Thursday’s Shakespearean news

Doctor Who

  • Pics from Torchwood

Film

Theater

British TV

US TV

Review: Doctor Who – Kingdom of Silver


Kingdom of Silver

Two questions. First, do you think there’s a reason that the seventh Doctor has been particularly companion-bereft of late? The Big Finish-ies claim it’s because they want to explore the ‘vast’ time that he’s alone before the TV Movie. I’m wondering if so few people are buying the seventh Doctor audio stories, they can’t afford companions as well. Or maybe they don’t like Sophie Aldred.

Question two: why do writers bother trying to be clever with Big Finish? Here we have a cyberman story. We know this because there’s a great big cyberman on the front cover and because the story’s Kingdom of Silver. Mondas gets mentioned halfway through the first episode and one of the ‘houses’ in the play is called Argentum (sp?). So what’s the big cliffhanger at the end of episode one? OMG, it’s a cyberman! Who saw that coming?

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US TV

Heroes 3×4 – I am Become Death

In what’s likely to become a weekly, "Hang on but…?" brief look at the current US episode of Heroes (UK fans can join in in about a fortnight and a day, or maybe less if they have BBC3 – it’s simultaneous broadcasting, the BBC way), I have a think about various things that puzzled me this week. Perhaps you can help? At the very least, we might be able to come up with a title for the feature.

Join you after the jump.

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Wednesday’s magical acting news

Doctor Who

Film

  • David Cronenberg to team with Denzel Washington for adaptation of Robert Ludlum’s The Materese Circle?
  • Forest Whitaker to play Louis Armstrong
  • Tr2n to be 3D
  • Ridley Scott still working on Brave New World

Theatre

Art

British TV

US TV

US TV

Review: Sanctuary 1×1

In the US: Fridays, 10/9c, SciFi; 7p, Movie Central; 8e, The Movie Network
In the UK: Mondays, 9pm, ITV4

There are two big trends in TV and film production at the moment. Okay, there are lots of trends, but here are two big ones.

The first is green screen, in which rather than building great big sets, you stick the actors up against a green screen and use special effects to add a computer-generated set in later. George Lucas pioneered it on Phantom Menace, but it’s only proved its truth worth recently on films like Sky Captain and the World of Tomorrow and 300, in which pretty much everything other than the actors was computer-generated.

The second is the Internet. You might have heard of it. Now, all sorts of shows that don’t manage to get a look-in on the mainstream networks can be shot cheaply, uploaded to YouTube or a dedicated web site, and suddenly everyone’s watching it and one of the big networks picks it up. Quarterlife and The Peter Serafinowicz Show both managed it, but many argued they should have stayed on the Internet.

Sanctuary is a shiny new show, airing almost simultaneously on the US’s SciFi, Movie Central and The Movie Network channels and ITV4 in the UK, that combines both these trends. Not only is there a massive amount of green screen work, but it started off on the web before being spotted by SciFi. Starring and produced by Amanda Tapping of Stargate SG-1, it’s a bit of a dark piece in which faux-Brit Tapping, her faux-American kick ass daughter and a faux-bright criminal profiler join together to investigate odd beasties that they then take to their ‘Sanctuary’.

But despite all these shiny trends, is it a show that’s good in its own right, or simply "not bad for the Internet"?

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