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News: Philip Glenister is an Outcast, NBC makes a Faustian pact, extra Royal Pains and Marry Me + more

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  • Richard Coyle, Joanne Whalley, Greta Scacchi et al join NBC’s A.D.
  • Patrick Fugit and Philip Glenister to star in Cinemax’s Outcast
  • Adam Brody to star in DirecTV incest drama Billy and Billie
  • Costa Ronin to play Anton Vanko in ABC’s Agent Carter

News: Witches of East End and The Mentalist to end, a Librarians trailer, another Phantom of the Opera + more

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  • Laura Dern and Judd Apatow developing female American football comedy

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  • Teaser for Neill Blomkamp’s Chappie, with Dev Patel, Hugh Jackman, Sigourney Weaver et al
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News: Syfy to adapt 3001, Sky Arts acquires comedy and Scandi drama, Fox hires martial arts cops + more

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What have you been watching? Including The Anomaly, Constantine, Chef and Doctor Who

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Sunday’s overload of TV, as well as a generally busy weekend, means that I’m very slightly behind on my viewing. That means that still in the viewing queue are the latest episodes of The Affair, Homeland, Mulaney and Marvel’s Agents of SHIELD. I’ve also got the first episode of The McCarthys to watch as well. As a result, I think “What have you been watching?” should shift to Friday again for the next few weeks, to deal with the latest schedule fun.

I did give The Knick (US: Cinemax; UK: Sky Atlantic) a brief try. This is Steven Soderburgh’s little project, starring Clive Owen, which aired in the Summer while I was away on holiday. Set in a turn of the 20th century American hospital, it appears to exist mainly to allow Soderburgh to play around with a brilliant surgeon who’s a racist drug addict and for Owen to try out an American accent that doesn’t fit him very well. It didn’t inspire me to watch any more of it anyway.

Before I get on to the regulars, though, I’ll briefly mention a few films I watched this week.

Chef (2014)
Jon Favreau is a cook who ends up having a fight with a restaurant critic (Oliver Platt) and getting fired. He decides to go back to basics by driving around the US in a van, but thanks to the fight going viral – and his son tagging along for the ride helps out a lot there – he soon becomes incredibly popular. Largely, the movie exists as a metaphor for Favreau’s experiences of going from independent movie making to big franchise movies (eg Iron Man) and back to indie movies again, and he’s got a lot of acting pals along with him to help (eg Sofia Vergara, Scarlett Johansson, Dustin Hoffman, Robert Downey Jr). But it feels very self-satisfied, not least to the effect the portly Favreau has on women, and ultimately very predictable.

How Do You Know (2010)
Reese Witherspoon is a baseball player who hooks up with fellow athlete and ‘playa’ Owen Wilson. But should she really be with lawyer Paul Rudd, who’s a little bit too ready to commit. How will she know? Why should you care? You shouldn’t and won’t. A fabulous cast that also includes Jack Nicholson, and directed by TV comedy super-director James L Brooks, but the funny bits are all in the trailer.

The Anomaly (2014)
A strange futuristic little movie, in which Noel Clarke from Doctor Who is a soldier who keeps waking up to find himself in all kinds of strange situations, only for him to lose consciousness again after 10 minutes. Cue the next strange situation. Over time, he begins to piece together what’s going on – at least, when he’s not being punched a lot by Ian Somerhalder (Lost, The Vampire Diaries) – and it could change the world. Directed by Clarke and also featuring Alexis Knapp (Pitch Perfect, Ground Floor), it looks surprisingly good for a low budget indie movie and has some good ideas: in its own way, it’s the Megaville of this decade. But it’s somewhat sabotaged by some well choreographed but poorly shot, impactless fight scenes, a decision that all the female characters should be topless/naked at some point or other, and by leaving Brian Cox to almost literally hang around with nothing to do. Blink and you’ll miss Freema Agyeman as Clarke’s wife.

That’s it for new new shows, though, but after the jump, I’ll be running through: Arrow, The Blacklist, Constantine, Doctor Who, Elementary, Forever, Gotham, Gracepoint, Homeland, Marvel’s Agents of SHIELD, Muianey, Plebs and Scorpion. Will I be dropping any this week?

Continue reading “What have you been watching? Including The Anomaly, Constantine, Chef and Doctor Who”

The BarrometerA Barrometer rating of 1

Third-episode verdict: The Affair (US: Showtime)

In the US: Sundays, 10pm ET/PT, Showtime

I’m three episodes into Showtime’s The Affair, in which Dominic West and Ruth Wilson each tell their side of their affair to a particularly interested bystander (spoiler alert: someone’s been murdered and they’re both being interviewed by a cop), and it’s still relatively easy to summarise: it’s outstanding, quality television, intelligent, thoughtful, emotional, incisive – beautifully acted and written.

The show is enjoyably slippery with the truth, with no objective only subjective reality presented, with West and Wilson’s stories having either different perspectives or outright contradicting each other, with no real clues unless you watch very, very closely as to who might be lying and when. Even then, there might be double bluffs, meaning we’ll have to wait to the end of the series (or perhaps even never) before we find out what really happened.

The writers do a good job of giving us the two sides of the story, although West’s is the harder to watch: he’s self-obsessed and bitter and the affair (as he describes it) comes more from disaffection, dissatisfaction and obsession; by contrast, Wilson’s story is about a woman coming back to life after the death of her son, and feels more joyful as she finds pleasure in life again. How much of that is because Wilson’s character is the better liar remains to be seen, though.

But you’ll note that I wrote ‘three episodes’, even though four episodes have now aired, and you’ll get a hint of the problem: it’s a hard watch. It’s rarely joyful or fun. It involves people who probably deserve an Amish-style shunning from society (especially the rich ones). It’s also paralysingly slow, taking three episodes before anything really happens. That means it’s taking me a week to summon up the enthusiasm to watch each episode. Once I do, I’m glad I did, but it’s a real struggle.

So while I do recommend this, as with the likes of In Treatment (from the same writers) and Rectify, I would say be prepared to have to work at The Affair. Whether it’s better to save up all the episodes for a binge watch or whether the drip drip drip of one a week will work better for you, only you can say. Certainly, you’ll need to be – in the words of many a job advert – a motivated self-starter. But, so far, it’s certainly been worth the effort I’ve put in, even if, being a remarkably lazy, couch potato-like creature, finding that effort has been harder than normal.

Barrometer rating: 1