Valor
US TV

Review: Valor 1×1 (US: The CW)

In the US: Mondays, 9pm, The CW

Valor arrives to a crowded schedule. The US Fall season for 2017 has already welcomed some military special forces shows, with CBS and NBC delivering us SEAL Team and The Brave. Each network has its own characteristics and each of the two shows has largely embodied those characteristics. However, The Brave, while cheaper-looking, less authentic and less sure of itself than SEAL Team, turned out to be a far more engaging show than its shiny cousin.

So what then should you expect of this third effort, given it’s coming from The CW – the network of superheroes, the supernatural, soaps and supernatural superhero soaps? Something in a similar vein but wearing a uniform or something a whole lot better?

Steady on, soldier. Let’s not get carried away. But certainly Valor sits somewhere in the middle of the two shows rather than lingering behind on latrine duty.

Christina Ochoa (Blood Drive) plays an army pilot, who’s also one of the first women to be a member of the US special forces. She and her senior pilot Matt Barr (Hellcats) are involved on a mission in Somalia that goes wrong. They get shot down and are forced to survive until their rescue. Unfortunately, the rest of their team aren’t so lucky.

When they get back, they’re awarded medals and lauded with praise. However, there’s something that they’ve not told anyone about their mission, which becomes apparent when one of the soldiers they said had been killed turns up as a hostage to some Somalian terrorists.

What happened on the mission? Why are their superiors lying to them? Will their captured buddies escape from the Somalian terrorists? What was the mission really about? And will our hero and heroine find out before the CIA learn what they’re up to? Or even before they start some illicit, court-martiable shagging?

Forced

For a CW show, it’s far harder edged and bigger budgeted than you might imagine. They even manage to get a proper Black Hawk to fly around for a bit and do some manoeuvres, which is more than The Brave ever managed. It also feels more authentic than The Brave, and everyone talks the talk in a more superficially believable way than The Brave does. The helicopter side of things is even up to speed, with people knowing the difference between collective and cyclic, as well as how to auto-rotate.

Better still, it’s far less reverential than SEAL Team and The Brave, making our heroine a pill-taker, since she can’t deal with her post-mission PTSD otherwise. She’s also the centre of the show’s attention and isn’t there just to add a bit of diversity. We get to know who she is as a person and even when the inevitable “I had to work twice as hard to get here…” speech comes along, the show earns it. Sometimes it tries a little too hard to give her personality, such as making her a drummer as that helps her relax, but you can’t fault them for trying. I’d rather they did more than less in this instance.

Inevitably, there’s shagging and relationship issues, since it’s still The CW, but the show spends a commendable amount of time focused on the army side of things and its thriller plot, even if it has to break off for a little light librarian bondage for some R&R from time to time.

Stuck up against SEAL Team, though, Valor does look like it’s filmed in a Canadian field bulked out with some pre-rendered CGI helicopters it bought off eBay. Everyone’s just a little bit too pretty and clean for comfort and Somali is surprisingly damp for East Africa.

Ochoa and Barr are reasonably committed to their roles, even if they both feel like they’ve come straight from basic training, rather than heroic missions behind enemy lines. Dialogue’s a little wooden and “tell don’t show”, but you’ll have heard far, far worse on both The Brave and SEAL Team. At least there aren’t any desperate attempts to eulogise God, country and country music to win over the flyover states.

Valorous

So Valor isn’t terrible. In some ways, it’s better than both the alternatives. Its characters are more personable than both of those shows’. Its attention to military detail is greater than The Brave‘s, it has more to say than SEAL Team and it somehow still manages to look better than The Brave most of the time.

However, it isn’t great. It’s less exciting than both The Brave and SEAL Team, and its story arc is so minimally engaging that I doubt more than two members of the CIA would have to get demoted and get docked a couple of weeks’ pay if all the terrible secrets ever come out.

I doubt I’ll go further than the first three episodes, if that, but I’m pleasantly surprised by how well The CW has done here.

