Audio and radio play reviews

Review: The Companion Chronicles – Old Soldiers

Old SoldiersAfter yesterday’s tussle with awfulness – aka the Companion Chronicles’ Helicon Prime – we come face to face with something a whole lot better. Nicholas Courtney’s Brigadier has been a companion of sorts – or at the very least a practising Friend of the Doctors – since the Troughton years, appearing opposite him, Hartnell (in The Three Doctors), Pertwee (for most of the era), Tom Baker (a couple of stories), Davison (The Five Doctors and Mawdryn Undead) and Sylvester McCoy (Battlefield). He’s also been something of a Big Finish regular, cropping up in The Spectre of Lanyon Moor (with Colin Baker), Minuet in Hell (with Paul McGann), the UNIT range of stories as well as a few others. So quite why they need him to have one of his own Companion Chronicles, I’m not sure.

All the same, of the three stories in the second series of the Companion Chronicles, Old Soldiers is probably the best. A traditional narrative in which Courtney reads the story to the listener rather than to another actor, it’s firmly in keeping with the Pertwee era and fleshes out both the Brigadier and UNIT a little.

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UK TV

Who’s your favourite Doctor?

The 10 DoctorsTrickier question than it sounds, “Who’s your favourite Doctor?”, even though it’s the most traditional of Doctor Who memes.

I was pondering this the other day, because I realised there wasn’t one Doctor that I ranked above all the others. There’s something dissatisfying about each of them, I realised.

You see the question isn’t really “Which Doctor is your favourite?”, it’s really “Which Doctor and era of the show is your favourite?” Yes, David Tennant is very good and could well be the best Doctor of them all, but he kind of irritated me during the second series of new Who. And there was Daleks in Manhattan to cast a great big shadow over him, too. So I couldn’t, in all conscious, vote for him as my favourite Doctor because of the dead weight of those stories draining off my enthusiasm for him.

So I slowly progressed through each of the Doctors in turn, weighing them up.

  • William Hartnell: The best Doctor for one episode only – the first one, An Unearthly Child, when he’s an evil git. After that, doo-lally tap, flying saucers on a pieces of string and stories that lasted longer than a tax audit and felt as bad to sit through.
  • Patrick Troughton: Good stories and at least one fun companion, but there’s just something about his Doctor that leaves little impression, although I do like his slyness in Invasion.
  • Jon Pertwee: Brilliant for his first season, where he’s imperious, alien and self-serving (“Screw you guys. As soon as I get this TARDIS fixed, I’m sodding off. You can fight the aliens yourself then”) and has the wonderful Liz Shaw as a companion. Then he turns into a wine-tasting git who goes to establishment clubs and has a companion with the mental capacity of a squirrel.
  • Tom Baker: Again, a wonderful first few seasons of stories and a clever final season (that’s a bit dull, admittedly). But hampered by the rubbish Graham Williams era and Tom Baker slowly going round the bend in the middle.
  • Peter Davison: Great stories, although some really turkeys here and there. Some interesting attempts at characterisations of companions, even the ones who were really irritating, as well as Turlough who was great (for a story). But the Doctor himself didn’t really have a personality except in Castrovalva (his first story) and The Caves of Androzani (his last story).
  • Colin Baker: If you were going by his audio adventures only, one of the best Doctors. Possibly even the best. And the idea of a slightly mental, psychotic Doctor was quite fun. Plus he had Peri as a companion. Ah, Peri… But the eighth circle of Hell is probably filled with giant plasma screens playing his TV stories on a continual loop.
  • Sylvester McCoy: Take any other Doctor, give him the same stories (yes, even Time and the Rani and The Happiness Patrol) and he’d make them into instant classics. But with Sylvester McCoy, even the best of the stories have an element that I will describe as “extreme suckiness”
  • Paul McGann: Not a lot to go on really, is there? Could have been good. Definitely could have been better than in the TV movie, and when he’s good in the audio stories, he’s very, very good. But still not worthy of best Doctor honours.
  • Christopher Ecclescake: Oozed loathing for the show from every pore of his body. Are you mental?
  • David Tennant: Could have been the best. But isn’t. See above.

I eventually came to the conclusion that my favourite Doctor was Jon Pertwee, but only during his first season (season seven), although I could potentially swap him out for Tom Baker in Ark in Space.

So over to you guys, assuming you have the time and the inclination. What’s your favourite era of Doctor Who? It can be as long as you like (eg the 80s, any year with a 3 in it); it can be as short as you like (eg the pre-title sequence of Remembrance of the Daleks, the end of Utopia); it can be new Who or old Who; it can be based on any criteria (eg David Tennant iz sooo HOTT in eVERYTHING!!!!!, the hermeneutic coding in Kinda is the best seen in any performed text).

Answers on a postcard to the usual address or in the comments below.

Audio and radio play reviews

Review: The Companion Chronicles – Mother Russia

Mother Russia, the first in the second season of Big Finish's Companion Chronicles

As we all know, the Companion Chronicles is Big Finish’s attempts at filling in the gaps in its Doctor Who range. With Doctors one to three now in the great big TARDIS in the sky, Doctor four fruitier than a wine gum and Doctor nine more likely to toast his manhood on an open fire than have anything to do with Doctor Who again, the chances of getting full cast productions of audio plays starring these particular Doctors is very small. Fortunately, many of the companions of these Doctors are alive and well and ready to get paid a reasonable sum of money for a day’s work reading a short book into a microphone.

The first series of Companion Chronicles featured Vicki, Zoe, Liz Shaw and Romana II, to varying effect. Some were good, some weren’t. Series two isn’t too different and I’ll be looking at some of the others over the next few days (the fourth’s not out until January, unfortunately). The first, though, I’ll be looking at right now. Ooh.

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TV reviews

Review: Doctor Who – 3×4 – Daleks in Manhattan

Daleks In Manhattan

There’s something about Helen Raynor’s writing. It’s always nicely put together, doesn’t insult your intelligence too much and has a certain sensibility about it that makes you think she’s trying to write proper drama. But it’s absolutely dull to watch. Witness the third episode of Torchwood for a similar phenomenon.

So it was with Daleks in Manhattan. With a tiny group of Daleks trying to destroy life as we know it with an insidious plan, it evoked memories of classic Who stories, such as Power of the Daleks. It certainly tried to notch up similar amounts of tension and there was the old-school move of making sure all sets, including sewers, had ultra-smooth floors for the Daleks to glide over.

But coupled with a rather spoilerish edition of the Radio Times that removed all traces of surprise from the story, all it managed to do was get yawns out of me. Yawn, yawn, yawn: that was me doing an impression of myself watching the episode.

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Audio and radio play reviews

Review: The Companion Chronicles – The Blue Tooth

The Blue ToothAs a notorious Liz Shaw fan, I was looking forward to this entry in the Companion Chronicles range. One of the more adult companions (in a good way), she was one of the main elements of a short-lived strategy to make Doctor Who less childish, way back in season seven. However, she never got so much as a leaving scene when she was replaced by Jo Grant and hasn’t yet appeared in any of the Big Finish range. So it was good to hear she would be featuring in this brief set of audio books.

The Blue Tooth sees Liz returning to Cambridge to meet an old friend. In true Who style, it all goes very wrong when an outer space monster intrudes – no less a beastie than the Cybermen, in fact. And it opens with a promise: to reveal why Liz decided to leave the Doctor.

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