Top 10 – and bottom 10 – sci-fi title sequences ever

An enterprising gentleman in the US has decided to organise troll bait top ten lists of the worst and best sci-fi title sequences LIKE EVER!!! To save you the effort of going there, they are, complete with YouTube links:

Best

  1. Firefly
  2. Space: 1999
  3. The Six Million Dollar Man
  4. Doctor Who (Tom Baker and Eccles Cake versions)
  5. Star Trek: Voyager
  6. Star Trek: Deep Space Nine
  7. Star Trek: The Next Generation
  8. Mystery Science Theater 3000
  9. The Greatest American Hero
  10. Battlestar Galactica (original series)

Worst

  1. Enterprise
  2. Cleopatra 2525
  3. Battlestar Galactica (new series)
  4. V
  5. Babylon 5
  6. Charmed
  7. Xena: Warrior Princess
  8. The Bionic Woman
  9. Manimal
  10. Land of Lost

Now, clearly the man has both atrocious taste in title sequences as well as a somewhat limited viewing range. Otherwise, how else did all those Star Trek sequences get in there? At the very least, the original series of The Tomorrow People should be in there, as should The Prisoner. On the other hand, he does correctly slam Charmed for mauling a classic Smiths track, and The Six Million Dollar Man titles are classics indeed.

What other title sequences should be in there, do you reckon? If we include serials, I’d definitely include The Day of The Triffids‘, and if we were to expand beyond SF, I’d add in Callan, Penn and Teller’s Bullshit (titles are about a minute in) and Touching Evil. But what would you include?

US TV

Preview: Traveler

Traveler

In the US: ABC, but held as a mid-season replacement

In the UK: Not yet picked up

A while ago, I came up with a rubbish game called Through the D Hole. The aim of the game was to work out exactly who the target audience of a TV programme is using as few clues as possible – just the title if you can manage it.

The reason it’s (mostly) rubbish is because of shows like Traveler. You’ll never get what Traveler is about, just from its title.

Sci-fi show about a travelling alien? No.

Adventure/travel show? No.

You see, Traveler is the name of a man. Worse than that for our game, that’s not his real name: he’s made it up to fool a couple of his grad school friends before he frames them for a particularly heinous crime. Part 24, part Prison Break, but mostly Nowhere Man, Traveler is actually one of the better shows coming our way (hopefully).

Continue reading “Preview: Traveler”

News

Christopher Eccleston his own worst enemy

Christopher Eccleston in Doctor WhoWe all heard the news that Christopher Eccleston may be starring in the forthcoming remake of The Prisoner. Now The Independents Pandora reports that CE may have had a bust-up with the producers and Sky are getting cold feet.

“Christopher did contact Granada earlier this year, when talks about the project began,” they say. “But since the casting process has only just begun, we are also looking elsewhere.”

Quelle surprise. Odd that he should have initiated contact with the producers, as he did with Doctor Who, and then mess everything up himself (assuming Pandora’s right). But it seems that if there’s a way to sabotage his own career, Eccleston will find it every time. Let’s hope he can pull himself together again and get back into the game.

News

He saved Doctor Who. Can he save The Prisoner?

The PrisonerChristopher Eccleston – remember him? – is being hotly tipped to take the lead in Sky One’s remake of The Prisoner. Every few years, there are rumours that the classic 60s series about a spy abducted and imprisoned in a ‘village’ will get remade. Mel Gibson was going to make a movie of it for a while; Granada was hinting at it last year, but dropped it. But this appears to be officially official – another interesting move by Sky’s new director of programmes, Richard Woolfe, who’s actually going to get Granada to make it for him.

I think Eccleston would be a good choice for the role. He may have been miscast as the Doctor, but Eccleston suits the role of “Number 6” perfectly. As played in the original series by Patrick McGoohan, 6 was a shouting, angry man, constantly on the prowl, sarcastic, untrusting, always getting into fights. Eccleston can do all of those things and do them well. Given Eccleston is now persona non grata at the Beeb and many other networks are wary of working with him in case he buggers off after five minutes, a major role in an iconic series would rehabilitate him no end and might help him shed the image of the Doctor.

The difference between the US and UK SciFi channels

Well, there are a few differences, but the big one is the US SciFi channel actually makes new shows. Admittedly, the UK channel does, too, but they’re either video review shows or they’re “Tales from the Conventions”. Plus there’s that new one with Michael Ironside that they’re co-producing with Canadian TV. But other than that, they don’t make shows.

In the US, they make lots of shows. They make really god-awful B-movie sci-fi films, usually starring the likes of Joe Lando (remember him from Dr Quinn, Medicine Woman?) and Bruce Campbell. They make silly shows about alien abductions and psychic powers. But they also make shows like Battlestar Galactica, Stargate SG-1 and Stargate: Atlantis.

Just to ram their American superiority in our faces just a little bit more, they’ve unveiled a new slate of programming. To really start kicking sand in our eight-stone faces, they’re launching a prequel to BSG called Caprica that focuses on the times leading up to the creation of the cylons. While the phrase “television’s first science fiction family saga” sends chills down my spine, so did “remake of Battlestar Galactica” until I actually watched the new show. So I’ll flag Caprica as ‘sounds bad, will probably be very good indeed’ for you to note in your calendars.

Then there’s Snap about ‘a Federal agent who uncovers a deep-seated and seemingly unstoppable conspiracy’. Now that does sound pants and probably will be, too. Persons Unknown (‘a surreal mind-game of a series centering on a group of strangers who awaken in a deserted town with no memory of how they arrived, only to realize that there is no escape’) could be good, although I suspect I’ll spend most of the time looking for bits they may have half-inched off The Prisoner.

The Bishop just sounds inherently amusing: ‘from executive producers and writers Freddie Prinze, Jr. and Conrad Jackson, this one-hour drama revolves around a young slacker whose charmed life is disrupted when he discovers that he has a supernatural gift’. The power to carry a crook. In fact, I could swear Monty Python did a sketch about a fake crime show called ‘The Bishop’ – so best to steer clear of that one I think unless you fancy a laugh.

Blink again sounds like a rip-off, this time of Canadian show The Collector: ‘A group of Afterlife investigators try to help those about to make the wrong choice, in the blink of an eye before destiny is sealed forever.’ Could be good, could be bad, but as if having a show exec produced by Freddie Prinze Jr weren’t enough, this one’s exec-produced by Will from Will and Grace. What next? Shows produced by the Crazy Frog?

Last show of interest is a mini-series based on classic piece of 70s cobblers, Chariots of the Gods. Since that was in some way the inspiration for the worst movie ever made, Hangar 18, I’m dead set against it from the outset.

Nevertheless, compare that with the UK’s SciFi channel and you’ll have to admit, it’s a damn sight more impressive. Curse those Americans, their advanced economy and their high production values.