What did you watch last fortnight? Including Tron:Uprising, Sebastian Bergman and Haywire

It’s “What did you watch last fortnight?”, my chance to tell you what I watched last fortnight that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual recommendations from the first-run shows are (summer has truly arrived): The Daily Show, Mad Men, and Prisoners of War. Hunt them down. I’m also adding Continuum and Playhouse Presents to the recommended list, so hunt them down as well. Royal Pains has returned as well, but it had such a fundamentally lazy, uninspiring first episode that I can’t really recommend it any more.

Here’s a few thoughts on what else I’ve been watching, though:

  • Tron: Uprising – from the people who brought you Tron: Legacy comes pretty much exactly the same, mildly sexist, entirely uninspiring scenario but done as a cartoon that unlike the movie actually has Tron in it and a bunch of dull programs who are basically modern teenagers. Entirely missing the point of Tron, it does at least have an excellent voice cast, including Bruce Boxleitner and Lance Henricksen.
  • Cougar Town: A nice enough season finale that entirely failed to do anything surprising, beyond having well known showbiz reporter Michael Ausiello cameo for 10 seconds as a waiter with one line.
  • Sebastian Bergman: an intelligently written first two-thirds or so, albeit with Bergman being a massive cock, followed by a standard Hollywood ending done badly. Disappointingly average compared to other BBC4 Nordic Noires.

And in movies:

  • Haywire: And I have a new crush – Gina Carano, officially “the woman who should play Wonder Woman if they ever get round to making a movie”. Not necessarily the best actress in the world, but does a great job as the action heroine in this Steven Soderbergh production filled with big names like Ewan MacGregor, Michael Fassbender, Michael Douglas, Antonia Banderas and Bill Paxton. Essentially The Bourne Identity with the look and feel of Ocean’s 11, with Carano taking on the Jason Bourne role, it’s not a brilliant movie, but it has some surprising moments, has a few nods to Carano’s MMA career, is fun enough and hopefully should catapult Carano into bigger and better things.

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

The CarusometerA Carusometer rating of 3

Third-episode verdict: Continuum (Showcase)

In Canada: Sundays, 9pm ET/PT, Showcase
In the UK: Not yet acquired

Three episodes into Continuum and I think I’m going to recommend it. Despite the somewhat derivative nature of the show – it’s Time Trax with a female protagonist, fighting against the evil version of Blakes 7 – it has a lot going for it.

As mentioned in my review of the first episode, it does a good job of depicting a futuristic future (as opposed to the likes of Terra Nova, which merely show a future, but not one that suggests society has changed), there’s an interesting moral ambivalence with the heroine fighting for the rights of evil corporations, the baddies fighting for the oppressed individual, and there are some really very good action scenes, too.

A little of the lustre has gone, most of the budget having been spent on the first episode by the looks of it, so although we do pleasingly maintain the occasional flash-forward to the future, it’s a future that’s mainly in dark basements that don’t cost a lot. We’ve also lost contact with the future characters, such as Rachel Nichols’ husband and William B Davis (aka The X-Files’ Cigarette-Smoking Man), who presented an opportunity for a more nuanced show, rather than the more police procedural, present-day show that we’re starting to get. And Nichols’ catsuit is becoming something of a sonic screwdriver, as is her Jesse Eisenberg-alike helper monkey, who can crack any IT system, no matter how secure.

All the same, we are also gaining a few things. There are some interesting twists involving the bad guys, who aren’t one block of people but a conflicted bunch who don’t all agree on political methodologies. Supporting hunk Victor Webster is getting some characterisation, fleshing him out into an almost interesting sidekick, which might present some interesting romantic issues for Nichols’ character if she believes she can no longer get back to her family.

On the whole, although it’s not the most original of shows, it’s a pretty intelligent, well-made SF-action series, with well-rounded characters, a decent cast, some original ideas of its own as well as a few surprises. It has an ongoing plot to keep you interested and you never know exactly where it’s going. Give it a try if you can.

Carusometer rating: 3
Rob’s prediction: Should last at least two seasons, maybe more

US TV

Question of the week: are modern documentaries worse because they’re shorter or because they’re stupider?

