got on Monday nights? We need something in the 10pm slot”

A: “Chuck at 8pm, Heroes at 9pm”

B: “Hmm. Tell me about Chuck”

A: “It’s about a guy, a regular Joe, who accidentally becomes a spy”

B: “Huh. Cool. You know – and this is a completely unrelated idea – how about we made a show for the 10pm slot about a regular Joe who accidentally becomes a spy?”

A: “Um. Don’t we already…”

B: “No, I won’t hear any complaints. Let’s commission it!”

So now we have on what turns out to be “Accidental spy night” in the US, a straighter version of the comedic Chuck in which Christian Slater turns out to have multiple personality disorder and one of those personalities is a spy. For real.

I did say it wasn’t a comedy, didn’t I?

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