Justice For All
Weekly Wonder Woman

Weekly Wonder Woman: Wonder Woman #32

Yes, it’s Weekly Wonder Woman – keeping you up to date on pretty much anything involving DC Comics’ premier superheroine, including whether there are lesbians on Themyscira this week

Justice League Trailer on Sunday

<NARRATOR: And the trailer did arrive on Sunday. With some of its friends>

First we got the teaser for the trailer.

Then we got the trailer.

And an international promo.

And a TV spot.

And an exclusive first look.

Still, at least Diana gets to hit things and smile a lot, hey?

Also getting a trailer, albeit one more recognisably of the comic book milieu, was Professor Marston & The Wonder Women.

Meanwhile, Gal Gadot was on Saturday Night Live, and you can see the highlights over here. Or just this highly relevant and important highlight:

And that, oddly enough, was all the news that’s fit to print. Maybe the Lasso of Truth needs recharging.

After the jump, we look at Wonder Woman #32, in which our Diana goes on a quest, albeit a very, very short one, and we solve last week’s mystery about her new hat.

Continue reading “Weekly Wonder Woman: Wonder Woman #32”

Ghost Wars
US TV

Review: Ghost Wars 1×1 (US: Syfy; UK: Netflix)

In the US: Thursdays, 10/9c, Syfy
In the UK: Acquired by Netflix to air 2017

Sometimes, you can just spot when a show has been created simply because someone thought up a cool title. Take Ghost Wars. That’s a cool title, isn’t it? And there’s no way anyone would have come up with this heap of fetid inanity if they hadn’t had that title as a starting point. No one sat down and said to themselves, “Gosh, let’s create a show in which a small Alaskan town is under attack from ghosts and everyone keeps hallucinating things that makes them stab themselves in the head. Hmm, but what shall we call it? I know – Ghost Wars! There, wasn’t that lucky?”

Title first, story second. This is not the correct order, as unless you’re Emily Kapnek, whatever you produce is inevitably going to be rubbish. Even if you’re Simon Barry, have a previously good track record from creating Continuum, and you manage to hire both Meatloaf and Vincent D’Onofrio (Marvel’s Daredevil, Emerald City) to star in it, chances are it’s still going to be rubbish.

The actual star of the show is Avan Jogia (Twisted), a disturbed young man, always talking to himself, so the town’s population think he’s crazy, going to kill them all or both. Indeed, the only people who treat him nicely are the local preacher (D’Onofrio) and his best friend (Elise Gatien). Trouble is, Gatien’s dead and Jogia hasn’t actually been talking to himself but to her and a bunch of other ghosts – something he’s been able to do since he was a kid, having inherited the ability from his psychic mum.

No one believes him about that, mind, so he plans to get out of town as soon as possible, now his mum’s gone. Trouble is, there are a whole bunch of new ghosts who are a lot nastier than the regular bunch who had been hanging around, and these ones don’t want anyone to leave. They’re also recruiting and since they can make people see things, they go around causing as many accidents and hauntings as possible to kill everyone they can.

Thankfully, as well as being able to see them and see through their projections, Jogia has the nascent ability to send them packing. All he has to do is get his powers up to speed before everyone in town manages to kill themselves thinking they’re being stung by bees. Or something.

It could have been good

Now, in fairness to Barry, if you stripped everything away from the show and took it back down to the script, Ghost Wars could potentially have been all right. Not brilliant – the dialogue is sometimes laughable and it’s a bit bog standard horror movie at its heart – but if he’d had a good lead and M Night Shyamalan back in his Sixth Sense days directing, you could have had a decent horror series. Hell, if they’d got whoever edited this trailer to direct it, it could have been leagues ahead of what we’ve actually ended up with.

