In the US: Wednesdays, 9/8c, WEtv
I’d like to write a really long review of The Divide. After all, it’s the first scripted drama on a channel hitherto known best for reality TV – WEtv. It’s a thoughtful look at the grey areas of morality, the US legal system, the death penalty, how forensic science affects process, and how politics, race and the politics of race can warp everything. It’s got two members of the cast of The Wire in it – Chris Bauer and Clarke Peters – as well as Homeland’s ‘evil blonde female muslim terrorist’ Malin Ireland. It’s from AMC Studios, was originally developed for AMC by long-time producer David Manson (House of Cards) and is show-run by the Emmy-winning John Tinker (Judging Amy).
It all sounds good and important, right? Except my mind’s a total blank. The show’s good but utterly uninspiring. It was hard to bring myself to watch the double-length first episode; the third episode was on last night and I really couldn’t be arsed to watch it.
Trying to put my finger on why I can’t be arsed isn’t easy. It’s all very good quality, just generic good quality. The characters have standard issues – Ireland is studying to join the bar but works in her spare time to reprieve the wrongly convicted because her dad is on death row. She has a slightly self-destructive relationship with a cop, but whenever there’s an issue, the cop wants to talk it through, quickly dispelling any real drama.
Equally, the show is at extreme pains not to have heroes or villains. It doesn’t want to take sides on capital punishment, essentially giving members of the audience justification for their beliefs, whatever they might be: it even claims at one point that ‘no one in the US has ever been executed for a crime that they were proven not to have committed’. Everyone’s dedicated to doing the right thing, just interpreting that differently for different reasons. The twist – (spoiler alert) Bauer was present for the crime but didn’t commit the crime and there’s been a cover-up to protect the person who was actually there – is just astonishingly obvious that you’ll spend the whole of the second half waiting for everyone on-screen to catch up with you, even though they have all the same facts you do.
It’s worthy and dull. It’s so dull that even AMC rejected it, but not so mesmerisingly dull that it could find a home on Sundance TV. It’s too smart for network TV, too stupid for basic cable. If you like a generic thriller that’s a cut above TNT’s Murder In the First but nowhere near as entertaining, here’s your boy. Otherwise, steer clear.