The BarrometerA Barrometer rating of 2

Third-episode verdict: Game of Silence (US: NBC)

In the US: Thursdays, 10/9c, NBC
In the UK: Not yet acquired

Does a show have to be miserable to be good? Some people, usually quite pretentious/depressed/Buddhist ones, will argue that all life is suffering and therefore to depict life correctly, you must depict suffering. Always.

Whether that’s true or not, if a TV show is good but miserable, will you still want to watch it?

Game of Silence, NBC’s remake of Turkey’s Suskunlar, is prime misery, with a bunch of childhood friends finding their past catching up with them decades later, when one of their number bumps into one of the men who abused him in prison and kills him. The gang the dead man was with – largely composed of people who were also in prison – end up killing him and before you know it, there’s a mounting war as the remaining friends try to find evidence that will put the baddies in prison, and the baddies try to stop them.

Just like ABC’s American CrimeGame of Silence is surprisingly grown-up and well made for network TV. While it’s nowhere near as realistic as that show and is often downright unbelievable, it’s surprisingly nuanced. Rather than simply go in all guns blazing, our heroes try to put together a legal case, collecting evidence along the way. And rather than paint the abusers as nothing but monsters, the show is at pains to show that it’s the penal system that caused the problems – both the heroes and the abusers did terrible things because of the nature of prison life, becoming hardened and inhuman. There are frequent flashbacks not just to the heroes’ childhood and what happened to them, but also to the abusers’, and there are side plots that illuminate this central thesis and argue that prison should be the last possible punishment for crimes, as it makes people more likely to become worse versions of themselves, not better.

The show is also, while unwilling to actually show anything happening, more than happy to describe and imply paedophile parties, repeated raped, physical abuse and more, as well as depict all the traumatic effects that can have on the psyche.

The trouble is that none of this is fun to watch. It’s not helped by the lack of humour, any real human warmth, or decent acting. To be fair, the show does try hard to depict some real camaraderie between the friends, but everyone’s so traumatised and/or soon-to-be-dead, that it doesn’t work. The fact, as the title suggests, that no one’s talking about this with anyone except each other, means that everyone else in the show is an outsider to this group of not especially joyful people.

Game of Silence is a good show, not a great one, and it would really have benefited from better casting and a bit of humour from time to time. I’ll probably stick with it for a couple more episodes, but I’m not expecting to be enjoying myself as I do.

Barrometer rating: 2
Would it be better with female leads? Yes, although might be a bit exploitative
TMINE’s prediction: With bad ratings, this is unlikely to last more than a season, if that.

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I’ve just invented the ‘Containment moment’

You will, of course, recall Containment, America/The CW’s remake of Belgium’s Cordon. Episode two was on last night and within the first few seconds I was laughing.

Oh dear. Quoting Socrates. Well, to be exact quoting a slightly loose translation of section 42a of Plato’s Apology, which is an account of Socrates’ trial, in which Plato says Socrates said:

ἀλλὰ γὰρ ἤδη ὥρα ἀπιέναι, ἐμοὶ μὲν ἀποθανουμένῳ, ὑμῖν δὲ βιωσομένοις: ὁπότεροι δὲ ἡμῶν ἔρχονται ἐπὶ ἄμεινον πρᾶγμα, ἄδηλον παντὶ πλὴν ἢ τῷ θεῷ.

θεῷ, there, referring to Zeus, of course, but I guess the all-American Containment wasn’t going there.

So why was I laughing? Because it reminds me of Joe Queenan’s America (aka Red Lobster, White Trash, & the Blue Lagoon), in which he deliberately decides to read all the worst books, watch the worst movies, eat the worst food, attend the worst events, etc that America and Americana have to offer.

This includes reading Tom Clancy novels. He notes that Clancy and similarly bad authors all have a habit of quoting much better authors at the beginning of books and even chapters of books in order to give their sub-standard works an intellectual veneer that makes them seem better than they are.

I’m going to start calling these quotes ‘Containment moments’ from now on.

As a brief aside, Queenan suggests it might be an idea to return the favour of the ‘Containment moment’ and preface classic works of literature with quotes from lesser authors, imagining, for example, what would happen if a play of Shakespeare’s was preceded with:

The Hughes 500D is an extremely quiet helicopter due to sound baffles in the Allison 250-C20B engine. 

Tom Clancy

That would be aces.