UK TV

Review: Primeval 2×3

It’s episode three in the exciting world of Primeval. Since we’re at the halfway point, more or less, that means (fanfare and trumpet) it’s time for a plot filler episode. Woo hoo.

This week we’re faced with a terrible hydra. Not an actual one. Don’t be silly. They’re made up (apart from those tiny ones, of course), unlike dinosaurs which were merely God’s mistakes. 

No, I’m talking about a metaphorical hydra with more than a few plot heads and whose bites are terrible. 

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US TV

Review: Breaking Bad 1×1

Breaking Bad

In the US: Sundays, AMC, 10pm/9c

In the UK: Not yet acquired

Brace yourself. In just five paragraphs’ time, I’m going to be using the word Chekovian.

Okay, science geeks. Who here among us has never considered using their terrible knowledge for evil instead of good? Come on, fess up. You know you want to.

Only me, hey? Oh well… Woo ha ha.

Nevertheless, as you can probably tell from films like Revenge of the Nerds and Falling Down, there’s a whole lot of rage pent up in the nerdlier parts of the US population. And here’s comes a TV show from Vince Gilligan, former producer of The X-Files, about a high school chemistry teacher who decides to get rich by making crystal meth.

At this point, you might be tempted to switch off the show or not even tune in. But I think that would be a mistake.

For one thing, while it’s by no means an easy show – in many ways it could be described as Chekovian – it is darkly comic in multiple joyous ways.

But secondly, it’s from AMC. This is the channel’s second scripted drama series, the first being Mad Men and you know how good that is.*

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UK TV

Review: Torchwood 2×2 – Sleeper

Torchwood - Season 2, Episode 2 - Sleeper

My wife: Torchwood’s a bit rubbish, isn’t it?

Me: Yes

My wife: Can we keep watching it?

From a conversation with my wife this morning

Oh dear. And it was going so well. Pretty well, anyway. Okay, it was a little nonsensical at first and the acting could have been outshone by any of Ray Harryhausen’s stop-motion creations from Sinbad and the Eye of the Tiger. But it was fun, well-directed, reasonably intelligent and raised some interesting ideas.

For half an hour.

Then it turned into an old episode of UFO.

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US TV

Third-episode verdict: Terminator – The Sarah Connor Chronicles

Sarah Connor v the Terminators

Normally, I’d be putting in my third-episode verdict on Terminator: The Sarah Connor Chronicles. However, I’ve just finished watching the third episode and it was sufficiently better than the first two to make me want to hold off until episode five.

The first episode was awful, even more awful than the pilot since the producers chose to wimpify Sarah Connor (spoilers) down from her already wimpy, anorexic state in the pilot. With actors with less acting talent than vacuum cleaners and a plot that was just daft and overly complicated, it left a lot to be desired, bar a nifty little twist towards the end.

Episode two was dull. The less said about it the better, other than it was trying to establish the post-twist set-up for the rest of the series.

Episode three, apart from the same pretension exhibited by the first two episodes as well as a fatal misunderstanding of history, was actually pretty smart and interesting. The show is obviously put together by fanboys who revere the first two Terminator movies and are at least willing to make an acknowledging nod in the direction of the inferior third, even while they massively undermine it (and the proposed sequel).

Terminator 2‘s underlying theme for Sarah Connor was that she had made herself into a human Terminator; the show continues this.

As you probably know, the original idea of James Cameron’s for the Terminator was that it was an “infiltration unit”. This was back when it was going to be played by Lance Henricksen rather than Arnold Schwarzenegger – Arnie couldn’t infiltrate a morgue. It was the scary idea of a random, unstoppable stranger whom you could pass unknowingly in a crowd and wouldn’t stop chasing you until it killed you.

The theme for the Sarah Connor Chronicles is that Sarah is now making herself into this original vision and becoming an infiltration unit in an effort to stop the rise of Skynet.

There is of course more to the show than this, and it is managing to exhibit more of those nifty twists – as well as some plain daft ones. Exactly how the Terminators work, what the resistance is like and more is all being slowly constructed. But Lena Headey is still just plain awful, as is Summer Glau, I’m afraid. Nevertheless, it’s sufficiently improved from that first episode that I’m going to stick with it for another couple at least.

PS It’s finally using some of the music from Terminator 2. Hooray! It’s using it incorrectly, but hey ho, you can’t have everything.

US TV

Season finale: Moonlight

Ooh look: it’s another season finale forced by the writers’ strike. How not at all surprising.

More surprising is that I’m still writing about Moonlight.

As you might recall, I gave the first episode of the show, which was absolutely appalling, a somewhat scathing review. But miracles do happen and Moonlight had improved sufficiently over the next few episodes for me to pass a fifth– rather than a third-episode verdict.

I still wasn’t that impressed though.

But I stuck with it, mainly because I felt sorry for Sophia Myles being stuck over in the US while David Tennant was breaking up with her. And while I wouldn’t say the show improved drastically, it has still continued to moderately entertain and surprise over the course of its season.

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