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News: Walter acquires Pulsaciones (Lifeline); Big Field, The Mick renewed; Demi Moore to recur on Empire; + more

UK TV

New UK TV show casting

  • Dougray Scott, Charles Dance, Jessie Buckley et al join BBC One’s The Woman In White

US TV

US TV show casting

New US TV show casting

Shawn Doyle and Anna Paquin in CBC's Bellevue
Canadian TV

Review: Bellevue 1×1 (Canada: CBC)

In Canada: Mondays, 9pm, CBC

They say one of the reasons that Denmark likes its horrific murder-mysteries on TV so much is that it’s one of the nicest places in the world to live. With no emotional darkness in their lives, allegedly, the happy old Hygge-filled Danes have to live vicariously through Nordic Noir.

I’m assuming that’s why lovely, happy Canada appears to be developing its own equivalent. We’ve already seen CTV’s Cardinal firmly embracing the darkness to pioneer ‘Canadian Noir’ and now we have CBC plummeting into similar territory, although putting its own, very CBC spin on it. Here, we have Anna Paquin (The Piano, X-MenTrue Blood) playing a cop in the small town of Bellevue, investigating the disappearance of a trans teenage hockey star. Has he been beaten by homophobic fans or is something more sinister afoot?

Suspecting a known paedophile who’s moved into town, she’s surprised when her suspect is expecting her and even more surprised when he hands her a note that appears to be from her father. Or at least whoever it was who pretended to be her father after he died. Because when Paquin was just a kid, a teenage girl was killed and posed as the Virgin Mary in the nativity, outside the local church. Paquin’s cop dad was in charge of finding the killer and when he failed, he committed suicide. Except a few years later, Paquin started receiving riddles addressed to her by her dad…

Bellevue is a bit of a botch job. One moment it’s trying to be The Killing (and failing). The next it’s trying to be The Exorcist III (and failing). The next it’s trying to be Broadchurch (and failing). It’s hard to know what mood the story will be in from moment to moment, and everything joins together as smoothly as if the writer had been given a bucket of fish and a crochet kit and been asked to turn them into a Ford Fiesta.

To its credit, its efforts to show small-town Canadian life make it a little bit different from other shows, but the dialogue is pretty cringe-worthy, especially anything involving new cop in town Sharon Taylor (Stargate Atlantis). It has a fine cast, too, particularly Paquin who’s given a chance to show off her Oscar-winning range, but also Shawn Doyle (Endgame, Frequency, Vegas, This Life) as her boss and substitute father-figure.

However, Bellevue has very little else to go for it, so if you are going to watch some of this new breed of Canadian Noir, Cardinal is a superior choice by far.

The BarrometerA Barrometer rating of 4

Third-episode verdict: APB (US: Fox)

In the US: Mondays, 9/8c, Fox

There was never much chance that APB would ever be much good, but with Matt Nix (Burn Notice, Complications, The Good Guys) taking over as showrunner midway through the pilot, there was at least the possibility it might be. Fox’s attempt to do for policing what Iron Man did for World Peace, it sees Justin Kirk adopt the Robert Downey Jr mantel to become a billionaire playboy philanthropist engineer who discovers crime is bad and decides to bring his private sector technological expertise to bear on a problematic police district in Chicago. Can smartphone apps, drones and GPS information – as well as $120m of investment – bring an end to crime, or will it turn out to be a bit more complicated than that?

The first episode was phenomenally stupid and derivative, but with the occasional bit of fun. Episode two gave us a mix of stupids: on the one hand, we had Kirk once again back at HQ trying to bring to book a road racer who is smart enough to work out that drones can’t fly where there’s no decent signal; on the other, we have cops going dewey eyed over kids who have been mowed down and police dogs who have been blown up (“No!”). But it wasn’t quite as stupid, and there was an element of fun and excitement, with Kirk dicking around with motorbikes for most of an episode to give us his own version of Street Hawk, complete with street chases. We also had The Tall Guy from ER turn up, hugely probably, as a former pro-wrestler with an PhD in electronics, to give Kirk his own Jarvis to talk to when he’s doing some remodelling.

Just for a glimmering moment, it seemed like the show understood how stupid it was and was going to have some fun instead, giving us a piece of programming that teenagers can watch, be excited by and decided to become engineers. Because this is a show trying to make engineers look sexy. Even Justin Kirk.