In Search of the Trojan War

So I’ve been despairing of the current state of TV documentaries for a while. Whether it’s the inherent fluffiness of Horizon now or the terrible state of pretty much any BBC1 documentary that doesn’t involve David Attenborough (e.g. Atlantis or Egypt’s Lost Cities) – imagine the horror of last week’s Horizon about the transit of Venus, hosted by Egypt’s Lost Cities‘ Liz Bonnin. Shudder. Even Bettany Hughes is going off the boil now she’s on the BBC, fronting opinion pieces masquerading as documentaries, such as Divine Women and her equally selective Timewatch show about Atlantis; Fry’s Planet Word was similarly disappointing.

You might think that BBC4 might be different, and in some cases you’d be right. But even some of these (e.g. Delphi – The Bellybutton of the World and Ancient Worlds) have been flawed, a little light on detail and occasionally wrong.

Okay, so we haven’t reached the nadir of the Discovery Channel et al (“Did aliens assassinate JFK?”) yet, but the days when you could actually learn a decent amount from a BBC documentary that isn’t about wildlife are disappearing fast, it would seem. As Victoria Coren put it on last week’s Have I Got News For You, QI is about the only programme on TV that doesn’t treat you like an idiot.

Now, the obvious counter argument to this is that I’m nearly 40 so maybe I’ve actually learnt a few things by now, so of course the documentaries I watch are going to seem less informative than the ones I watched when I was a kid – I’m older so it would seem my failing eyesight needs rose-tinted glasses to help it.

A test of that would be to watch older documentaries to see if I can learn something from them. Well, the trial run of that was when I watched Bronowski’s marvellous The Ascent of Man a little while ago. And while, naturally enough, there was a lot I already knew, as predicted, there was also a lot I didn’t.

Last week’s test was to try a documentary on another subject where I do have a big chunk of knowledge and/or specialist interest – in this case, late Bronze Age Greek history. Thanks to the marvels of Amazon, I got hold of a DVD of Michael Wood’s In Search of The Trojan War, a six-part 1985 series looking at the evidence for the Trojan War, Bronze Age history both in Greece and in the Middle East, and the history of the archaeology of the site believed to be Troy. And yes, I actually learned quite a bit, because it was bloody marvellous.

An interesting contrast with more modern documentaries is that Wood obviously knows his subject and he doesn’t try to hide it: he doesn’t have to pretend to be the naïf who needs everything explained to him, which is the usual trend (even the lovely Bettany does it) – an effort to make the documentary less didactic. Instead, Wood interviews people to find out things he doesn’t know, but where he does know information, he argues with his subjects and you get to see actual academic discussions of how to interpret, say, whether excavated walls were destroyed by earthquakes or by soldiers collapsing them.

And for Wood, the series is a definite search: by the end, he’s changed his mind about whether the Trojan War happened or not, and then he stinks his neck out to come to a conclusion – which is clearly labelled as his opinion, rather than the collective belief of academia as some documentaries suggest. True, some of the obviously staged scenes wouldn’t pass a BBC ethics committee/Daily Mail witch hunt these days, but this is definitely a series that will genuinely inform. If you have six hours to spare, I’d recommend getting it from Amazon (it’s only a fiver) or if you must, watch it on YouTube after the jump.

But there is an obvious counter-counter argument to the point: Michael Wood had six episodes to do his search in, whereas Bettany Hughes, for example, only had an hour and half to cover the whole of the Minoan civilisation when she was on More4. Of course, BBC4 shows such as Ancient Worlds and The History of Maths have had five or six episodes each, but Wood essentially had six episodes to explore one war and a very narrow period of history of time, so everything was a lot more spaced out in comparison; Bronowski, of course, had 13 episodes to deal with the history of science. Brian Cox’s Wonders of the Universe was four episodes, and his Wonders of the Solar System was five episodes – Carl Sagan’s fantastic Cosmos was 13 episodes.

There may be many reasons for this, ranging from budgets and modern trends in scheduling to a belief that viewers simply won’t stick around for a series that’s too long or a suspicion that people are actually stupider now so won’t stick around for anything too complicated. But whatever the reason, are modern documentaries catering to your intellectual needs?

