In the US: Mondays, 10/9c, ABC
In the UK: Tuesdays, Amazon
The Crossing started as a really quite basic allegory about modern day politics, in which a whole bunch of refugees are literally washed ashore in the US, only to reveal themselves as Americans travelling back in time to escape from a war they’re losing quite badly.
Come on, audience, feel some empathy for Syrians – there but for the grace of God go you.
For the most part, that was all it was, with small town sheriff Steve Zahn (Treme, Mind Games) and Department of Homeland Security agent Sandrine Holt (Hostages, House of Cards, Macgyver, The Returned, The Art of More) having to deal with the new Americans. Holt has to deal with the mystery of the refugees’ arrival, while Zahn has to deal with one particular refugee (APB‘s Natalie Martinez) who it turns out has superpowers – the war was actually between Homo Sapiens and a newly engineered master-race of Apex predators, of whom she is one.
Come on, white audience, feel some empathy for oppressed minorities – there but for the grace of God go you.
And it wasn’t very good. It was okay, but it wasn’t great sci-fi, Zahn was less than plausible as a sheriff and Holt just sat behind a desk answering phones for the most part. A hint that another bunch of time travellers had already come through a good deal earlier gave the ending a nice twist, but beyond Martinez and her super-leaping, that was about it.
A mild improvement
Since then, things have got a bit better, as we’ve moved away from the allegory into telling more of a story. Episode two gave us some glimpses at the Continuum-like future and revealed Martinez’s mission in the past. We also got a super-virus that the world needs to watch out for.
While Zahn and Holt have had the same duties as before, Martinez has had some really quite whizzy super-fights and it rapidly became clear that she was the one good thing about the show. We also got some nice greying of the waters, with the previous travellers turning out to be regular humans coming back in time to try to prevent their terrible future from occurring, but not being especially concerned about what they have to do to prevent it.
However, while episode three at least maintained Martinez’s fighty fun, Zahn spent most of his time with his kid at a funfair, while Holt spent it typing into a computer or calling other people to get them to type into a computer. I do wonder if she’s only been hired for a couple of days, so they had to film all her scenes back-to-back on the same set.
The Crossing: Conclusion
Like The Whispers before it, The Crossing is probably going to turn out to be one of those sci-fi shows that ABC periodically produces that has a semi-decent core and just enough promise and decent production values that you imagine it might not be too bad – but which ultimately is likely to disappoint and never lead anywhere really satisfying.
That’s how I ended my review of the first episode and I stand by it. The Crossing is all of that and if you’re after decent sci-fi with pretty much all the same themes as The Crossing, try Continuum instead since it’s a lot better.
That said, The Crossing‘s meat and two veg sci-fi will serve you just fine as one of your regular servings a week, even if it doesn’t really contain much that’s nourishing. I might just keep watching to see what Martinez gets up to and if the plot will advance at all and become about more than looking for lost children and endless capture/release cycles, but as that would be my only draw, I imagine that if anything else pops up in the schedules, The Crossing would fall out of my watch-list very quickly.
Barrometer rating: 4