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Review: Matador 1×1 (El Rey)

El Rey's Matador

In the US: Tuesdays, 9pm ET/PT, El Rey

There is something of a stereotype in the US that there’s only three groups of people who play what the rest of the world calls football/le football/Fußball/ποδόσφαιρο/etc but which America calls soccer:

  1. Children, particularly girls
  2. Immigrants
  3. Latinos

‘Real men’, on the other hand, play what the US calls football, but the rest of the world calls American football.

Now, the World Cup this year, at which the US did surprisingly well, might have helped to start the slow process of neutralising this stereotype. But film director Robert Rodriguez made his career playing with Latin stereotypes in films such as El Mariarchi and From Dusk Till Dawn and with grindhouse homages such as Sin City, Machete and, erm, Grindhouse. Given that Rodriguez now has his own English-language, Latin-interest, pro-grindhouse TV network, El Rey, it’s no big surprise therefore that his second scripted drama, which follows hot on the heels of the TV adaptation of From Dusk Till Dawn, should capitalise on that stereotype.

Matador is a partial grindhouse homage about an undercover DEA agent (Gabriel Luna) who gets recruited by the CIA when they spot he’s not only quite good at undercover work, he can also run very quickly. Luna’s task? To somehow infiltrate LA’s professional football team, run by Alfred Molina, to uncover a global conspiracy.

Plausible, no?

By turns Chuck-like then Escape From Athena ridiculous, Matador is unfortunately only moderately exciting and, it has to be said, is full of immigrants. Brits and Australians. There’s just loads of them.

Here’s a trailer.

Continue reading “Review: Matador 1×1 (El Rey)”

US TV

Quite literally the stupidest bit of product placement ever

So product placement is a big thing in US TV. In an age when ratings are dropping, Internet viewing is increasing, people skim through shows on PVR, foreign sales are a big source of revenue and boxsets are binged aplenty, the chances that anyone will even get the chance to see an ad you’ve bought during an ad break, let alone watch it, are getting smaller and smaller every day. On the other hand, stick one of your products in the show and no matter which medium the viewer uses to watch the show, wherever they are in the world, they will see that product in action at 1x speed.

Obviously, you have to spend more to get that product into the show, and such is the cash required, it’s often been able to keep afloat shows such as Chuck and Heroes that would have died sooner if they’d relied purely on ad break funding. There’s competition with other advertisers, too, since there’s only so many cars that can be driven or Subway sandwiches eaten per episode.

So spare a thought for TNT’s The Last Ship, which appears to have had the novel idea of piggybacking two product placements on top of each other. Unfortunately, I don’t think Apple are going to be very happy with them for doing that.

Here, we have a perfectly humble webcam being shown off to punters. It’s the end of the world, the captain of The Last Ship is recording possibly the most vital messages possible for his family – he’s going to want good HD quality recordings. And the webcam glows all blue, which is cool!

Last Ship's webcam

I must buy this webcam!

Except… it turns out that he’s using a MacBook Air to make his recording.

MacBook Air in The Last Ship

Cool laptop that. Problem is that the MacBook Air has a built-in HD webcam. In fact, it’s right underneath that other webcam the captain’s using.

MacBook Air webcam

So either the captain’s a technological idiot or his lovely MacBook has broken at a vital moment in world history. Not the message Apple wants to be sending out with The Last Ship.

I will not buy this MacBook Air.

Particularly since it’s very, very expensive.

Disclaimer: this post was in no way sponsored by anyone, particularly Apple or any webcam manufacturers. Of course, if they want to, I’m not going to say no…

US TV

Possibly the worst merchandising idea ever: Penny Dreadful action figures

I’m not one for an action figure myself. I’m an adult for one thing.

Okay, cheap shot. I do appreciate that some grown-ups enjoy playing with an action figure. I’m not sure why, but I’m not sure why people watch Mrs Brown’s Boys, either. It takes all sorts to make a world, I guess.

But surely, surely, there is no point whatsoever to these figures, which are going to be unveiled at Comic-Con: Eva Green and Josh Hartnett in Penny Dreadful.

Josh Hartnett/Ethan Chandler

Penny Dreadful action figure of Eva Green

I’m sure that there will be some uptake, despite the fact they’re pretty poor. But what’s the point? In a show populated by Dracula, Frankenstein, Frankenstein’s Monster, Van Helsing, Mina Harker and Dorian Gray, they’re going with “the guy who can shoot things and has a secret (that you can’t exploit with this action figure)” and “the woman who gets possessed a lot while hamming it up”? How odd.

Still, it takes all sorts to make a world, I guess.

[via]

News: The Last Ship renewed, Wentworth Miller is Captain Cold, Rufus Hound joins Cucumber + more

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  • Rufus Hound, Ardal O’Hanlon and Adjoh Andoh join Channel 4’s Cucumber, Luke Newberry joins E4’s Banana

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