Greg Davies in BBC One's The Cleaner
Streaming TV

What have you been watching? Including The Cleaner

It’s “What have you been watching?”, your chance to recommend to fellow TMINE readers anything you’ve been watching this week

As I suspected last week American Rust, an adaptation of Philipp Meyer’s novel that Showtime described as “a compelling family drama and a timeless story told through the eyes of complicated and compromised chief of police Del Harris (Jeff Daniels) of a Pennsylvania Rust Belt town full of good people making bad choices” was about as fun as a hernia operation. Honestly, why do networks think:

  1. People want to watch miserable sh*t right now, after a year and a half of misery (at least a year and a half – apparently, in the Before Times, there were things to be miserable about other than Covid, too, but I struggle to remember those days so can’t confirm that)
  2. Miserable = quality TV while happy = lightweight TV?

It’s just such an odd couple of equations.

I also tried Australian Gangster (Australia: Seven). That’s billed as “Drug dealer, gangster, gym-junky, Lamborghini driver, husband, father, Australian Gangster is a four hour TV series about the life and death of a new breed of Sydney criminal. The kind that doesn’t care about playing it safe or keeping a low profile or even getting caught. Our main character is emblematic of the type of modern gangster that only really cares about looking good on Instagram, making a name for himself in a new, wannabe glamorous crime scene, while at the same time trying to manage the pressures of family life.”

I mean, it’s an obvious attempt to do a new Underbelly, just as a new Underbelly comes out, but want to guess how much fun it was? I mean it opens with a man being mildly threatening to a teacher because his kid has speech issues and so goes around biting everyone.

Do you know what that made me do? It made me watch some British TV.

The Cleaner (UK: BBC One)

“After CSI have done their stuff, the cleaner mops up the grisly remains. For Wicky, a bloodbath and the pub is all in a day’s work. Comedy written by and starring Greg Davies.”

And it’s odd. Mildly funny, but odd. Essentially, it’s a series of two-handers, with Davies turning up at a property to clean it after someone has died and then chatting with whomever he finds there for 30 minutes. So far we’ve had Helena Bonham-Carter, as a widow and suspected murderer who has returned to the scene of the crime; and David Mitchell, as a somewhat irate writer with writers’ block.

It’s somewhat reminiscent of Davies’ Taskmaster in some regards, with the dialogue usually being a battle of wits, before Davies just plays a meanness trump card to win. His character is little different from his standup persona, too, although there are fewer mentions of his mother.

But, I enjoyed it. Bonham-Carter was pleasingly dotty but also sympathetic as the woman who hated her model-making, unromantic husband but never got round to killing him. Mitchell was the “angry logic, you’re all imbeciles” persona we’ve come to expect, but also a figure of sympathy after a while.

It’s all a bit rough and loose, and your enjoyment is likely linked to how much you like Greg Davies. But it was definitely worth my time enough that I’d watch it again.

The regulars

On top of that, I now have two regulars to watch! It’s a true embarrassment of riches. They’re after the jump. But what have you been watching?

Continue reading “What have you been watching? Including The Cleaner”
Streaming TV

Review: Only Murders in the Building 1×1-1×3 (US: Hulu; UK: Disney+)

In the US: Available on Hulu
In the UK: Available on Disney+. New episodes Tuesdays

Fans of TMINE will know that TMINE is not a fan of… well, lots of things, because it’s getting old and crotchety (hence the need for some new, younger blood to add some positivity to things). But also because it has taste. However, specifically, reality shows aren’t getting so much as a sideways glance from TMINE and crime is all but dead to me, because it honestly always seem to be the same old show, time after time after time, and why would you want to watch that?

As a result, the phenomenon of the true crime podcast, which being audio-only has even less appeal than one of those CBS Reality shows such as Murderers and their Mothers, has pretty much passed me by. People listening at home to usually a complete amateur investigating a crime that took place in real life in the hope of solving it, where police have supposedly failed? What could possibly go wrong?