Instead, we have a staggering tower of ineptitude from top to bottom, from director David Von Ancken (the man behind Tut) through the production values through the set designers and costume department through the supporting cast all the way down to its deflated soufflé of a star. It’s like a first year film studies student movie, in which they get a bunch of their mates to wear oversized Halloween costumes and act out a script knocked out in a coffee shop one lunch break, and then they try to use a pirated Korean version of After Effects to recreate the highlights of Rentaghost.

D’Onofrio is doing full mumblecore while sporting a look that speaks of a thwarted ambition to be the understudy to wrestling star The Undertaker. Everyone else, including Meatloaf, has two modes: “We hate you Jogia you freak” and “We were sorry we hated you Jogia. You were right. Argh! Now I’m going to die. Am I dead yet? Argh again. Argh.” Jorgia just sits around like a 13-year-old whining inaudibly about how everything’s so unfair.

Ghost Wars is so bad it would almost be funny were it simultaneously not so boring. There’s no tension. The editing ensures there are no surprises. Ghosts show up and you want to titter with laughter. It’s just wretched. You’d be more frightened by a Ghostbusters bloopers reel. Avoid like the plague.

Doctor, Doctor
News

Doctor Doctor renewed; Being Mary Jane to conclude; a Legend quits; + more

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  • John Ales to recur on Amazon’s Sneaky Pete
  • Ellie Gall, Connor Trinneer, Salome Azizi et al to star in Stargate Command’s Stargate Origins
  • Trailer for season 6 of Netflix’s Longmire

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The Last Ship
US TV

What have you been watching? Including Ten Days in the Valley, The Flash and The Last Ship

It’s “What have you been watching?”, my chance to tell you each week what movies and TV I’ve been watching recently and your chance to recommend anything you’ve been watching. TMINE recommends has all the reviews of all the TV shows TMINE has ever recommended, but for a complete list of TMINE’s reviews of (good, bad and insipid) TV shows and movies, there’s the definitive TV Reviews A-Z and Film Reviews A-Z

It’s that time again. No, I’m not talking about WHYBW. For starters, it’s Wednesday. Oh dear.

Hopefully, we’ll be back to the regular Tuesday slot for WHYBW next week, since Sunday and Monday’s schedules seem to be dying down. But I was actually referring to my usual October cull of the schedules, to weed out shows that for me are no-hopers, which should help, too.

For just a little sense of excitement, I won’t reveal which ones those are until after the jump, but at least two regulars are for the chop, in fact – ooh! On top of that, a lot of the new shows didn’t make it passed their second episodes, either.

Elsewhere, I’ve reviewed the first episodes of Kevin (Probably) Saves The World (US: ABC) and The Gifted (US: Fox; UK: Fox UK). I’ve also passed third-episode verdicts on Absentia (AXN), The Brave (US: NBC) and Me, Myself and I (US: CBS).

No, I didn’t get round to Alias Grace (Canada: CBS; UK: Netflix). Sorry. That’s three episodes in. Some day, though. Some day. However, Ghost Wars (US: Syfy; UK: Netflix) and Valor (US: The CW) will be getting their turn tomorrow for sure.

I did also promise a review of Ten Days in the Valley (US: ABC), Kyra Sedgwick’s new show in which she plays a TV producer whose daughter goes missing. However, so terrible, so boring, so unbearably by the numbers was it that I didn’t even get as far as her daughter going missing. Fortunately, the ratings are so low I doubt ABC will air the entire series, so not a huge omission on my part, I feel.

So follow me after the jump where I’ll be discussing the latest episodes of Get Krack!n, Ghosted, The Gifted, Great News, Halt and Catch Fire, Kevin (Probably) Saves The World, Lethal Weapon, Lucifer, Marvel’s Inhumans, The Mayor, Professor T, SEAL Team, Star Trek: Discovery and Will & Grace, as well as the season finale of The Last Ship and the returns of The Flash and DC’s Legends of Tomorrow. Which do you reckon will be getting the boot?

Continue reading “What have you been watching? Including Ten Days in the Valley, The Flash and The Last Ship”