Now here’s curious. We have a co-production between UK network Channel 4 and US cable network Showtime. It’s made by British production company Ecosse Films. It’s filmed in Britain. It’s set in Britain. It’s cast is almost entirely British.
But it’s airing in the US first.
How’s that work then?
More to the point, it’s also very British – very Channel 4, in fact – which makes me wonder what Showtime sees in it. We have a family, headed by David Morrissey, who have to enter the witness protection programme. They wind up in Kent in a strange little town called Meadowlands populated by strange little people. And it’s all very, very bleak – and very very strange.
Anyone interested in the history of British television will be aware of Lew Grade’s company, ITC. Dominating the 50s, 60s and 70s with shows such as The Adventures of Robin Hood, Danger Man, The Saint, Thunderbirds, Captain Scarlet, The Prisoner, Randall and Hopkirk (Deceased), Jesus of Nazareth, and Sapphire and Steel, ITC was a production powerhouse, the likes of which we’ll probably never see again.
Robert Sellers book, Cult TV: The Golden Age of ITC, attempts to chronicle at least some of that history. With a foreword by Sir Roger Moore and an afterword by Gerry Anderson, the book includes interviews with many of the shows’ surviving stars and production staff and provides some insight into their continuing success as cult television, even if it’s not the perfect .
Colin Baker is to appear in one of Big Finish’s Sapphire and Steel audio plays. League of Gentleman star, future Who guest star and current Who author Mark Gatiss will be returning to the series as Gold. Sarah Douglas from Superman II will be appearing in the season’s (and likely the series’) final episode.
British TV
I was wondering a while back what was happening about that remake of The Prisoner, given that Chris Nolan was making a film as well. Turns out, as suspected, that there are two versions going ahead now. Universal, which is behind Nolan’s flick, have the film rights and are still going ahead with a movie. But now US network AMC has come on board with Granada and Sky One to co-produce at least six episodes of a TV version. Production will begin in Spring, with the first episodes airing in the US and the UK in January 2008. It’s going to be an ‘entirely new reinterpretation’. Um…
The Hogfather has stolen Torchwood‘s record to become the highest ever rated digital TV show, with 2.8 million viewers. Meanwhile, Torchwood‘s ratings have dropped below Lost‘s again, bringing in 900,000 viewers for BBC3.
US TV
Raines has had its order of episodes cut to just seven, even though it won’t air until March. That doesn’t sound promising, does it?
The BSG spin-off, Caprica, now has a script and is waiting for network approval
My Boys has had another nine episodes commissioned
Frank Skinner’s British sitcom, Shane, is being remade for the US by its British producers, Avalon. Avalon also has some other comedies up its sleeve, including Evil Genius, about a super-villain who takes over the world and realises it’s bit harder to run than he first thought.
There are format changes ahead for The Class as attempts are made to make the sitcom more conventional. Curses. However, some of its themes of suicide, infidelity, etc will be preserved.
There have been rumours for quite a long time (for which, read ‘decades’) of a movie version of classic 60s show The Prisoner. For some time, Mel Gibson was going to do a version. Guess what. He’s not any more.
Then there was all the excitement back in May about the possibility of Christopher Eccleston appearing in a TV remake for Sky. Nothing more’s been heard about that. With ITV, who were going to make the show for Sky, busy imploding, that’s no surprise.
Today, news comes from Variety that Christopher Nolan, director of Memento, Insomnia, Batman Begins, as well as the forthcoming The Prestige and The Dark Knight, is being lined up by Universal to direct a film version. Janet and David Peoples are set to write the script, a “contemporized transformation”. Scott Stuber, Mary Parent, Barry Mendel and Emma Thomas will produce. Nolan will direct after he completes The Dark Knight, which begins production early next year.
Not sure how this all works out rights-wise: did ITV/Sky skimp on the rights and only buy the TV rights? Did Universal still own the film rights but not the TV rights from the movie’s various years in development? And will Sky be more or less inclined to do a remake, if there’s a film version coming our way soon?
So many questions, so few answers. How appropriate.