Black Lightning
US TV

Third-episode verdict: Black Lightning (US: The CW; UK: Netflix)

In the US: Tuesdays, 9/8c, The CW
In the UK: Tuesdays on Netflix

Three episodes into Black Lightning and its starting to find its feet. Starting – it’s not quite there yet.

The CW’s latest superhero show, its main point of innovation is that it features a middle-aged, retired superhero, rather than one who’s just got his origin story on. Said superhero (Cress Williams) is lured back onto the streets, ten years after he hung up his suit, when gang warfare gets bad enough that his now-teenage daughters are caught in the crossfire.

Episode 1 established everything, introduced us to the characters, and generally nicked as much as it could from Luke Cage, filed off all the serial numbers, then pretended they were its own, leading to numerous discussions about what a civic-minded black man needs to do to stand up for his community and family, while not getting shot by the police.

All of which was well and good in the first episode of a superhero show, but by episode two, we were still standing around talking, wondering whether ‘Black Lightning’ should come out of retirement. Again. It didn’t help that the gangs acted and talked like they were from a 70s Blaxploitation movie, almost to the point of the show itself being racist.

For unfathomable, plot-slowing reasons Black Lightning still isn’t properly out of retirement by episode three, although the show almost breathes a sigh of relief when he finally shows up again, since he enlivens the proceedings no end. Fortunately, though, this time we’re not relying for drama on frequent meetings with church leaders to discuss the morality of inaction. Instead, we also have Black Lightning’s elder daughter, who turns out to have inherited not just his alter-ego’s tedious moralising aspects as well, but certain genes, too. Running side by side with Black Lightning’s ‘Mr Incredible’-style return to form, we also get to have her origin story to bring some much needed enjoyment to proceedings.

On top of that, James Remar gets to play the Alfred of the piece, even going undercover in workman’s overalls – if Adam West had turned up with Bat Shark Repellent, I wouldn’t have been surprised.

Political problems

Black Lightning has all the foundations of a fun, different superhero show. It’s got a good cast, often humorous dialogue and some relatively decent action scenes. It could do with a bigger budget, but that’s true of anything on The CW.

Unfortunately, hanging on its shoulders are so much politics that its weighed down at times to the point of being unwatchable. If it can find a balance between the two, it could enjoy the best of both worlds to become both escapist and relevant. If it can do that, it’ll be a keeper.

Barrometer rating: 3

The Barrometer for Black Lightning

Arnold Schwarzenegger in Conan the Barbarian
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Save Me (Sky)
BAFTA events

What TV’s on at BAFTA in February 2018? Including Save Me

Every couple of weeks, TMINE flags up what new TV events BAFTA is holding around the UK

Only one screening/notable TV event at BAFTA this month (so far…)

Preview: Save Me + Q&A

Tuesday, 20 February 2018 – 6:45pm
Princess Anne Theatre, BAFTA, 195 Piccadilly, London

A preview of the new Sky Original Production followed by a Q&A with writer and actor Lennie James, actor Stephen Graham, director Nick Murphy and Anne Mensah, Head of Drama at Sky.

Save Me follows unlikely hero Nelson ‘Nelly’ Rowe (Lennie James) a man whose world is turned upside down when he is arrested and accused of kidnapping the 13-year-old daughter he barely knew existed.

With Jody’s mother Claire (Suranne Jones) convinced of his guilt, Nelly sets out to clear his name, find the real perpetrator and save his daughter. With the help of his community and his drinking pal Melon (Stephen Graham), Nelly will stop at nothing in his quest for the truth.

From the award-winning producers of Line of Duty, Save Me is a six-part Sky Original Production written by and starring Lennie James (The Walking Dead), directed by Nick Murphy (The Last Kingdom) with music by Dustin O’Halloran (Lion).

We will be screening the first two episodes in the series, with a total run time of 90 minutes.

Book tickets

Altered Carbon
Streaming TV

Boxset Monday: Altered Carbon (season 1) (Netflix)

Most science-fiction is an attempt to talk about the present. Stories that genuinely try to predict what the future will be like are far harder and inevitably of their time – we mock 50s sci-fi for imagining we’ll all have flying cars and rocket packs, but was 80s sci-fi any less fuelled by the nuclear concerns of its period?

So spare a thought for Altered Carbon, which does its level best to imagine a future in which bodies are completely replaceable, making death an optional rather than mandatory part of human existence. There’s some heavy thinking gone into it and it’s a show that really does make you philosophise.

Death becomes him

It’s the year 2384 and thanks to some fortuitous discoveries on an alien planet, human beings now have ‘stack technology’. Bodies are now ‘sleeves’ that you wear, while consciousness resides in a crystal disc or ‘stack’ that slots into the back of your neck. Take the disc out, put it in another sleeve and hey presto, you’re reincarnated. With cloning, cybernetics and other technologies, you can become fat or thin, black or white, man or woman, child, snake, robot or even someone completely different – it’s your choice, provided you have the cash for it, of course, otherwise you get nothing or maybe someone’s old hand-me-downs.

But if you do, you can become as old as Methuselah himself. When someone tries to kill one of these rich, all-powerful ‘Meths’ (James Purefoy), seemingly unaware he backs up his consciousness regularly, the reincarnated Purefoy decides he needs someone who can investigate his murder who is both exceptional and immune to all the norm societal pressures of the time.

So he ‘spins up’ Takeshi Kovacs (former Robocop Joel Kinnaman) in a new body, 250 years after he last died. Kovacs was an Envoy, a former space soldier capable of doing all manner of superhuman things, and now it’s up to him to solve Purefoy’s murder – assuming he wants to, given that he was once part of a rebellion that tried to stop the Meths getting the power that they now have.

Will Kovacs care enough to help in this new time and place? And if he does, what will he discover and who will try to stop him?

Sounds good, doesn’t it? And for a long time it is. Trouble is, there’s a moment where the whole show slams into a brick wall at 70mph, from which no one walks away alive. So much for stacks, hey?

Still, let’s talk about it after this shiny trailer and the jump. Spoilers ahoy, but hopefully nothing too serious.

Continue reading “Boxset Monday: Altered Carbon (season 1) (Netflix)”

Han Solo
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  • Kudos developing: adaptation of Michael Stewart’s Ill Will: The Untold Story of Heathcliff as Ill Will

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  • Carly Gibson promoted to regular on TBS’s The Guest Book

New US TV shows

  • ABC green lights: pilots of adaptation of Antena 3 (Spain)’s Gran Hotel as Grand Hotel, Texan family business comedy Three Rivers
  • …and dysfunctional, mentally ill father family comedy
  • CBS green lights: pilots of TV adaptation of LA Confidential, racially charged cop show Red Line, legal thriller Main Justice and Marine Corps attorneys The Code
  • FX red lights: Singularity
  • NBC green lights: pilot ‘trying to have it all’ comedy
  • New trailer for Syfy’s Krypton [US only]