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Review: The Lost Room

The Lost Room

In the US: Monday 11th December-Wednesday 13th December, Sci Fi. Repeated Sunday 17th December, starting at 5pm.

In the UK: Begins 9pm, 9th January 2007, Sky One

While Big Finish have been jessieing around, trying to recapture the essence of Sapphire and Steel for their audio plays and generally failing hopelessly, someone else has been quietly doing likewise. Surprisingly enough, it’s the US’s Sci Fi Channel who have done their level best to create something with the same qualities as that British fantasy classic, yet is wholly different, original and American.

Yes, a Sci Fi Channel mini-series that’s actually rather good – will miracles never cease?

Back in 1961, something happened. No one’s sure what. Some think God died. Others think the rules of the universe simply broke down. Whatever it was, a motel room off Route 66 was taken out of normal existence, leaving behind 100 or so ‘Objects’.

The Objects are indestructible and can sense each other. They want to be united. Each has strange powers, some useful, some not. The Comb can freeze time. The Spectacles can stop combustion within 20 feet. The Cufflink? The Cufflink can reduce blood pressure, while the supposed Prime Object, the Clock, can sublimate brass. As I said, the powers aren’t always useful.

Then there’s the Key. The Key can open any lock of any door and take you to that missing motel room and then back again to any other door in the world. But what happens if someone’s already in the room and the Key gets used?

Continue reading “Review: The Lost Room”

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  • BBC3’s just unveiled its Winter/Spring season (free registration required). In the list is a spin-off from Spooks called Rogue Spooks, featuring some young agents who ‘follow a different rule book’ (sounds horrid); six new comedy series, including Gavin and Stacey starring Rob Brydon and Alison Steadman; and Road Kill Café, in which a professional forager tries to persuade members of the public they should ditch regular food for stuff found dead on the motorway.
  • Just in case Gillian McKeith doesn’t horrify you enough already, imagine what it would be like having her live with you. Pity then, the poor participants in the next series of You Are What You Eat.

US TV

  • Jennifer Aniston and Ben Stiller have both been refused cameos on 24 because they’re too recognisable.
  • E!’s Watch With Kirstin has an interview with Dexter‘s ‘ice-truck killer’. Don’t read it if you haven’t started watching yet. There are also a couple of spoilers for Sunday’s finale.
  • The remaining episodes of 3 Lbs. are up on Innertube.
  • This year’s Golden Globe TV nominations are available. Yet again, Battlestar Galactica has been shafted, but Dexter is seeing some love, as is Ugly Betty. And if Alec Baldwin doesn’t win the best comedy actor award for 30 Rock, I’ll be surprised…
  • Talking of Battlestar Galactica, there be pretty significant spoilers ahoy over at the Chicago Tribune, including an interview with Ronald D Moore.

Thursday news

All the news the Norse god of thunder thinks is worth printing

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  • There’s an official Christmas Invasion trailer now.

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Audio and radio play reviews

Review: Sapphire and Steel – Water Like A Stone

Water Like A StoneNigel Fairs has a lot to answer for. The producer of the Big Finish range of Sapphire and Steel audio plays, it was his decision to make the stories more ’emotional’. The result, so far, has been something other than the Sapphire and Steel we came to know and love when we were growing up/bought the videos in the early 90s/bought the DVDs a couple of years ago. Instead of weird, alien logic, and morals that make no sense or are completely counter to conventional morality, we’ve had standard dramatic clichés (eg homophobia is bad) and plots that have drifted between comedic and uninteresting.

Now we have one of Fairs’ own stories, Water Like A Stone. It has good points, but for the most part, it has all the things wrong with it we’ve come to expect from the range.

Continue reading “Review: Sapphire and Steel – Water Like A Stone”

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