Thursday’s “vampire Marian” news

Film

Radio

Canadian TV

  • Ratings for the week of the 24th
  • 12 episodes of Saving Hope with Erica Durance and Michael Shanks ordered

US TV

Thursday’s “Iron Mason” news

Film

British TV

US TV

US TV

Review: Suburgatory 1×1 (US: ABC)

Suburgatory

In the US: Wednesdays, 8.30/7.30c, ABC

If there’s one big surprise this season, apart from the sheer amount of dollars wasted on obviously bad shows, it’s that there are a few good ones out there, even on ABC. And it’s largely been the one’s that you didn’t think were going to be any cop that have turned out to be the surprises.

Suburbagatory is one of these shows. It sees Manhattan single father Jeremy Sisto (unrecognisable after his stint in Kidnapped as an action hero) discovering his teenage daughter has condoms, decides he wants her to grow up wholesome, so moves her upstate to the suburbs.

Here, their jaded, cynical Manhattan selves discover a realm of happy, smiling people of overwhelming, horrifying, oppressive normality. Are they prisoners, surrounded by Stepford husbands and wives? Or are the inmates of Suburgatory just as much prisoners of convention as they are?

Here’s a trailer.

Continue reading “Review: Suburgatory 1×1 (US: ABC)”

Question of the week: do you prefer multi-camera or single-camera comedies?

On Friday, in response to my review of Whitney, Mark asked “What’s wrong with single-camera comedies?” (or something like it). Okay, let’s set out some definitions. Here’s 30 Rock as a single-camera comedy.

And here’s 30 Rock as a multi-camera comedy.

You’ll notice, for starters, that the multi-camera comedy

  1. Is shot on video, looks cheaper and is over-lit
  2. Has a studio audience guffawing at almost everything
  3. Has performances geared towards a guffawing studio audience and ensuring that the people at the back of the studio can hear what’s being said
  4. Largely is stuck indoors
  5. Not as funny

Okay, you might not be able to tell those last two instantly from those clips, but my points stand. Nevertheless, for much of sitcom history, multi-camera has been the way things have been done, single the rarity, so some might prefer it to single-camera.

So today’s question is:

Do you generally prefer single- or multi-camera comedies?