So to cut a long question short:

Is the problem with modern documentary series that they aren’t long enough or is it that they genuinely aren’t as informative as they used to be? Or am I completely mistaken and they’re still as good if not better than they used to be and I’m just looking at the good ones, rather than the really dull, uninvolving ones of yesteryear? If they are worse than they used to be, what do you reckon the problem is? And would you watch a 13-part documentary if it was on TV these days anyway?

Of course, my theory on series length doesn’t explain why watching Horizon these days feels like being trepanned, but it does at least give other documentaries an excuse. Watch Michael Wood first, though, before you make your decision, particularly if you think Bettany Hughes has been ‘sexing things up’ – Wood goes topless at one point in the first two episodes and there’s a topless woman in the title sequence for no well-explored reason.

Continue reading “Question of the week: are modern documentaries worse because they’re shorter or because they’re stupider?”

US TV

Mini-review: Longmire (A&E) 1×1

Longmire

In the US: Sundays, 10/9c, A&E

After Saving Hope, here’s another show that doesn’t quite merit a full review. Longmire appears to take a page out of AMC’s book – as well as Craig Johnson’s series of mystery novels – by being a slow-moving character piece about a widowed sheriff out in Wyoming – the eponymous Longmire (the Australian actor Robert Taylor, best known as one of the agents from The Matrix).

Longmire doesn’t really have a lot to do, at first, beyond dealing with an uppity but friendly new female deputy from out Phili way (Katee Sackhoff from Battlestar Galactica), a male deputy who wants his job, his lawyer daughter (Cassidy Freeman from Smallville) and a bunch of native Americans who don’t like him and are either off running mobile brothels or being corrupt reservation cops – all apart from that nice Lou Diamond Phillips, of course. Then the unthinkable happens – there’s an actual crime and Longmire has to investigate it, doing as little talking as possible.

It’s beautifully shot on location in, surprisingly, New Mexico. It has an impeccable cast, has some real attention to detail and manages to offer a relatively fresh view on crime stories, although it’s not a million miles away from Justified‘s ‘modern western’. It’s also touching as well, with Longmire’s love of his deceased wife shining through.

But it reads like a last hurrah for conservatism and patriarchy, with the old, white straight guy being smarter and more honourable than everyone else, particularly city folks, women and those pesky Indians who aren’t to be trusted. And despite a few action scenes, it’s not the most exciting of shows either.

Still not bad so far, although since the trailer for the next episode has Sackhoff stripping by a pole in a club, I might be switching off in protest. Not that I count towards ratings, of course. Oh well.

US TV

Mini-review: Saving Hope (CTV/NBC) 1×1

Saving Hope

In Canada: Thursdays, 9pm ET/PT , CTV
In the US: Thursdays, 9/8c, NBC

I can’t quite muster the enthusiasm to write a full review of this, since it’s quite a bad, quite a boring show. Essentially, you have Erica Durance (Lois Lane in Smallville) and Michael Shanks (Daniel Jackson in Stargate SG-1) as irritating, arrogant doctors who work together and are about to get married. Unfortunately, there’s a car crash, Shanks is nearly killed and he ends up in a coma.

You might think that was the end of that, but he then spends not just the rest of the episode but quite probably the rest of the series in an out-of-body experience, moving around, talking to ghosts and anyone else in a coma presumably, mulling over whether he was too much of a dick when he was alive.

Meanwhile, in the background to all of that, you have an incredibly tedious standard medical procedural where every patient has an Issue that needs to be dealt with.

Weirdly, we’ve already seen this done before very recently with A Gifted Man and it wasn’t that good then. What makes this worse is that rather than the lead interacting with the invisible lover as per A Gifted Man, Shanks and Durance don’t actually get to interact at all now Shanks is disembodied. To some this may seem romantic; to others, it means the show is even less interesting than it otherwise would have been. Even the addition of a supposedly hunky, sensitive Australian ex-lover for Durance to triangle with doesn’t lift the script anywhere above forgettable.

Durance is fine, showing slightly more range than she was allowed in Smallville, but only a little. Shanks is very one-note, which is disappointing, given we know from Stargate that he’s pretty versatile. The rest of the cast might as well be made from polystyrene for all they matter, but at least you can like them, unless Shanks’ and Durance’s characters.

Although the central concept is at least interesting, it’s tedious, derivative, shows no sign of getting much better, so don’t bother with it.