News: Community saved, Hieroglyph cancelled, FX wants Sex&Drugs&Rock&Roll, no smoking for Constantine + more

Doctor Who

Film casting

  • Tom Hardy joins adaptation of The Revenant with Leonardo DiCaprio
  • Kellan Lutz to play William Shatner in Experimenter

Trailers

  • Trailer for The Skeleton Twins with Kristen Wiig and Bill Hader

Theater

Internet TV

  • Yahoo orders sixth season of Community

European TV

International TV

  • Keshet UK and Atlantique to co-produce Crater Lake

US TV

US TV casting

New US TV shows

News: Massive US cancellations and pick-ups, The Trip to Italy deleted sccene, ITV Encore ad + more

Doctor Who

Film casting

Trailers

UK TV

US TV

New US TV shows

The Weekly Play

The Wednesday Play: Dennis Potter’s Follow The Yellow Brick Road (1972)

Follow The Yellow Brick Road

It’s easy to imagine that the likes of Abed in Community are the first fictional characters on TV to realise they’re fictional characters on TV and to be aware of genre conventions being applied to their everyday lives:

But, of course, they’re not and in this week’s play, we look at Dennis Potter’s Follow The Yellow Brick Road, part of BBC2’s 1972 series of eight plays, The Sextet, which featured the same six actors throughout: Denholm Elliot, Billie Whitelaw, Richard Vernon, Bernard Hepton, Dennis Waterman and Michele Dotrice. Potter’s play, which (of course) borrows its name from the song in The Wizard of Oz, follows Jack Black (Elliot), a disturbed actor who believes he’s trapped in a television play, being followed around by an invisible camera.

A major theme of the play is the exploration of individual choice in the face of a seemingly omniscient narrator. Black comments on the drama as it progresses. In the opening scene, Black talks about the “shoddy” set design and the play’s apparent lack of pace (“Not much bloody action, is there? Hardly any dialogue at all – just background noises… People will switch over or switch off”); when an elderly patient tries to make polite conversation with him, he chastises her for the banality of her dialogue (“You don’t get many interesting lines, do you?”) before acknowledging this is “not [her] fault” and that she has “only got a small part”.

Jack’s paranoia about his predicament is intensified by his awareness of the camera, which he frequently addresses, either to demand that it stops following him, or to ridicule the audience (“I can picture them now… Munching away on their telly snacks, the corrupt zombies”). He also abdicates responsibility for his actions in the early part of the play – when he beats his wife Judy (Whitelaw) during their walk on Barnes Common he immediately apologises by saying it is what the script demanded of him.

Is Jack mad or is he really in a play? Well, that would be telling, wouldn’t it?

US TV

Review: Black Box 1×1 (ABC)

Kelly Reilly in Black Box

In the US: Thursdays, 10/9c, ABC

Mental health is so hot right now. I don’t mean that in the sense that it’s a subject for serious examination in drama or that it’s something that is thoughtfully used in characterisation. I mean it’s a great gimmick.

Time was when dramas would have set-ups like “two brothers are private detectives”, “he’s a Vietnam vet with a super helicopter”, “he’s an angel wandering the Earth helping people” and the like. But you can only have so many of those unique set-ups before you start to repeat yourself.

Mental health issues, by contrast, used to be the motivations for crimes, not something that could affect a hero, because it was unmanly. Well, maybe PTSD so they could have really manly flashbacks to Nam.

Thankfully, those times are gone and it’s all change. With first Monk giving us the OCD detective and then Touching Evil giving us the slightly lobotomised detective, TV has worked out how valuable these personality quirks can be. Why, right now, on TV we’ve got Asperger’s aplenty (Community, The Bridge, Hannibal, Parenthood) and the new top, post-Silver Linings Playbook condition, bipolar disorder, has been jaunting around both Homeland and Mind Games, giving them all sorts of entirely medically accurate depictions of how helpful mental health issues can be.

Producers have also worked out thanks to medical shows such as House, Mental and 3lbs that ‘brain weirdness’, to use it its technical definition, can be really entertaining in guest characters as well. So what better than a show that features not just lots of supporting cast weirdness but also a central character who has the bipolar, hey?

Black Box is such a show – and it turns out that despite its having not just the delightful Kelly Reilly as the lead as well as no lesser actress than Vanessa Redgrave as her psychiatrist, a whole lot of things could be better.

Reilly, putting on her best US accents, is a talented neurologist/doctor who is also bipolar. As long as she’s on her meds, she’s fine, but believing that medication stops those with mental health issues from achieving their true potential or even being truly happy by coming to accept themselves, she has a history of ‘non-compliance’. The result is that sometimes she’s manic and productive, other times she’s crazy, hallucinating, doing all kinds of bad things, including almost committing suicide. Yet somehow it makes her a better doctor.

Gosh, how quirky and interesting. Gosh how almost unwatchable.

Here’s a trailer.

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