Tuesday’s “Young Leonardo Da Vinci’s Demons, US Friday Night Dinner, RTD’s Aliens Vs Wizards and more Call The Midwife” news

Theatre

British TV

US TV

  • Lost in Austen‘s Tom Riley cast as young Leonardo in Starz’s Da Vinci’s Demons
  • Kristin Chenoweth to visit Hot in Cleveland
  • CBS greenlights Greg Berlanti’s cop show Golden Boy
  • Ben Stiller to star in and direct HBO’s All Talk by Jonathan Safran
  • NBC picks up eight comedy pilots, including Friday Night Dinner
  • Dick Wolf’s Chicago Fire and Jason Katims’ County, starring Jason Ritter
The CarusometerA Carusometer rating of 3

Third-episode verdict: House of Lies (Showtime)

In the US: Sundays, 10pm ET/PT, Showtime
In the UK: Acquired by Sky Atlantic

Do you miss pilot movies? I miss pilot movies. Time was, you could set everything up for a TV series at a decent speed in an hour-and-a-half long movie. But you can’t these days – now you have to squeeze everything into an hour, or in the case of House of Lies, half an hour, hope that people like that enough to keep watching, then put everything you left out into the second and third episodes.

Trouble is, that’s going to give people a misleading impression of the show and they might not like all the fireworks you’ve had to add to get their attention.

So, in case you’ve forgotten already, House of Lies is a supposed insight into the world of management consultants that stars Kirsten Bell and Don Cheadle. And its first episode wasn’t very good: neither insightful nor funny, full of sex for sex’s sake, and locker room talk that made it clear that women weren’t welcome.

Since then, the show has simmered down. It’s got us by the balls and but it doesn’t want to knock them for six. It wants to play with them for a while. And it’s all the better for it.

Characters other than Don Cheadle get a look in; the relentless locker-room talk is mocked; some actual management consultancy is performed; the pitches to camera by Cheadle are now quite clever; there’s an ongoing story arc about the firm based on events from the first episode; it does have some really quite nice Machiavellian moments; and Richard Schiff has turned up as corporate Toby from The West Wing to be the boss. It’s actually a much more watchable show.

What we have now is a bunch of four people who spend all their time taking the piss out of each other, while skiving off proper work, trying to get as many freebies as possible and trying to shag everyone – possibly the closest America is ever going to get a British workplace environment. While it’s not really a subtle show, it’s no longer the insult to the intelligence the first episode was and it’s almost enjoyable. Worth a try from about episode two onwards, I reckon.

Carusometer rating: 3
Rob’s prediction: Will probably last a season, but not much more

Monday’s “666 Park Ave., Chuck up and a Grimm newbie” news

Film

Theatre

  • Jodie Prenger and Primeval‘s Hannah Spearitt join One Man, Two Guvnors

British TV

Canadian TV

US TV

US TV

What did you watch this week (w/e January 20)?

Time for "What did you watch this week?", my chance to tell you what I watched this week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case we’ve missed them.

First, the usual recommendations: Archer, Being Human (US), The Daily Show, Modern Family, Happy Endings, Portlandia, Royal Pains, Shameless (US), Southland, Suburgatory and 30 Rock. Do watch them.

Still in the viewing queue from last week are Eternal Law, The L.A. Complex and Arctic Air. I get the impression I won’t watch any of them. As predicted, I deleted Borgen from the viewing queue since I’m now four episodes behind. I’ve now got the second episodes of Are You There, Chelsea? and Shameless (US) to get through, too, as well as the first episode of Smash and the first episode of the new series of Mad Dogs.

But I did manage to watch the first episodes of a few new shows:

