US TV

Review: Aquarius 1×1-1×2 (US: NBC)

Aquarius

In the US: Thursdays, 9/8c, NBC
In the UK: Not yet acquired

You’d think, given that NBC already has the origin story of one famous serial killer in its schedules, that it would be reluctant to produce another one. But even as Hannibal is about to return to our screens this week for its third exquisite season, here comes Aquarius, which on the face of it should be a far less fictional affair, given that it’s the origin story of real-life sociopath Charles Manson and his so-called ‘Manson Family’, who in 1969 went on to kill actress Sharon Tate and six other people.

Yet, Aquarius is almost as fictional as Hannibal. It stars David Duchovny as an LAPD detective who’s brought in by an old girlfriend (Michaela McManus) to investigate the disappearance of her 16-year-old daughter (Claire Holt). Asked to keep everything quiet because of her important husband (Brían F. O’Byrne), Duchovny has to recruit a young, hip(py) detective (Grey Damon) to help him reach the communes and parties he’s can’t, and hopefully find the daughter.

Except, unfortunately, it looks like a certain Charles Manson (Gethin Anthony) has already found her and recruited her to his growing ‘family’.

Billed as an event series, the show’s about as schizophrenic as they come. On the one hand, it wants to do ‘true crime’, yet practically everything and everyone involved, other than Manson and some of his family members, are fictions. Being set two years before the murders of 1969, there’s as yet no tie-ins with the real crimes and we know that unless the show takes a brief jump or two forward and introduces a whole new set of characters, there’s no chance that Manson will be behind bars by the end of the show’s run.

Yet while everything is linked to Manson, the episodes have a procedural element, with episode two taking some time out from the Manson-hunting to investigate the suspected murder of a wife by her husband, for example. The show tries hard to link this with both Manson and the era, with the surprisingly sympathetic husband nevertheless being an overt racist and the Nation of Islam turning up to give Manson’s ‘Helter Skelter’ philosophy some grounding. But as with the show’s hit-laden soundtrack, it feels as obvious as the vintage cars on display as being an attempt to simply say ‘Hey guys! It’s 1967!’ The fact there’s invariably something to do with Vietnam on the news or Vietnam is on Duchovny’s or Damon’s mind for one reason or another doesn’t help with this.

Aquarius also wants to be something of a cable show. As well as the novel aspect of NBC broadcasting the first two episodes then making the rest of the season immediately available from its web site, the show also has some quite near-the-knuckle sex scenes. Unsurprisingly, given the casting of Game of Thrones’ Renly Baratheon as Manson, not all of that sex is straight, and the show is happy to explore Manson’s bisexual side. There’s also a really surprising scene towards the end of the first episode, which while not quite up there with Outlander’s recent finale, is pretty horrifying.

The trouble is that all of these distinct strands don’t fit together very well at all. While the historical background detail is at least interesting and Duchovny and Damon’s pairing not as annoying as you’d think and is even quite comedic at times as they try to adjust, among other things, to this new ‘Miranda thing’, the two of them feel like they’re in a different show from Manson’s storyline. Indeed, Manson seems to think he’s in another show, too, since a lot of his storyline is about his attempts to get a record contract and his possible involvement in political corruption.

Women don’t really get served well here, either. Different times, etc, etc, but Aquarius only offers us a vision of women needing men’s help in one form or another or of messing things up by ‘transgressing’. On the plus side, though, there is at least an exploration of the race problems of the time and there are even some black characters with lines.

Compared to many NBC dramas, Aquarius isn’t half bad and I might potentially watch the rest of the season, one episode at a time, if I have time. But despite Duchovny’s presence and the potentially fascinating nature of Manson, Aquarius feels like it’s a pale imitation of a something potentially a whole lot better.

News: Bitten renewed, Remedy cancelled, The Bastard Executioner gets the go-ahead + more

Film

Trailers

  • Trailer for Black Mass with Johnny Depp

Canadian TV

European TV

Internet TV

UK TV

UK TV show casting

New UK TV shows

US TV

US TV show casting

New US TV shows

News: Guillermo del Toro to direct Hannibal, two new Amazon projects, David Goyer does Newton + more

The Daily News will return on Monday 13th. Happy Easter break everyone!

I offer no guarantees any of these are true…

Film

Trailers

  • Trailer for The Gift with Jason Bateman, Rebecca Hall and Joel Edgerton

Internet TV

New Zealand TV

UK TV

US TV

US TV show casting

New US TV show casting

Streaming TV

Review: Powers 1×1 (Playstation network)

Powers

On the Internet: Playstation network

To quote Master and Commander, what a fascinating modern world we live in. Once upon a time, you needed something called a ‘television set’ to watch television programmes. Imagine that, hey? I mean ask the average teenager what a television set is now and they won’t know, am I right? It’s only if you tell them it’s the screen for their console games that they’ll know what you’re talking about.

