A Million Little Things
US TV

Review: A Million Little Things 1×1 (US: ABC)

In the US: Wednesdays, 10/9c, ABC
In the UK: Not yet acquired

This is Us was an unexpected hit for NBC, which usually does lukewarm versions of other networks’ dramas with a hint of added smartness. As its portentous title suggests, the show tries to depict universal emotions – it might as well be called ‘this is the human experience’ – and that’s one of the keys to its success.

ABC must have been annoyed when it saw how well the show did. This was ABC’s natural territory after all. ABC is the network of gushing emotionality, after all.

Cue A Million Little Things, ABC’s necessary rejoinder to This Is Us. Based on the idea that friendship isn’t one thing, it’s a million little things, the show is unusual for ABC, however, in being about a bunch of male friends: David Giuntoli (Grimm), a music teacher and stay-at-home dad who is having marital problems; unsuccessful movie director Romany Malco (Weeds); womaniser and breast-cancer survivor James Roday (Psych); and successful businessman Ron Livingston (Office Space).

Typically, they don’t really talk about their emotions much, just watch sports together, so when Livingston jumps off a tall building, it comes as a big surprise to all of them. Was he depressed? What did he have to be depressed about? Say, is there anything you guys aren’t telling me, too?

Cue all manner of revelations.

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Titans
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Titans acquired; Mayans MC, Queen of the South renewed; Pluto to launch on Now; + more

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The Good Cop
Streaming TV

Third-episode verdict: The Good Cop (Netflix)

Available on Netflix

One of the things I toyed with mentioning when reviewing The Cool Kids earlier today was the idea that maybe different generations appreciate different kinds of storytelling. Obviously, the kids with their phones and their YouTube like short-form (or do they?), whereas my generation love proper TV like they made in the 80s and the 90s before everything went to hell. Obviously. But is my normal just as much an acquired taste and were the dramas of the 60s and 70s ‘optimum TV’ and are people in their 50s and 60s the true connoisseurs, who are currently underserved?

It would explain why I didn’t think there were any jokes in The Cool Kids – there were, but I didn’t really appreciate them, whereas someone older might have done.

Nah. The Cool Kids was dreadful. I bet even old people hate it.

Anyway, that was my thought. Which handily enough ties into Netflix’s The Good Cop. Netflix, of course, is truly global in all senses, and tries to cater for all generations and all tastes around the world. And despite the fact them kids watch a lot more streaming services than the older generations do, that doesn’t mean oldsters can’t watch them, too, particularly if there’s TV actually aimed at them. We’ve had older female-oriented TV on Netflix already with Grace and Frankie, but now here’s one for the boys.

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Murphy Brown
US TV

A few quick Monday reviews of some new US sitcoms: Single Parents, The Cool Kids and Murphy Brown

With the US Fall season now cranked up to full, there are plenty of new sitcoms hitting the screens. Unfortunately, none of them are any good; worse still, none of them really want me rambling on for a full review about them. So rather than leaving them all to WHYBW tomorrow, I’ll just do them now, instead.

Murphy Brown (US: CBS)

Latest of both the sitcom revivals and CBS’s attempts to plunder the 80s archives for remakes, this first episode sees Murphy getting the old band back together to start a new cable network morning news show to do proper news in the era of Trump, with the minor complication that her son (Limitless‘s Jake McDorman) is now a host in the same timeslot on a rival #FakeNews channel. She’s also looking for a new secretary, of course, but the first one, Hilary Clinton (that’s only one l), might not be suitable…

This was naturally never going to be particularly fresh, but this comes on the back not only of Aaron Sorkin’s The Newsroom, but CBS All Access’ The Good Fight, where Trump-induced liberal rage was the name of the game. So none of it feels particularly fresh and the jokes are all mere shadows of the ones that have already aired in those shows. And that’s before we get started on having an Indian guy as the channel’s social media guru – that’s practically a Dev Patel Newsroom tribute. After that, it’s jokes about how Murphy can’t use her new smart phone because she’s old (hilarious) and how Trump hires are brain dead (that’s practically a The Good Fight tribute). It would help if the show’s producers could even get Donald Trump’s Twitter handle correct, if they’re going to start making jokes about not understanding tech, of course…

It’s nice to see all the old gang back together, but I’d rather be watching a third season of Great News instead, thank you.

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The Young Ones
BFI events

What TV’s on at the BFI in October/November? Including Doctor Who – Earthshock, Vic and Bob’s Big Night Out, and Watership Down

Every month, TMINE lets you know what TV the BFI will be presenting at the South Bank in London

A really bumper season of TV is coming up at the BFI – enough for two months, one might think, but despite being billed as October/November, almost all of it’s happening in November.

As well as a comedy season that’ll see the likes of Jennifer Saunders, Tracey Ullman, Lenny Henry and Jo Brand in conversation, there are airings of Nighty Night, I Love Lucy, reunions of The Real McCoy‘s cast, and a The Young Ones Q&A. On top of that, there’ll be previews of series 5 of People Just Do Nothing, BBC4’s forthcoming The Secrets of British Animation and Vic and Bob’s Big Night Out, and BBC1/Netflix’s new version of Watership Down.

There’ll also be a US TV documentary about Jane Fonda and a special event to celebrate the HD release of Doctor Who classic Earthshock, complete with Q&A with writer Eric Saward and Adric himself, Matthew Waterhouse.

Details after the jump. Excellent!

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