It’s actually almost fortunate then that I stumbled across Only Murders in the Building while skimming through Disney+, looking for something new to watch. I had no idea what it was about, but it had a nice graphic and… Wait, is that… Steve Martin? (reads cast list) Martin Short! Really? He’s still alive and acting?… Selena Gomez? Who’s she? Hang on, I think I’ve heard of her. (Another reason TMINE is in urgent need of new, younger blood…).

And it was co-created by Steve Martin? Okay, sign me up.

So I had zero expectations beyond the creator and the cast of what the show was going to be. And that at half an hour an episode (it’s the new 40 minutes, doncha know?) I could watch at least one without it taking a chunk out of my oh-so-packed day.

Steve Martin, Martin Short and Selena Gomez in Only Murders in the Building

Only a murder in our building

Turns out, it’s about a bunch of people who live in an expensive New York apartment block and who like most people who live in expensive New York apartment block, never talk to one another and don’t know anything about one another. Then one day, there’s an alarm and they’re forced to evacuate the building and de camp elsewhere. There, lo and behold, our three heroes discover they’re all fans of the same true crime podcast.

They try to solve the featured crime together, as fans of true crime podcasts are apparently wont to do, but when they get back to the building, they discover there’s been a real crime committed. Together, they try to solve it and launch their own podcast in the process. The podcast’s hook? Only murders in the building will be investigated…

Continue reading “Review: Only Murders in the Building 1×1-1×3 (US: Hulu; UK: Disney+)”
Red Hood in Titans
Streaming TV

What have you been watching? Including Titans and Superman & Lois

Look at that! It’s September. Didn’t time fly?

So what did I watch in August? Not a lot, to be honest. This actually wasn’t for want of trying but there haven’t been any appetising-looking new TV shows for me to bite my teeth into, TBH. I’m still considering Vigil on BBC One, mind, because it has submarines in it.

There’s one other exception: yet another remake of Fantasy Island, this time for Fox.

I thought about watching that. Then decided not to. It was August after all, and if normality is going to reassert itself post-Covid, we have to reassert the old rules, too: start a new show in August and TMINE will ignore you.

I also realised there’s a whole bunch of shows that are coming back for second seasons that I can’t be bothered with either. So Stargirl on Amazon isn’t getting much love from me, either.

That meant I’ve only been watching a couple of the regulars, both superhero shows, one concluding, one returning.

Superman & Lois

Superman & Lois remained perfect almost to the end, even if Lovely Wife did watch five minutes of it and declare it “terrible”. I thought it was great. Thrilling and exciting, with Adam Rayner proving a wonderful villain. The finale suffered maybe a little from being a slight retread of a previous episode, copying its conclusion and get-out mechanism, but I don’t think it suffered too much from that.

If I had one niggle, though, it’s the final scene: I just didn’t care. The funeral was oddly moving, given what it was. That’s not my niggle. That person showed up. I didn’t care. It was anti-climactic and actually put me off from watching the next season. But only a bit. I’ll definitely be back.

Titans

Meanwhile, Titans is back, now on HBO Max in the US. The main cast are a bit jauntier and a bit less angsty than before, although the absence of both Raven and Donna Troy is a real detraction from the show. Where it works still is on its depiction of superheroes growing up and ageing. This is still very much a show about sidekicks who are now too old to be sidekicks and need to move out of their friends’ shadows – and superheroes who are now old to be doing anything much at all, really.

The problem is that this season so far has focused on the ‘birth’ of Red Hood. Those who know their comics will not be surprised by who that is and the show only takes a couple of episodes to reveal all there. More surprising is just how bleak and miserable it all is. People are dying and getting tortured. Batman’s off murdering people. Not even Scarecrow – Pete from Mad Men – can add any fun to things. It’s just so unpleasant.

So I’ve given up after four episodes. Guys, we’ve been through so much misery over the past year and a half, I’d just like to watch something fun, please. Thanks!

Whitstable Pearl
Streaming TV

What have you been watching? Including Whitstable Pearl

Look at that! Two weeks in a row. Could consistency be approaching, just as August finally arrives? Who knows, but let’s tread softly and not say anything, lest we jinx things.