The main cause of the step away from broadcasting TV has been the Internet: now practically anyone with enough money can not only make TV but also air it over the Internet to anyone who’ll watch it. No need for a pesky network of transmitters, cables or satellite dishes. The challenge has been to demonstrate that Internet TV is as good as broadcast TV and therefore worth watching.

Companies such as Netflix and Amazon have been doing just that, giving us the likes of House of Cards, Transparent, The Man In The High Castle, Orange Is the Only Black and more. Now comes Sony with TV for its Playstation console network. And it seems intent on proving that actually, Internet TV is pretty sucky and nowhere near as good as that stuff you used to watch on your ‘television set’.

Powers is the Playstation Network’s first foray into scripted original programming. Adapted from Brian Michael Bendis’s graphic novel of the same name, it imagines a world in which superheroes (aka ‘powers’) are real and commonplace, how that world would deal with it and how those superheroes would genuinely act. ‘Arch nemesis’? You’ve been reading too many comics – there’s no black and white in the real world. That guy’s just a dick…

Sharlto Copley (District 9, The A-Team, Maleficent et al) plays a detective in the police’s ‘powers’ division tasked with policing homicides committed by superheroes. A former ‘power’ himself, he lost his abilities in a fight with the Sylar-esque Wolfe (Eddie Izzard) and hasn’t quite adjusted to his loss, something his new partner, Deena Pilgrim (Susan Heyward), quickly comes to realise. Now he’s faced with dealing with someone who’s killing ‘powers’ – and it’s probably the teleporting ‘power’ Johnny Royalle (Noah Taylor), who everyone thought was dead.

Now clearly Sony wanted to produce something that it imagined would draw in games players. So pause for a second and imagine a crude stereotype of games players. Imagine what TV they’d like to watch.

And you’ve pretty much got Powers.

Okay, it’s probably not as bad as whatever you’ve imagined. Yes, there is underage sex between a teenage powers wannabe (played by the thankfully 28 years old Olesya Rulin) and a much older man. Yes, there’s plenty of gore and ickiness. But actually, there are no hot naked babes, only the ever-wonderful, well clothed Michelle Forbes as Retro Girl. And actually the story involves remarkably little action and violence, intent as it is on trying to depict real people in a strange world.

But this is a superhero fest with ample eye-rolling moments, startling bad dialogue and in-show trading cards of all the ‘powers’. There’s also amazingly bad acting, just like in most games. Although Forbes is reassuringly competent, she’s only in the first episode for a few moments, leaving the bulk of the action to Copley, Izzard, Heyward and co, who are clearly under the impression they’re getting paid a lot of money to appear in something that only about five people will watch so are either hamming it up something chronic or phoning in their performances. It doesn’t help that Copley and Izzard are both woefully miscast, clearly hired as names rather than because they were the most suited actors for the roles.

Worse still, someone has obviously been counting beans at Sony and figured that this actually qualifies as just another game and gave all 10 episodes of the show the budget of one. Because everything just looks rubbish. Imagine CGI from the early 90s and that’s what pretty much every special effect looks like – you won’t believe that a man can fly… or shoot lightning bolts or anything else. In fact, ITV2 did a very similar but comedic show a few years ago called No Heroics and it had better effects than this does.

Actually, the whole thing was better. Think on that. A seven-year old, not very good ITV2 show is better in every respect than a TV programme intended as Sony’s Internet TV calling card.

As well as the poor, often tedious pacing of Powers, the largely bland look of the show is a big surprise, given that the director is David Slade, who set the visual tone of the delectable Hannibal. But beyond a few piquant visual flourishes, Powers‘s direction is about as bland as it comes.

There’s a decent enough story lurking under all of this. Unfortunately, it’s Sony who are trying to ‘realise’ it and the result is something pretty poor. Frankly, gamers – even everyone – deserve better than this. And broadcast TV looks like it’s got a good few years left in it as a result.

News: Murdoch Mysteries renewed, John Barrowman’s Heavy Metal, Ray Winstone back in the Bible, the final Ultron trailer + more

Film

  • Ridley Scott to adapt George MacDonald Fraser’s Flashman books

Film casting

  • Billy Zane, Jack Thompson and Jake Ryan to star in Blue World Order
  • Dan Stevens to play the Beast in live action Beauty and the Beast
  • Jeff Goldblum, Liam Hemsworth and Jessie Usher join Independence Day 2

Trailers

Theater

Canadian TV

  • CBC green lights/renews: The Romeo Section, Shoot The Messenger, Kim’s Convenience, Heartland, Murdoch Mysteries, X Company and Schitt’s Creek

Internet TV

New UK TV shows

  • Trailer for BBC One’s Ordinary Lies

New UK TV show casting

US TV

US TV show casting

New US TV shows

New US TV show casting