  • Rob: Rob Schneider (yes, Deuce Bigalow himself) plays an OCD guy who marries a woman virtually on impulse and gets to meet her extensive Mexican family, including her dad, played by the 1970s’ Rob Schneider, Cheech Marin. I was expecting to absolutely hate it, but it did display at least a few signs of intelligence and originality… for all of 10 minutes, after which the ridiculous farce and extensive Mexican stereotypes kicked in and I switched off. So better than Mike and Molly but not as good as 2 Broke Girls then.
  • The Finder: A spin-off from the tepid Bones, in which a man (and two sidekicks, including Michael Clarke Duncan) who can find things… finds things. Exciting, huh? Watched the first five minutes, during which our hero was shot at with an automatic while running down a narrow corridor, yet survived to tell the tale, and figured I’d pretty much got the measure of the show. An affable enough dramedy, but in no sense remarkable at all.
  • Stella: Sky 1’s new comedy-drama starring and written by Ruth Jones of Gavin & Stacey fame. Now, we were a little divided about this one, because I didn’t think it that great, while my lovely Welsh wife said it was almost exactly like being back home: even if it wasn’t necessarily funny all the time, it was always incredibly well observed. However, we stopped after 10 minutes of episode 2, since it just started to get a bit miserable and unenjoyable. It should also be pointed out this had the worst title sequence of any UK TV show since 1985.

A few thoughts on some of the regulars:

  • Portlandia: after the fabulous first BSG sketch from this episode, expectations were high for the follow-ups. The next wasn’t as good, and neither was the final sketch, but it saw a reunion of James Callis, Edward James Olmos and Ronald D Moore so was worth it all to see them watching Doctor Who together at the end. 
  • 30 Rock: Slowly decreasing in funniness, but a couple of good moments.
  • Royal Pains: back and starting to feel a little less like it’s treading water than it did over summer. Signs of plot progression? We can only hope.
  • Being Human (US): the first episode is doing a repeat of series 1, by starting the same way the UK series did. But this time, lessons appear to have been learnt. While a little darker and less engrossing than it was towards the end of series 1, the episode picked up after the first 15 minutes or so to give us a better version of the original. Sally’s plotline was fun without the comedy overkill of Annie’s, and Nora is essentially a pleasant but still sparky version Nina, which means she’s actually watchable (ditto Josh v George and Tovey’s over-acting). We also had some great vampire moments and fights courtesy of Sam Witwer’s Aidan. On the whole, I’m looking forward to this series much more than I am to series 4 of the UK original.
  • Sherlock: The Hounds of Baskerville – dreadful, illogical and obvious; The Reichenbach Fall – much better, although dragged in the middle. Looking forward to the next series!
  • Suburgatory: Sweet, and an interesting ending.
  • Southland: As usual, cast changes aplenty. We have Lucy Liu making a surprisingly good street cop; Arija Bareikis seems to have disappeared, as has every detective who isn’t Regina King (or her new partner). It basically feels like a slight retooling to focus on the best bits of the show – the beat cop side – away from the detectives. A little bit bitty as an episode, but with a cracking firefight and some great moments. Welcome back Southland!

And in movies:

  • Paradox: An odd little movie that you can find on SyFy now and then. Based on a comic book, it stars Kevin Sorbo (Hercules, himself) as a detective who lives in a world much like our own but that uses magic the way we use science. Winston Churchill helped to defeat the Germans in World War 2 using the power of Excalibur and is still alive; wizards run the government and coroners bring people back from the dead to answer questions about their murders. Except there’s crossover between the two worlds and Sorbo has to learn how to deal with science and technology. Let down by the gimmicky addition of comic book artwork in between scenes, it’s quite fun, although never going to win any awards.

"What did you watch this week?" is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

US TV

Review: Alcatraz (Fox) 1×1-1×2

Alcatraz

In the US: Mondays, 9pm ET/PT, Fox
In the UK: Acquired by Watch

A year ago, JJ Abrams had two shows on the air: Lost and Fringe. Lost, of course, was a story about a mysterious island that could cause people to travel through time; Fringe, which is still running on Fox, sees a group of federal agents (and a civilian weirdo), investigating strange crimes and criminals operating at the fringes of science.

If you were going to predict JJ Abram’s next show, only in wildest cynical pastiche would you have come up with Alcatraz, a show about a mysterious island that causes people to travel in time while a group of federal agents investigate strange crimes and criminals.

Yet here it is on Fox. It’s even got Hurley (Jorge Garcia) from Lost as one of the leads, as well as that nice Sam Neill from Jurassic Park. The basic plot: the Alcatraz prison wasn’t actually shut down because of lack of money, but because every single person in the prison, warden and prisoner alike, disappeared one night back in the 60s. Now, one by one, they’re popping up again, not having aged a day, and the government wants to find out why and stop them from committing any more crimes now they’re free.

And to nobody’s surprise, it’s not even half as good as Lost or Fringe. Here’s a trailer.

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