This week, I’ve mostly been self-isolating, thanks to the pingdemic – thanks, Covid! – so no new trips to the cinema for me. Bah! Or new movies, in fact – just repeated viewings of Black Widow (2020) on Disney+.

But I have been watching TV, at least.

Mostly, it’s been the regulars: Loki (Disney+) and Superman & Lois (US: The CW). Evil (US: Paramount+; UK: Alibi) I’ve decided is just too silly now, so I’ve given up on it. Damn, that was a good show when it started, too.

Also damn: that was the last Loki of the season, but in a change of tack for Disney+, there’s actually going to be a second season. However, all six episodes of Loki showed me was that Richard E Grant is very funny when dressed in the classic Loki outfit.

I did kind of it enjoy, and I get the feeling I’d have enjoyed it even more if I had any idea who (spoiler alert) Kang was in Marvel comics. Everything looked great and Sophia Di Martino’s Sylvie was lovely.

But so far, it’s feeling a little unnecessary: we already knew there were going to be alternative timelines from Avengers: Endgame. The show spends the entire run trying to stop them from happening. And then they happen. Prune those six episodes from the timeline and we’d be exactly where we were when we started, just absent some great comedic acting from Tom Hiddleston.

I’ll dare say others will argue otherwise, but compared to the innovation of WandaVision (Disney+) and what that is giving the MCU, it doesn’t feel like there’s much point to Loki other than giving us more Loki (something I admit I’m not unhappy about).

Superman & Lois continues to give us the definite Superman of any TV show or movie, and we had a sort of conclusion to the current story arc this week, which ended in the most inspiring way possible. Screw Zac Snyder and ‘the symbol means hope but my movie isn’t going to give you any’ – this is a show that is also definitively about the world’s nicest and most inspiring superhero and it knows it without being cheesy.

Slightly oddly we also got a cameo from Diggle (David Ramsey) from the Arrowverse, which amounted to very little (so much for the Green Lantern suggestions), although he’s set to be in future episodes, too. His appearance, however, raised the flipside of the question we always asked when watching Supergirl: where the Hell was Supergirl in all of this and why wasn’t the baddie interested in her at all? Are Kryptonians that sexist?

I did give on new show a try as well…

Whitstable Pearl (UK: Acorn TV)

Whistable Pearl is based on one of those neverending stream of crime books that see quirky men or women in small towns solve all manner of unexpected crimes. This adaptation, one of the first original shows by streaming service Acorn TV, sees Pearl (Kerry Godliman from After Life, Treadstone), an ex-copper turned restaurateur, trying to become a private detective in her native oyster-loving Kent town of Whitstable, while striking up a sort of relationship with widowed ex-cop Howard Charles (The Musketeers) and trying to deal with her grown-up son’s problems, as well as those of her waitress and her mum (Frances Barber).

Normally, I give these kinds of things a wide berth, but not only do I go on holiday in Whitstable a lot so know it well, I was actually on holiday when they were filming it there in October and so I might even be in some of the establishing shots – I was certainly passing the house of ‘posh woman’ in episode two. So I thought I’d give it a go.

The first thing to note is that it’s really trying hard to be a Nordic Noir with its title sequence and theme: apparently, that’s now the go-to for European crime shows of any kind. However, the show itself is pretty generic stuff after that, without much edge to it. It’s 45 minutes in which a crime is established, everyone gets interrogated by Charles and/or Godliman in various capacities or they interrogate each other for facts/local knowledge, and the whole thing gets solved by the end. There’s nothing really remarkable about it at all. Even Charles seems weary of the pedestrian nature of the plotting.

But… it does look great. They use Whitstable and other Kent locations well (Ramsgate harbour gets a look in in episode two), although I spent most of my time trying to work out what specific shops and restaurants normally were when they’re not covered in fake fascias. Everything looks quasi-moody and picturesque (or at least like Whitstable in October when it’s not absolutely bucketing it down). Godliman is actually a charismatic screen presence. Two eps was my limit, but if you like slightly quirky crime shows in regional UK locations, Whitstable Pearl is worth a try.

That’s what I watched. But what did you watch?