Sure, there was the daftness of having the vengeful mayor of Chicago putting the husband of Kirk’s right-hand woman in charge of the anti-Kirk task squad, but soapiness we can ignore. However, episode three was simply moronic and soporific. While the first episode had Kirk giving us his solutions to existing problems and the show demonstrating how they’d work in practice, both episodes two and three flipped that formula: new problem turns up, Kirk devises a solution to it. And episode three’s problem was the age-old issue of interrogation – how to get a criminal to tell you the truth? Now here, people have already seen the problem and come up with a technical solution: the lie detector. And we know its limitations, as well as the civil liberty implications. We know reality and its nuances.

But since the format demands that Kirk be a brilliant inventor, he has to come up with a costly technical solution, too. Here, he gives us… the lie detector chair! You sit in the chair and people know your vital signs and therefore whether you’re lying! You don’t even have to touch any electrodes or anything! Just as long as you’re sitting in that chair, everything will be fine. It’s nonsense, of course, and probably illegal nonsense, too. It’s also a nonsense that any sane grown-up can watch, compare with reality and see it’s nonsense.

Coupled with that, we had a really bad attempt to give all of Kirk’s helper monkeys some characters and some background, with dialogue and plot devices that would curdle milk. And for a show supposed to be about the virtues of bringing private sector mentality to the public sector, Kirk’s employees have an interesting approach to time-keeping, the rule of law, chains of command and even not provoking people to commit crimes

Three episodes in, with Kirk wasting millions on gadgets, discovering policing is more about people than technology and generally coming up with things that just don’t work in practice unless a billionaire CEO gives us running his rocket-making company indefinitely so he can sit and fiddle with a joystick all day, I’m starting to think APB is really just a paean to the public sector. We’re supposed to watch and enjoy seeing Kirk play with his gadgets, but ultimately discover that the police do things the way they do things for a reason and that they’re a lot more dedicated than someone just in it for the big pay cheque. So off he goes with his tail between his leg.

But I’m not sticking around for that, because I can’t bear any more of it.

Audrey Fleurot in Les Témoins
French TV

A trailer for season 2 of Les Témoins (Witnesses)

Audrey Fleurot in Les Témoins

I’ve been a bit occupied with a broken phone today – grrr, argh – so WHYBW is going to have to wait for another time. But I’ve not forgotten you. Today – hat-tip to Thierry Attard – we have a trailer or two for season 2 of Les Témoins (Witnesses). Despite its being one of the very few French shows to make it to network TV in the UK, I missed the first season because it started airing just before my August holidays. So I can’t tell you what that was about, although the suggestions from Wikipedia are that it was quite conventional.

Witnesses is set in the small coastal town of Le Tréport in northern France, where the bodies of murder victims are being unearthed and left for discovery. The former chief-of-police, Paul Maisonneuve (Thierry Lhermitte), is implicated in the murders. Detectives Justin (Jan Hammenecker) and Sandra (Marie Dompnier) investigate the case

Sounds very vanilla.

However, season 2 looks a bit different. Marie Dompnier returns but one of my favourite actresses – Audrey Fleurot of Engrenages (Spiral) fame – is this season’s guest star and here are the trailers I promised you.

https://player.vimeo.com/video/204386413

https://player.vimeo.com/video/204386412

If your French is a bit duff, that’s “15 men found dead, frozen on a bus. All loved the same woman.” And here’s a write-up which I genuinely did translate myself this time:

A country road along the North Sea, the first day in Spring. 15 dead men, frozen, found sitting quietly in a bus.

Catherine Keemer: a mysterious woman, an amnesiac, discovered the next day in her car, 100km away. The 15 victims in the bus: all the men shared her love, for one night or a year. Sandra Winckler, a determined and obsessed cop who won’t tolerate an unsolved mystery. Sandra Winckler (Marie Dompnier) and Catherine Keemer (Audrey Fleurot): two woman who are going to need to unite for the better and against the worst.

Now that’s a bit more interesting. The show’s back on France 2 in March but no word yet if either Netflix or Channel 4/Walter Presents is going to pick it up. You’d hope, wouldn’t you?

PS No, I don’t know why the names are above the wrong people in the poster (the tag line: “Love is the biggest danger”)